The Harlem Renaissance By Langston Hughes

The article “The Negro Digs Up His Past’’ by Arthur schomburg on 1925, elaborates more on the struggles of slavery as well as how history tend to be in great need of restoration through mindfully exploring on the past. The article, however started with an interesting sentence which caught my attention, especially when the writer says ‘’The American Negro must remark his past in order to make his future’’ (670). This statement according the writer, explains how slavery took away the great deal freedom from people of African descendant, through emancipation and also increase in diversity. The writer (Arthur Schomburg) however, asserts that “the negro has been throughout the centuries of controversy an active collaborator, and often a pioneer, in the struggle for his own freedom and advancement” (670).

“One of the greatest writers of our time,” says Toni Morrison referring to Harlem Renaissance writer Zora Neale Hurston (Anna Lillios, 2014).. Zora Neale Hurston, one of the most famous writers of this era left a legacy through her pieces of writing during the Harlem Renaissance by celebrating black culture in her pieces. Her writing was known to be very original and artistic. Zora Neale Hurston was bold with her ideas for writing. Her writing wasn't limited by conventional expectations. Hurston was confident and courageous in her writing leading others to be inspired by her work. Hurston changed history though writing. Her writing still affects us today because of how powerful her words were. Zora Neale Hurston changed history and

The the Novel “Their Eyes Were Watching God”, by Zora Neale Hurston, departure and reflection the idea of the harlem Renaissance using black community uniting, new beginnings- the great migration from south to north, embracing black/african culture and heritage, and lastly she uses self expression through art to bring forth the more important ideas.

Harlem Renaissance was undoubtedly a cultural and social-political movement for the African American race. The Renaissance was many things to people, but it is best described as a cultural movement in which the high level of black artistic cultural production, demanded and received recognition. Many African American writers, musicians, poets, and leaders were able to express their creativity in many ways in response to their social condition. Until the Harlem Renaissance, poetry and literature were dominated by the white people and were all about the white culture. One writer in particular, Langston Hughes, broke through those barriers that very few African-American artists had done before this

In our era today, as you proceed through life, there is discrimination against races. As much as we would like to witness things change for the better we won’t due to some people not taking the chance to rewire their hatred. But in the early 1900’s, some black middle-class families immigrated to Harlem, New York, which at the time was an upper-class white neighborhood. The White’s tried to kick the African Americans out, but ultimately failed. In 1910-1930 African Americans in Harlem have changed what the city was like back then, now it is known for its African American culture. They also created a period called the Harlem Renaissance that is considered a golden age in African American culture. This was a time when they had an artistic explosion,

A reflection of the truth. The Harlem Renaissance is real. It is identified as a spiritual re-awakening, a rebirth in culture, a sense of pride and self awareness. However, African Americans were not always allowed this prodigious freedom. Prior to the Harlem Renaissance African Americans were slaves; considered a piece of property who had no rights whatsoever. Despite, their harsh history, Civil Rights were enforced, this helped bring them out of their misery; which is why the harlem renaissance is such an important era for the African American culture. Zora Neale Hurston plays a very critical role in the identification of Harlem Renaissance. She was born in Alabama on January 7, 1891. Both of her parents were former

The Harlem Renaissance was a period from the end of World War I through the middle

In today’s society, many have come to believe what they have been instructed over the years, whether it is fiction of facts. Living in a world, where only certain race can be seen as superior to others. Schomburg was a pioneer beyond his times. In the article “The Negro Digs up His Past”. The beginning of this essay revealed a powerful statement, “The American Negro must remake his past in order to make his future” (Arthur Schomburg). It is very clear, Schomburg realized the importance of being knowledgeable on your true history. “History must restore what slavery took away, for it is the social damage of slavery that the present generations must repair and offset”. Therefore, I acquiesce with such statement, it is up to the present generation to fight, and to aspire on restoring what was taken away. As we acquired more intelligence, today’s generation must continue on indoctrinating one another on our true history. However, let’s not forget, slavery was not the onset of the Negro history; when in fact, slavery interrupted the Negro history. Meanwhile, long ago, before slavery, Africans ruled the world, built nations, mastering in architectural ideas, philosophies, etc. Nonetheless, it is crucial for the Negro to dig up his past, for from it; today’s Africans shall conceive their true potential, and their ancestor’s greatest achievements. Just as Schomburg found his motivation after being told “Negroes has no history. On the other hand, he then stated “The Negro thinking

The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.

Carter G. Woodson formally known as the “Father of Black History Month” was an extraordinarily wise man who dedicated his life time to African American History. His most famous pieces of writings was his book The Mis-Education of the Negro in which many topics are discussed for example education, business, politics, religion, self-hatred, and black on black prejudice, which I exceptionally believe is a very negative dilemma in the present day society. An abundant amount of what Woodson wrote about in nineteen-thirtythree about blacks minds being controlled through the white people in economics, history, literature, philosophy and religion I strongly agree is still, to an extent the problem today. Is Carter. G Woodson’s thoughts in 1933

Nella Larsen was one of the few female American writers that were part of the Harlem Renaissance. Due to her success in both her novels Quicksand and Passing she was the first African American woman to receive the Guggenheim award in 1930. The novels took place in the late 1920’s; it focuses on the lives of African American women and their struggle of acceptance in society. In finding their own identity through race, class, and gender these two novels Quicksand and Passing show the struggles and misguiding of how African American women faced during the Harlem Renaissance.

during this time he quickly became a part of the Harlem Renaissance. Four years later,

He even stated," I finally made up my mind that I would neither disclaim the black race nor claim the white race;..." (139) He tried to be what society had called him; he was not colored. Therefore, the problems that colored people faced regularly were not his problems and did not stir him to action. Their problems were not his problems. An unnamed author from a Philadelphia telegraph said, “He seems to have possessed most of the instinct and accomplishments of the white race and fitted himself to move in average, white society with credit, if not with distinction." (290) Disguising your true identity is not cause for praise, but rather a sign of weakness. Excuses for not excepting ones roots should not be extolled and revered, but seen as a

Yet, both writers in this strand of critical interpretation only account for Niebuhr’s writing during the early part of the Civil Rights Movement, from Brown in 1954 until 1957. James Cone’s trenchant and far-reaching criticism of Niebuhr is more exhaustive and complicated, although his focus on Niebuhr’s entire career means his criticisms are not always specific to his Civil Rights authorship. One dimension that is important to highlight about Cone’s criticism, which I return to in conclusion, is that Niebuhr expressed his writings on race with an affective distance from the issues. He may have had the eyes to see, but lacked the “heart to feel.” He did not express “madness in his soul” over black suffering that Cone believes makes all the difference.

Dreams are hopes that people hope to accomplish in their lifetime. When trying to achieve these goals, people are willing to do anything. But, what happens when a dream is deferred? A dream pushed aside can disappoint a person in the deepest way. It is likely to spread throughout their thoughts and becomes a burden. In the poem “Harlem,” Langston Hughes, through literary devices, introduce a strong theme through a short amount of language Hughes is asking what happens to a dream that is being put off.