The Hand

The object of examining gender roles is to answer the question why should women and men be equal and "Are there populations in which men and women are absolutely equal? Are there societies in which women dominate men?" (Gender 238) By understanding the culture in which this piece of literature is written, the gender roles and the rules of behavior for a woman, then the relationships between genders can be realized. The general myth about women and their gender role in the American society is that the mother works in the home and supports her man in every way. For each relationship, the people in that relationship must decide the particular roles that they will play. In the literary work "Girl", Kincaid shows clearly that the woman's role in this work was to serve the family and to work mainly in the house. The mother writing this story tells her daughter that "this is how you iron your father's khaki shirt so that it doesn't have a crease" (Kincaid 489). In this marriage, it is understood that the wife is to do the laundry for the husband. Today's society does not always provide these clear roles since many women work a full time job and the house chores are a responsibility for both to handle. Though the woman is still mainly held responsible for the home. There should be a constant search for equality in gender roles. Kincaid explains how the man is working to bring home the money and the wife supports

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

Kate Chopin and Sidonie-Gabrielle Colette create the theme of obedient love and the discontentment in life that is to follow. This is important in both stories because both Mrs. Mallard and the wife in “The Hand” are virtuous, submissive wives who doubt their marriage and question their love for their significant other. Although the wife in “The Hand” has only been married for a short period of time, about two weeks, she comes to the realization that she has made a mistake in getting married as an adolescent. The wife starts out excited about her new life to someone she barely knows but loves. As she lays in bed unable to sleep, she notices and admires his features in great detail. “To herself she also praised his mouth, full and likable, his skin the color of pink brick, and even his forehead, neither noble nor broad, but still smooth and unwrinkled” (Colette 275). This feeling does not last long before her view of him changes to that of disgust as she notices his hand take on a “vile, apelike appearance” (Colette 275). Mrs. Mallard has been married for quite some time and has lived her life through her husband. She endures an obviously unsatisfying marriage that is defined by “a powerful will bending hers in that blind persistence with which men and women

The narrator is being completely controlled by her husband. The narrator's husband has told the her over

The short story presents women as aware but misunderstood by men through use of narrative point of view. In society women are usually seen as inferior to men, and therefore often don’t get the acknowledgement they deserve. “The women held their secrets because when they mentioned it to their husbands or brothers they were laughed at….Instead of sympathy, the husbands and brothers now had a secret weapon”. This shows that women did not share their fears as it gave others ideas to torment them further. Women in the short story are also shown to be fully aware of the boy’s behaviour early on in the story. “The men of his home town said, but how

This demonstrates how Curley’s wife’s uses her attraction of her body to achieve her desired outcome over the men, thus showing how Curley’s wife goes through the temporary nature of the shifts and notions of power to control the other men while having her life influenced by her husband.

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

In “Desiree’s Baby” and “The Story of an Hour” there are two distinguishable women who are dependent on and controlled by their husbands both physically and emotionally. In “The Story of an Hour” Mrs. Mallard is restricted by the institution of marriage while, in “Desiree’s Baby” Desiree is confined to her husband because of her dependency on him.

The author shows a great example of the power these men had against these women in the village. In the time period this story took place, it was amazing to the author to witness that gender inequality was still a very big issue in some places. The author described how shocked she was when she found out that these women were not allowed to

Introduction: John’s domination over the Narrator is evident from the beginning of the short story. The Narrator remains unknown and takes the identity of John’s wife not an individual human being. This identity, further explored, becomes her personality because she obeys John’s every command.

The narrator is totally crushed by the gender discrimination. She longed to be seen by her mother and her grandma. The narrator is heartbroken that her mother loved her brother more than her and failed to notice her. “When she went into Nonso’s room to say good night, she always came out laughing that laugh. Most times, you pressed your palms to your ears to keep the sound out, and kept your palms pressed to your ears, even when she came into your room to say Good night, darling, sleep well. She never left your room with that laugh” (190). Her agony can be easily seen by the way of her narrating. She does not get the affection that she deserves. She really needs the affection from her own mother, but she is not getting it. She compares the love which her mother shows to his brother and herself. This is gender discrimination can be seen with her grandmother too. She hated her grandma as she would always support her brother and find fault with her. Even though what the brother did, no matter what crime. Her mother and grandmother always supported her brother and never supported or showed interest towards

A particularly strong theme that runs through the entire novel is the unusual power that women play over the men in their lives. Rather than simply being passive to the impulses of men, Mildred takes charge of her life and decides which men she will be with and leaves those that she no longer has an affection for. Cain dives into more controversial territory by having Mildred use men for her own sexual satisfaction. Cain also moves women into the role of successful ‘breadwinners’ during a time where men generally held financial power further blurring traditional roles of gender.

At this point she simply finds no other way but to accept the stereotypical view of a young innocent girl in a relationship with an experienced man, another example of women being victims of male authority. The key to the bloody chamber is the key to her selfhood and subjugation that will ultimately kill her. ‘The protagonist’s husband clearly considers her an object of exchange and plans to inscribe upon her his continuing tale of punishment for wives’ disobedience’[viii] again showing how women make themselves victims of their own behaviour, Helen Simpson’s interpretation is that ‘I really cant see what’s wrong with finding out about what the great male fantasies about women are’ [ix] The heroine fights against the victimisation, and indeed reverses role with the male in the story, as it is Marquis who dies and it is the female who leaves this chamber and finds happiness.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

Despite the fact that the knight despises her, the old woman persists on getting the knight to love her. While the knight is complaining about how terrible his marriage is, the old woman says he will give him the choice of she either being old and unattractive, or young and more attractive, making males more attracted to her. She tried to give him the choice of which way he wanted her, when in all reality, she was gaining more control over him by allowing him to think he had control over her. After this, the old woman