Essay The Hamlet Ghost

The ghost first appears to three soldiers on guard: Bernado, Francisco, and Marcellus, along with Horatio, a friend of Hamlet and visitor to Denmark. Bernado and Marcellus desire to reveal the ghost they have witnessed for the past

The Ghost in Hamlet is a widely controversial topic with arguments determining whether the Ghost is a “goblin damn’d” or a “spirit of health.” (1.4.40) “‘A spirit of health’ is one, which comes from heaven with charitable intentions, and ‘a goblin damn’d’ is one, which comes from Hell with wicked intentions.” The Ghost only has two appearances in the play and is a symbol for uncertainty, yet it is important as it catalyses the play into action and also Hamlet into madness. The Ghost in Hamlet is an evil spirit returning to revenge his killer Claudius; which is a questionable action for a Catholic person leading the audience to believe that the Ghost is evil. He pressures Hamlet into revenging Claudius while destroying Hamlet’s

In the early 1600’s, William Shakespeare created the masterpiece play Hamlet. Since that day, numerous theaters have performed the play and many publishers have made they’re version of the original playwright (the original copy is at an unknown location.) For these years, there has been numerous debatable aspects of Hamlet - one of which being whether or not the ghost encounter with the deceased King Hamlet was real. Of course, Horatio is the credible witness to tell us of the ghost’s existence - but the ghost never actually talks to him like he does Hamlet. In fact, no one besides Hamlet has actually heard the ghost of King Hamlet speak. Furthermore, Hamlet is already grief-stricken over his father’s death and completely expects this ghost

Hamlet questions the true intentions of the ghost and whether it be “a spirit of health or goblin damn’d,” (1.4.669). The Ghost enlightens the Prince of the treason committed by his uncle Claudius, which Hamlet doubts the legitimacy for an instance. According to “Hamlet’s Precarious Emotional Balance,” “Hamlet conceives a way out of his uncertainty, a way to make certain that he has not, because of his melancholy, simply hallucinated the ghost's revelations or been tricked by an evil spirit,” (Lidz). Hamlet develops a scheme to “catch the conscience of the king” by staging a play that depicts the murder of King Hamlet precisely (2.2.581).

The ghost reveals that King Hamlet was murdered by Claudius; Hamlet swears to avenge this deed. With the ghost’s exhortation, Hamlet ironically “is not to be allowed simply to endure a rotten world, he must also act in it” (Mack 258); the one who least wants to be part of the world must engross himself fully with the things of the world in order to validate the ghost’s accusation and then carry out his wish. In his essay, “Reforming the Role,” Mark Rose discusses the irony involved with the ghost’s appearance:

The first soliloquy ends with the arrival of Horatio, the hero’s closest friend (“Horatio, thou art e'en as just a man / As e'er my conversation coped withal.”), and Marcellus, who escort the prince to the ramparts of Elsinore. At the ghost’s request, Hamlet swears to carry out vengeance on King Claudius for the murder of his father. John Dover Wilson in What Happens in Hamlet tells how the Bard envelopes the ghost in a “contemporary

At around ten o’clock at night, a young girl was laying in bed when all of a sudden someone started rubbing her cheek. She looked around and no one was there. Was this her imagination, or was someone there? Ghosts always make their presence known, just like the Ghost in the tragedy Hamlet written by William Shakespeare. Throughout the character of the Ghost of Hamlet’s father, Shakespeare portrays many Elizabethan beliefs on ghosts. Shakespeare creates the question: is the ghost good or bad? Many people have their own opinion on this question, but in this writer’s opinion, the Ghost of Hamlet’s father is a good ghost because throughout the tragedy the Ghost of Hamlet’s father never physically hurts anyone, instead he persuades Hamlet

Although indecision continues to plague him, Hamlet establishes the certainty of the ghost's claims of murder using a play, written by Hamlet himself and performed before

To start with, the ghost heavily influences the development of a few characters in the play which includes Hamlet and his friends. In the opening act, Hamlet’s friends encounter the ghost of the former king while standing guard on the wall of the castle. They are the first and only characters besides Hamlet that the ghost influences. They are also the only ones besides Hamlet that can see the ghost. This furthers the story by sending Hamlet’s friends on a mission to tell him of his father’s return. From the beginning of the play Hamlet is already depressed and down after being called home from school to return to Denmark to witness the funeral of his father. Following the funeral Hamlet meets up with his friends where they tell him of his father’s ghost. Immediately, this sparks Hamlet’s interest and he wishes to hear more of his father. ‘The king my father!/For God’s love, let me hear.” (1.2.192-95 Hamlet) Here Shakespeare shows Hamlet’s interest in the matter

The story opens in the cold and dark of a winter night in Denmark, while the guard is being changed on the battlements of the royal castle of Elsinore. For two nights in succession, just as the bell strikes the hour of one, a ghost has appeared on the battlements, a figure dressed in complete armor and with a face like that of the dead king of Denmark, Hamlet’s

The ghost made the whole situation for Hamlet seem even that much more unreal. He already wished that all of the recent events he had to deal with were not real. He then has to deal with the reality of this ghost. It seems to influence him terribly and takes a negative toll on his emotions. This occurrence continues to further diversify Hamlet’s feelings and emotions (Snider, 67).

    Though Shakespeare cannot claim the invention of the ghosts in tragedies, still he can claim to have clothed his ghost in Hamlet with convincingness. This essay concerns his one supernatural character in the tragedy.

"Hamlet", written by William Shakespeare in the seventeenth century, is a tragedy of great proportion and great debate. When the play begins, Hamlet is moping around at home. His father recently died, his mother sinfully married her brother-in-law, and he was cheated out of the throne by his ambitious uncle. He is angry and bitter, and after initial skepticism, is more than willing to accept the ghost who seems to resemble his deceased father. The specter, who claims to have been murdered by Claudius, calls upon Hamlet to avenge his death. Hamlet's current state of mind, the ghost's request for revenge, and the ghost's appeal to Hamlet for mercy toward his mother, all put

With the appearance of the ghost the reader is, whether they realize it or not, being challenged to take a position on Hamlet's state of mind. At first the reader may take it at face value assuming that a ghost is a ghost and should be accepted as such. But after a deeper look using the psychoanalytic perspective of critical evaluation, it becomes believable that the ghost is just a trick of Hamlet's mind used to justify his urges to avenge his father's death, a sort of madness. It is hard to decide what to think about Shakespeare's introduction of the ghost because of the two different ways he portrays it.

This story begins on a cold night in Denmark Elsinore Castle when Hamlet’s trusted friend Horatio, and some guards see a ghost, the ghost of King Hamlet to be exact. The philosophical and complicated yet socially popular young Prince of Denmark, Hamlet, is busy fuming at his uncle Claudius who married his mom two days after his father's death. Hamlet suspects that they conspired to kill his father, and he even contemplates suicide. His hopes are lifted when he hears about the ghost.