The Happiest Girl In The World Summary

The last literary device Eugenia Collier exercises to deepen her sensation  of despair and disgrace is diction. Collier influences her words to carve her emotions into the reader, one can sense the feelings of puzzlement and the irascibleness it evokes. For instance, in this quote the reader can grasp Eugenia’s voice through her use of eloquent words “ I indeed lost my mind, for all the smoldering emotions of that summer swelled in me and burst - the great need for my mother who was never there, the hopelessness of our poverty and degradation, the bewilderment of being neither child nor woman and yet both at once, the fear unleashed by my father’s tears. And theses feelings combined in one great impulse toward destruction.” This quotes reveals the emotions the author choice to seal

This paper will be a unique interpretation coupled with an analysis of rhetoric in A Thousand Acre’s by Jane Smiley. This non-fiction novel is told in third person omniscient and is focused on the point of view of one of the main characters, Ginny Cook. A Thousand Acres was a modern-day retelling of Shakespeare’s King Lear; set on a large farm and small town in Iowa. This setting is important to the plot because it is more realistic compared to a far away mystical land that is detached from its audience. Smiley uses various rhetorical and literary techniques within her book to engage readers while still keeping to the basic storyline previously written by Shakespeare. Smiley’s use of language positively aids the imagery and emotions seen

To begin with, the author’s implementation of short sentence fragments throughout the poem illustrates the exasperation and frustration bottled up in women in response to

In “13 Happiness Street”, Bei Dao gives a satirical narrative of a journalist, Fang Cheng, who embarks on a journey to discover who lives in 13 Happiness Street. However, this quest turned to be an intricate task, and he ends up being put in a “lunatic asylum” after finally discovering the secret of the house. After reading the small box at the end of the last page (page 16), we discover that Bei Dao was a co-founder of the Jintian magazine, which was published during the Democracy movement period. This led me to research more context of Bei Dao and discovered that he was greatly involved in pro-democracy movements and disliked the Cultural Revolution. His work was known for being against the communist government and received much fame by political

“A Sorrowful Woman” features a superficially simple narration style. “Now the days were too short. She was always busy,” Stylistically clipped, with a clear passive, detached, voice the narration style seems to be a banal, unimportant feature of the text. Yet the exact mendacity that prompts this description actually serves as a prerequisite to developing an understanding for the principal character’s mindset, and consequently the theme of the text. The last passage contains numerous examples of detached narration but the clearest occurs when “She was always busy. She woke with the first bird. Worked till the sun set. No time for hair brushing. Her fingers raced the hours.” The concise, third person narration in this segment allows the reader to experience the slightly off viewpoint of ‘the mother.’ Specifically, given the lack of motivation present through the text coupled with the concluding suicide it becomes evident in the text that ‘the mother’ is suffering from depression. Given the societal stigma surrounding mental illness authors generally face an uphill

Comedy and tragedy would not seem to mix well, as they have opposite conclusions of happiness or sadness. To have comic and tragic plots within one play, then, can be argued as being too distinct to be coherent. In The Insatiate Countess, however, it is the differences between the tragic plot of the countess, Isabella, and the comic plot of Abigail and Thais, that strengthen the play’s message supporting loyalty in friendship.

Throughout history great writers have brought women’s struggle under male dominance to light. Shakespeare’s Othello and Glaspell’s Trifles bring great female characters to the stage that share similarities. Both Glaspell and Shakespeare follow the same theme, while using both foreshadowing and irony to illustrate that Desdemona, Emilia, Bianca, Mrs. Wright, Mrs. Peters, and Mrs. Hale live under similar oppressive conditions.

In the story “Marigolds,” the author, Eugenia Collier, uses voice elements to support the poignant tone of the story. In the story, Collier includes a metaphor that evokes a feeling of sadness when her father cried. Lizabeth heard “[her] father, who was the rock on which the family had been built, was sobbing like the tiniest child,” (Collier 404). This reveals that Lizabeth’s father is the strong foundation that built the family and gave it confidence, love, encouragement, and a role model. Although was the foundation of the family, his wife worked every day making her the breadwinner. The metaphor eventually destroys Lizabeth confidence because her dad is crying and that gives her insecurities that something is going wrong. This relates to the poignant tone because the metaphor evokes the feeling of sadness.

