The Harlem Renaissance Nella Larson Essay

     Harlem Renaissance, an African American cultural movement of the 1920s and early 1930s that was centered in the Harlem neighborhood of New York City. According to Wintz:

     The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.

Harlem Renaissance was undoubtedly a cultural and social-political movement for the African American race. The Renaissance was many things to people, but it is best described as a cultural movement in which the high level of black artistic cultural production, demanded and received recognition. Many African American writers, musicians, poets, and leaders were able to express their creativity in many ways in response to their social condition. Until the Harlem Renaissance, poetry and literature were dominated by the white people and were all about the white culture. One writer in particular, Langston Hughes, broke through those barriers that very few African-American artists had done before this

The 1920’s were a period or rapid growth and change in America. After World War I American’s were introduced to a lifestyle of lavishness they had never encountered before. It was a period of radical thought and ideas. It was in this time period that the idea of the Harlem Renaissance was born. The ideology behind the Harlem Renaissance was to create the image of the “New Negro”. The image of African-American’s changed from rural, uneducated “peasants” to urban, sophisticated, cosmopolites. Literature and poetry abounded. Jazz music and the clubs where it was performed at became social “hotspots”. Harlem was the epitome of the “New Negro”. However, things weren’t as sunny as they appeared. Many felt that the Harlem Renaissance itself

The Harlem Renaissance was a turning point for many African Americans. A vast amount of literature was created specifically for this group during this era. It was a period when the African American "was in vogue" and "white thinkers and writers were devoting a considerable amount of attention" to them (Taylor 91, 90). For the first time, African Americans were being told that it was okay to be proud of who they were. This new consciousness and self-awareness was prominent in many works of literate, but several writers began exploring the darker side of this movement with literature that concentrated on the negative aspects of race relations in America. Nella Larsen's novel Passing concentrates on this

The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset,

A group of people who had at one point held no power and position in society were now thriving in the nation, as they spread their culture and ideas. It was the start of an era known as the Harlem Renaissance. This was a more than a literary movement, it was a cultural movement based on pride in the Africa-American life. They were demanded civil and political rights (Stewart). The Harlem Renaissance changed the way African Americans were viewed by society. It, “changes the image of the African-American from rural, undereducated peasants to one of urban, cosmopolitan sophistication”. This era expanded from the early 1920s to the mid 1930s (Wikipedia). It generated great pride in the people

The Harlem Renaissance represents the rebirth and flowering of African-American culture. Although the Harlem Renaissance was concentrated in the Harlem district of New York City, its legacy reverberated throughout the United States and even abroad, to regions with large numbers of former slaves or blacks needing to construct ethnic identities amid a dominant white culture. The primary means of cultural expression during the Harlem Renaissance were literature and poetry, although visual art, drama, and music also played a role in the development of the new, urban African-American identity. Urbanization and population migration prompted large numbers of blacks to move away from the Jim Crow south, where slavery had only transformed into institutionalized racism and political disenfranchisement. The urban enclave of Harlem enabled blacks from different parts of the south to coalescence, share experiences, and most importantly, share ideas, visions, and dreams. Therefore, the Harlem Renaissance had a huge impact in framing African-American politics, social life, and public institutions.

During the 1920’s a new movement began to arise. This movement known as the Harlem Renaissance expressed the new African American culture. The new African American culture was expressed through the writing of books, poetry, essays, the playing of music, and through sculptures and paintings. Three poems and their poets express the new African American culture with ease. (Jordan 848-891) The poems also express the position of themselves and other African Americans during this time. “You and Your Whole Race”, “Yet Do I Marvel”, and “The Lynching” are the three poems whose themes are the same. The poets of these poems are, as in order, Langston Hughes, Countee Cullen, and Claude Mckay.

Nella Larsen was one of the few female American writers that were part of the Harlem Renaissance. Due to her success in both her novels Quicksand and Passing she was the first African American woman to receive the Guggenheim award in 1930. The novels took place in the late 1920’s; it focuses on the lives of African American women and their struggle of acceptance in society. In finding their own identity through race, class, and gender these two novels Quicksand and Passing show the struggles and misguiding of how African American women faced during the Harlem Renaissance.

Racial identity is an important concept that everyone must deal with in their life. It is an individual’s sense of having their identity be defined by belonging to a race and or ethnic group. How strong the identity is depending on how much the individual has processed and internalized the sociological, political, and other factors within the group. In some instances, people do not identify with their race and they will “pass” as another. Nella Larsen, an African American writer and prominent member of the Harlem Renaissance movement, she explores the consequences of “passing”. Larsen’s Passing is a novel that challenges the concept of ethnicity, race and gender while revolutionizing the idea of what we describe as identity. The novel explores the issue of race through vivid plotting that depicts a mentally touching story of affecting boundaries in the early American society. The novel also explores the effects of racial construction on a person through multiple levels. Through Larsen’s characterization and setting she is able to bring out the social construction of race in an enjoyable and educated format in which race, class distinction and identity themes are intertwined. Larsen herself often struggles with identity, as she grew up being raised by an all-white household after her father, a black West Indian, disappeared from her life. Larsen depicts the theme of racial identity by using two women characters, both of which are attractive, and are “light” enough to be able

taste, hear and touch. ' Does it dry up Like a raisin in the sun' this

during this time he quickly became a part of the Harlem Renaissance. Four years later,

I always found the 1920’s a very interesting decade as it went from a lively moment to a depressing and struggling one within a split second. Therefore, I believe that I learned all of the concepts pretty well. For instance, I learned about the Harlem Renaissance, the cause and effect of The Dust Bowl, and the lasting political argument of the New Deal in the United States. First of all, the Harlem Renaissance was a time period where African Americans began to embrace their roots and create art/works to reflect their experience living in US society. However, during the Great Depression many Americans were left unemployed. In addition to drastic unemployment rates, the environmental disaster, also known as the Dust Bowl, contributed to many

     Between 1910 and 1920, in a movement known as the Great Migration, hundreds of thousands of African Americans uprooted from their homes in the South and moved North to the big cities in search of jobs. They left the South because of racial violence and economic discrimination. Their migration was an expression of their changing attitudes toward themselves, and has been described as "something like a spiritual emancipation." Many migrants moved to Harlem, a neighborhood on the upper west side of Manhattan. In the 1920's, Harlem became the worlds largest black community; also home to a highly diverse mix of cultures. This unprecedented outburst of creative activity exposed their unique culture and encouraged