The Guggenheim Museum Bilbao Museum

More and more people create our hotels, schools, homes, theme parks, and several other structures. Those people are called architects, they are people who design buildings and construct them in some cases. People may also define them as scientists and artists. Frank Wright and Frank O’Gehry are similar, however, they have their own unique style and design when it comes to buildings.

Countless art has been sought-after throughout history. Explorers, scientists, art collectors, politicians, and entrepreneurs from Western nations have sought out and removed art from the lands of great civilizations, often with the assistance and participation of local people and governments. Even as cultural property faces immediate danger today in conflict zones like Syria and Mali, there is circumstantial evidence that some nations are awakening to the political and foreign policy benefits that can flow from the repatriation of cultural patrimony. While on a different scale from World War II, historic structures, religious monuments, and other priceless ancient times continue to suffer collateral damage and manipulation in armed conflict. Relics have been stolen, smuggled and sold in what is a reported multibillion dollar underground market. They have become the illicit prizes of private collectors and the subject of legal claims against museums. Of the countless museums subject to legal claims, The Metropolitan Museum of Art in New York City happens to be one of them. “The Metropolitan Museum has acquired thousands of works and objects of art from the antiquities”. “For the past several years, the government of Turkey has warned U.S. and foreign museums (including The Metropolitan Museum of Art), that unless ancient objects from Turkish soil are given up on demand, Turkey will stop lending artworks” (The Committee for Cultural Policy, 2015). Turkey continues to up the

The Museum of Fine Art in Houston (MFAH) is the oldest art museum in the state of Texas. The very first museum building opened to the public in 1924, known as The Caroline Wiess Building, which was designed by William Ward Watkin. The building itself represents the neoclassical style that was prominent in the eighteenth and nineteenth centuries. The formation of the building represented the determination of Houstonians to transform their growing city into a rich, cultural center. It’s function is to bring art into the everyday life of the citizens of Houston. These elements are instilled in the architectural design of the building. The setting, space, location, and lighting of the building all play a role in its overall function.

With exhibitions of the most thought-provoking art, The Museum of Contemporary Art in Chicago is one of the Nation’s largest facilities devoted to the art of our time (“About the MCA”) . The mission of the MCA is to offer a direct experience to the public of modern day art and living artists. German architect Joseph Paul Kleihues designed the new building with seven times the square feet of its previous facility (“The Building”) . October of 1967 the museum opened its doors to the public for the first time. The Museum of Contemporary Art is a symbol of modern art, culture, and the artist of our time. It is a stepping stone in history and will leave footprints in the heart of Chicago for many generations to come.

The Guggenheim Museum is a form of abstract art which has no separate floor levels but uses a spiral ramp. This was his ideal of continuous space and most significant building. His principles

One of California’s most popular cities, San Francisco is known for its thought-provoking and skyscraping attractions, such as Alcatraz Island, the Golden Gate Bridge, and the Coit Tower. Yet, San Francisco is also recognized for its informative and stimulating museums, portraying life for different populations worldwide. Located in the heart of the Golden Gate Park, the California Academy of Sciences museum offers visitors an insight into ecosystems, animal species, and natural-occurring events from all around the world. The attractions and displays at the California Academy of Sciences may appear to be similar to other museums to prospective visitors, yet its exhibitions, ranging from aquatic life to ecosystem simulations, may help broaden one’s perspective of the different environments found locally and worldwide.

Frank Lloyd Wright: Was a modern architect who developed what is known as the American style. He is considered to be the greatest architect of the 20th century. He designed numerous iconic buildings like the Robie House in Chicago.

The de Young museum seen from a distance is a bold architectural statement, with its sleek horizontal building, indeterminate dark brown color and its massive tower emerging from its slightly bent curving roof. The building is an example of boldness, internationalism and cultural neutrality. Its setting in the Golden Gate Park’s landscape with the topography, vegetation; weather and light are taken advantage of. The significance of nature and the art that is housed in the museum from the Americas, Oceania, and Africa can be seen as having resonance in the architecture. Many of the works of art are sacred in their cultures, are made of natural materials and were never intended to be displayed in formal settings. Post modern theme of ‘context’ comes into expression as Jacques Herzog put it: “These objects belong to nature. We wanted to emphasize that”.

This week readings discusses both the history of museums, primarily in the United States, and their evolution from high brow institutions to ones that serve, educate, and engage the populace. The articles also trace the constant discussions museum professionals had regarding the focus and dissemination of their collections. These articles all agree that museums must transform from places that solely focus on the collection, preservation, conservation, and dissemination of rare items to ones that also become a part of the community, represent the many voices and interests of the public, educate, and become a forum for discussion about issues beyond the items in a glass case of hung on he wall.