In comparison to, Mrs. Freeman who is the complete opposite of Mrs. Hopewell whom she has worked for, for four years. O’connor does not show her point of view in this short story only what Mrs. Hopewell and Hulga describe her to be. She is described as very outspoken on whatever he thoughts are. She is very familiar and used to the unexpected due to her daughter Carramaes early marriage and pregnancy at the age of fifteen.

In the real world, problems and complications come up and happily ever after’s don’t exist. Sexton takes the classic story of “Cinderella”, reworks it, and makes it into her own twisted version of a fairytale. She starts the audience off with a few little “rags-to-riches” accounts comparing modern culture’s unrealistic dreams to what life really is like. Then she goes into telling the readers the famously known fairytale in a sardonic tone. The audience gets a sense of frustration from her way of expressing herself in each little story she talks about. She shows the world that its not always rainbows and butterflies, the real world is more complicated than that.

Every author, poet, playwright has a subtle message that they would like present to their audience. It may be a lifelong struggle that they have put into words, or a multiple page book that took a lifetime to write. A poet by the name of Anne Sexton sought out to challenge society’s views of women by writing “Her Kind”. A poet, a playwright, and an author of children’s books, Anne Sexton writes about the conflicts of a social outcast living in modern times. She voices the hardships she faces through three different speakers in her poem. At the end of the poem, the woman is not ashamed nor afraid of whom she is and is ready to die in peace. In Anne Sexton’s poem “Her Kind”, the main idea the speaker is depicting is the multiple stereotypes placed on a woman, by society. Sexton’s vivid use of imagery paints a picture of the witch, house wife, and mother cliché, while also implying the poem is autobiographical as Sexton went through her own personal struggles during her life.

Austen has set out to save the rising art form of the novel. In this address to the reader she glorifies what a novel should be: the unrestrained expression of words conveying the wide range of raw human emotion. This veneration of the novel is necessary to the development of Catherine's fiction-loving character as it justifies the narrator's right to remain fond of this flawed heroine.

In “There’s More to Life Than Being Happy,” Emily Esfahani Smith writes about the conflict between Viktor Frankl’s book, “Man’s Search for Happiness” and the culture today, which focuses on happiness in life rather than meaning. She introduces Viktor Frankl as a star medical and psychology student who survived the Holocaust in 1942. While Frankl was kept hostage in his camp, he was forced to find the good in life in order to survive. After being liberated, Frankl recorded his experience and what he learned in nine days, creating a best-seller in the United States. Smith explains that even though it has been concluded that Americans’ happiness is at an all-time high, the Center for Disease Control says that almost fifty percent of Americans have not found a purpose in life. Smith tells that bad mental health, self-esteem, and depression are less likely to be found in those who have found a pleasurable meaning in life. Happiness is associated with being a “taker”, while having a meaning life is associated with being a “giver” according to Smith. The downside to having a purpose for one’s life is the fact that he or she is usually more unhappy due to stress and worry than those who only strive for happiness, Smith explains. A study in 2011 proved that if someone has a negative circumstance occur in his or her lifetime, that event will give him or her more of a drive to find meaning in life rather than happiness. Smith concluded by linking these other sources with Frankl’s

Jane Austen develops a strong illustration of how challenging emotional circumstances can initiate a change in character, using Elizabeth Bennet as an effective demonstration in Pride and Prejudice. Cases such as Mr. Darcy's proposal, Charlotte's marriage, and the discovery of Mr. Wickham's past are compelling support for Austen's idea that alterations to one's behaviour and actions can occur as a result of being placed in a strenuous emotional position. Each influences Elizabeth in a different way, some causing rapid change, while others cause a slower, more gradual one. Self-reflection and the reconsideration of a character's worldview allow Austen to highlight the importance of change in trying situations.

Atwood uses “Happy Endings” in identifying and explaining the type of ending fictional stories should have and why. Works of fiction should have a happy ending which Atwood terms appealing to our ethical nature and therefore moral. Atwood provides a number of stories that implies different endings. However, the ending in the first story is referred in all other stories as the befitting ending. Atwood acknowledges the desires of works of fiction to bring out creativity by bring out intensity and passion, but this is only possible in the introduction and the body of a fictional story. All fictional stories have to end in the same way, a way that appeals to the human