The Handmaid's Tale: Chapter Analysis

Elie Wiesel conveys meaning through the use of symbolism of the word “night” in the book Night. “Night” depicts the darkness of the soul. For example, the scene of the truck full of children consumed in flames. Wiesel states, “Never shall I forget that night, the first night in camp, that turned my life into one long night seven times sealed” (Wiesel 34).

Firstly, the author uses many similes, symbols and short sentence structures to emphasise the oppression and the totality of the control that the government has over Offred. She uses different objects in the room to symbolise Offred’s situation.

Night is a story that reveals some of the worst of the human race. It is a re-telling of a young Jewish boy, Ellie Wiesel, coming of age in the midst of the Holocaust. The book is quite short and very clearly written, but it is still a very hard book to read. The young boy who is also the author of the book makes us, the readers, accompany him through many in-human and near-death experiences. These are written in such detail that anybody taking the time to read the book will be left with an in-depth knowledge of what we as humans are unfortunately capable of and a desire to contribute in any way possible preventing this part of our history to ever repeat itself. This, I believe, is the authors goal, to teach us, make us aware through his own experience, and hence give us a reason to hopefully prevent it in the future.

On the whole, the reasons why this book is called “Night” is because it had symbolised darkness,

She takes advantage of her passion for the darkness as a way of persuading her side of the argument, placing greater favor upon the peacefulness in darkness versus chaos in the light. Also her description of her emotions when she is surrounded by darkness suggests that our busy lives in the light have taken relaxation away from our lives; darkness helps us fall back into simpler times and serenity.

Elie Wiesel uses many prime literary elements and devices throughout his memoir “Night”. Such as diction, he throws metaphors in there, he also foreshadows in this book to prove that Elie and his father are fighting for their humanity even though everything in their life is trying to strip that of them. The book Night is a book by Elie Wiesel about him and his father’s involvement in different concentration camps during the Holocaust toward the end of WW2. In the beginning of Night, Elie uses significant diction to describe imagery.

On a two-page spread a paragraph begins ‘I’m running with her, holding her hand, pulling, dragging her through the bracken,’ and the next paragraph begins ‘the bell wakes me; and then Cora, knocking at my door.’ In just two paragraphs Offred is in two mind-sets. The tension in the first paragraph is much greater than the second, especially due to the pace and countless use of verbs: ‘I think about her drowning this slows me down,’ and ‘dry branch snapping’ also ‘there’s breath and the knocking of my heart, like pounding.’ These actions of ‘drowning’ and ‘snapping’ are unheard of in Gilead which makes this an outrageous though, particularly of a handmaid. The instructions of a handmaid are to be impregnated by Commanders for ‘the population levels to increase’ and not much else. Atwood’s intention of putting this paragraph in would be to juxtapose the reality of what could happen on a normal day to a day in Gilead, by using time

The realism movement of the late nineteenth century produced works in literature that were marked by reduced sentimentality and increased objectivity. The goal was to let details tell the story, and remove noticeable bias of the author through scientific and detailed descriptions. While this form of storytelling undoubtedly is most accurate, it creates difficulties for authors to incorporate their themes into the story. This resulted in an increase in symbolism in realist works. The objects and descriptions within the story are the author’s vehicle for displaying the values and themes of the work. Light and darkness are symbols commonly used in literature, and have held specific symbolic

Offred's memories are a way for her to escape a society riddled with hopelessness. The authoritarian society of Gilead prevents her from

In Margaret Atwood's The Handmaid's Tale, Offred recounts the story of her life and that of others in Gilead, but she does not do so alone. The symbolic meanings found in the dress code of the women, the names/titles of characters, the absence of the mirror, and the smell and hunger imagery aid her in telling of the repugnant conditions in the Republic of Gilead. The symbols speak with a voice of their own and in decibels louder than Offred can ever dare to use. They convey the social structure of Gileadean society and carry the theme of the individual's loss of identity.

As the female narrators reads the story to the audience we realize that she often has flashbacks to former times, when the United States was still a nation. She recalls the happier times she had with her mother, her close friends, and her lover and husband Luck. In the Pre-Gilead period, she also had a little daughter, June, with Luck. Offred's mother was a single mother and feminist activist. Her best friend was Moira, who was also fiercely independent.

From the outset of 'The Handmaids Tale' the reader is placed in an unknown world, where the rights and freedom of women have been taken away. We follow the narrative journey of a handmaid, named Offred.

The Handmaid’s Tale is a story told in the voice of Offred, who is the character of the “handmaid”, which is described best by women who are being forced and used for reproduction because they can make babies. In the Handmaid’s Tale, Margaret Atwood uses symbolism, which is the use of symbols to represent ideas, to show the reader the handmaid’s role in society of Gilead. The handmaids were women who had broken the law of Gilead, and forced into having sex and reproducing for the higher class. They had no rights and were watched constantly so this created a very nervous atmosphere. This horrible way of living is most likely why Offred never fully made the reader aware of the horrible life she was forced to live because

This is exemplified when Offred hears Aunt Lydia say, “Ordinary is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary” (Atwood 33). The repetition of ordinary is used to reinforce how harsh realities (e.g. public execution) are perceived and justified as normal by the citizens of Gilead; however, in Offred’s previous life, she would have been repulsed to see a public hanging of an innocent person. With Aunt Lydia’s presence and words casting a shadow in Offred’s mind, she begins to have a sense of normalcy about life in Gilead. The Aunt Lydia’s words are so powerful and influential that Offred begins to transform her way of thinking, which mirrors the lack of individuality that she displays. Not only can Offred not think for herself, but her vision is also controlled by Gilead. For instance, Offred and other handmaids must wear white wings, which are a headdress to restrict their vision. This is shown when Atwood writes, “There remains a mirror, on the hall wall. If I turn my head so that the white wings framing my face direct my vision towards it…[I see] myself in it like a distorted shadow” (9). The white wings are symbolic of her not being able to see reality and only what Gilead wants her to see; therefore, her vision is restricted and so are her thoughts. Furthermore, her vision is not

Offred, within the novel, is seen as being in one of the lowest classes within the hierarchy of women only putting her above the women who are sent to the colonies. Unlike the handmaids, the Martha, who are helping ladies to the Wives, talk about Offred like she is not in their present but viewed her as “a household chore,one among many”(Atwood 48). Although the Martha are women too, they have more control than Offred. By viewing Offred as a household chore conveys that Offred is an inconvenience but still a necessary part of Gilead. Speaking about Offred like this emphasizes that she is below them in the status of society and they are not seen as equals. In addition, Offred, being a handmaid, wasn’t allow to talk to the Wives in a direct manner (Atwood 14-15). By Offred not being allowed to talk to the Wives illustrates that the Wives authority over the handmaids. Furthermore, the handmaid’s are viewed as less and “[reduced]... to the slavery status of being mere ‘breeders’” (Malak). By conveying the handmaids are slaves shows are they force without consent to have sex with men and that the handmaid focus is to breed, unlike the Martha, aunts, and Wives. Moreover, the class system within the female hierarchy of Gilead is utilized as a political tool thus adding to the assumption