In our modern world, we often neglect the cultural importance of art. Large collections of traditional artifacts are present in museums across the world, but the number of annual visitors shrinks every decade. Because of the decreasing demand of live works of art, those who manage museums must choose every exhibit and display case wisely to ensure maximum appeal to the general public. Important decisions regarding museum structure change museums every few years, similar to how “Peale’s Museum . . . grew from a small sampling of curiosities . . . to a large and impressive collection of scientifically classified specimens in the 1820s” (Source B). In order to consistently modify museums, the management must consider what pieces of

Two architects have influenced culture. Rafael Carmoega was born in Rio Piedras, Puerto Rico, in 1894. He studied architecture at Cornell University. Another talented architect was Frank Lloyd Wright, who was born in Wisconsin, United States in 1867. In 1888, he worked under the famous architect Louis Sullivan, where he was inspired to improve the style of the Prairie School.

This essay is derived from the argument made by Benjamin Genocchio’s an art critic and non-fictional writer from Australia, titled “As a Museum, Frank Gehry’s Fondation Louis Vuitton in Paris Disappoints.” It’s boring, safe, sanitized -a handbag palace on steroids, on 6 November 2014 for art guide. The author demonstrates his review towards the foundation Louis Vuitton building, Paris at the end of the article Benjamin culminates that ‘’ A heralded reliance on “aerospace technology” and special 3-D software developed by Gehry’s Technologies, which made it possible to model complex shapes imagined for the exterior and is kind of interesting in a science-nerd sort of way, is redundant and irrelevant”. The readers of this essay witness the contradictory

Frank Owen Gehry is a Canadian American architect that was born in 1928 and now resides in Los Angeles California He is known best for his post modern designs which includes the Guggenheim Museum in Bilbao Spain and the Walt Disney Concert Hall in Los Angeles which is the new home for the Los Angeles Philharmonic which Gerhy designed to be one of the most acoustically complex concert halls throughout the globe. Gehry also has other well known architectural creations such as the Vontz Center for Molecular Studies at the University of Cincinnati, the Art Gallery of Ontario in Toronto Canada and the MIT Ray and Maria Stata Center in Cambridge Massachusetts not to mention Gerhy’s own private resident in Santa Monica California that utilizes unconventional building materials such as corrugated aluminum sheets and chain link fencing that is clad to the exterior of his home in the deconstructivism style. Frank Gerhy has also been chosen to be the architect for the future Dwight D. Eisenhower Memorial.

Architectural qualities of the Guggenheim Museum in New York have an expressional capability of conveying meaning onto its user. William Whyte suggests that this is able to be read as a language, related directly to its spatial features and geometries. This essay attempts to examine the Guggenheim’s meaning in a contextual framework of time, through the medium of photography. Discussing critical interpretation at the time of the Guggenheim’s completion, and how socio-cultural changes have translated different means of understanding the architecture and its language, and importantly, whether this is a good thing or not. Meaningful interpretation of architecture has been suggested by Whyte to be readable, complex across different sets of media, and subject to change throughout time. The contrasts of the photographic medium in the 1950s with today’s era vary greatly in terms of accessibility, abundance, and publishing control. Architectural photography in the 50s was placed in edited sources, Books, Magazines, Newspapers, Journals, Advertisements, whereas today images of architectural photography are largely obtained through online search engines such as Google Images, and Flikr. Some key questions examined in the essay relate to the intent of the photographer, production bias, and the medium in which the photograph is presented and how this has an affect on the way in which the Guggenheim was likely understood at the time of its opening, and how it is read today, by users

Ludwig was born in Germany in 1886. His father was a stonemason and Ludwig began working with him at a young age. He then moved to Berlin and worked for notable architects and furniture designers. He was given a lot of praise for his skyscraper designs. Most of the early work he did was residential and he received his first independent commission, the Riehl House, at the age of just 20 (“Legacy”, 2012). Ludwig was highly respected for the many innovative structures. Due to his many well-known designs, he was asked to construct a pavilion for the World Fair in Barcelona. The Barcelona Pavilion soon became his most famous structure. This design became his inspiration for his future projects. Since many people admired Ludwig and his work, in 1930, he was named director of the Bauhaus. This was the renowned German school of experimental art and design, which he led until 1933 when he closed the school under pressure from the Nazi Regime (“Legacy”, 2012). He also continued to be partners with Lilly Reich, the furniture designer of the pavilion.