The Harlem Renaissance and Slave Narratives

The Harlem Renaissance was “variously known as the New Negro movement, the New Negro Renaissance, and the Negro Renaissance, the movement emerged toward the end of World War I in 1918, blossomed in the mid- to late 1920s, and then withered in the mid-1930s. The Harlem Renaissance marked the first time mainstream publishers, critics took African American literature seriously, and that African American literature and arts attracted significant attention from the nation as a whole (1).”

     The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.

The Harlem Renaissance was an intellectual and literary period of growth promoting a new African American cultural identity in the United States. The years of 1920 and 1990 and “were clear peak periods of African American cultural production.” During these years blacks were able to come together and form a united group that expressed a desire for enlightenment. “It is difficult not to recognize the signs that African Americans are in the midst of a cultural renaissance” (English 807). This renaissance allowed Blacks to have a uniform voice in a society based upon intellectual growth. The front-runners of this revival were extremely focused on cultural growth through means of intellect, literature, art and music. By using these means

There were many notable events taking place in the years 1900-1940, some being Pablo Picasso painting one of the first cubist paintings is 1907 , the sinking of the Titanic in 1912 , the 18th Amendment being added to the Constitution (prohibiting the use of intoxicating liquors) and then being repealed in 1933 , the 19th Amendment guaranteeing women the right to vote in 1920 , Amelia Earhart becoming the first woman to fly across the Atlantic in 1928 , and the list continues. Undoubtedly one of the most influential of events during this time was the Harlem Renaissance. Even with its many leaders and innovators, it wouldn’t have been nearly as effective had it not been for Alain LeRoy Locke: black writer, philosopher, and teacher who influenced black artists to look to African sources for pride and inspiration. Without Locke’s contribution, the Renaissance would not have flourished as much as it did, and black pride would have taken longer to develop and accept.

In Hurston’s first piece of work, “Spunk”, won second place in an Opportunity magazine’s literary contest used a woman’s love triangle. Subsequently, in 1925, Hughes also won first place in the same Opportunity magazine’s contest for “Weary Blues”, a musical poem (blues) about a man playing his piano sullenly. The authors’ perceptions about the world around them greatly influenced their work. Hurston grew up with a free spirit and open heart whereas Hughes’ perspective is bleak because of his identity as a black man. Although Hughes identified as a black man, it is clear in his subject matter was an internal struggle with himself. Hughes’ dismal display of Negro life was a very controversial aspect of his writings, while Hurston suffered for her subject matter, focusing on a more uplifting view of Black life.

In Harlem between the 1920’s and 1930’s the African American culture flourished, especially in areas such as music, art, literature, dance, and even in film. This soon became known as the Harlem Renaissance. With the entire positive and the negative situations of this time period the African Americans still seemed to have it all. The Harlem Renaissance came about because of the changes that had taken place in the African American community after the abolition of slavery because of World War I and the social and cultural changes in early 20th century in the United States. After harsh conditions for African Americans after the Plessy vs. Ferguson Trial many of them decided to move to the North to New York. By

During the Harlem Renaissance, all the politic works, theater and arts has sense of pride in the African American experience. Also, the politicians and artists at that period committed to create works that could uplift the African American’s social position.

Aberjhani once stated "The best of humanity’s recorded history is a creative balance between horrors endured and victories achieved, and so it was during the Harlem Renaissance. Although the Harlem Renaissance underlines the trouble of ethnic issue knowledgeable by African Americans all through the twentieth century. There were numerous critical impacts, for instance, artistic the growth. The Harlem Renaissance was an energetic affiliation amongst the 1920s where African Americans started composed and transported artistry and writing one of a caring to their race, motivating a countless many dark's kin to complete in a white overwhelming society.

The Harlem Renaissance was a time of great commotion spanning the 1920s, also known as the “New Negro Movement.” One of the more well-known movers and shakers of the Harlem Renaissance is Langston Hughes. He amongst other artist brought new forms of black cultural expressions into urban areas that had been affected by The Great Migration. Harlem was the largest area affected by said Great Migration. Though the Harlem Renaissance was centered in Harlem the power and strength contained in the words of artist such as Langston Hughes reached Paris and even the Caribbean. Langston Hughes was a key figure in the Harlem Renaissance movement. His vast amounts of work are what brought attention to the struggles and realities of the time

The Harlem Renaissance was a cultural, social, and artistic movement that took place in Harlem, New York. This mainly took place starting from the end of the First World War until the mid-1930s. Harlem, at this time, was the center of the African-American culture, and Harlem appealed lot of black artists, writers, scholars, musicians, poets, and photographers. Lots of these artists had fled from the South because they needed to get away from their oppressive caste system so that they could express themselves freely, and display their talents. The Harlem Renaissance was considered to be the “rebirth of African-American arts”. This movement mainly started around 1918 and ended during the mid-1930s. Some of the major writers during this time of the Harlem Renaissance were Langston Hughes, W.E.B. Du Bois, Countee Cullen, Zoe Neale Hurston, and Marcus Gravey. Lots of these themes that these writers wrote about are themes that to this day artists try to make a point of emphasis, including the American Dream, effects of racism on the black population, black identity, and human rights (Wormser).

The passage brings racism to light as the mother warns that a similar fate could happen to sonny. Lastly it shows the oppression that the sonny and his brother but also their family had to face and try to overcome in that era. One of the main points of Sonny’s blues is the narrator and Sonny trying to strive to be better and rise above.

The most successful club out of all the ones in Harlem was known as the Cotton Club. Ellington and Calloway would perform there regularly. Others believed they were a sign that African American culture was moving towards greater acceptance. The culture boom in Harlem gave African Americans actors opportunities for stage work.

I always found the 1920’s a very interesting decade as it went from a lively moment to a depressing and struggling one within a split second. Therefore, I believe that I learned all of the concepts pretty well. For instance, I learned about the Harlem Renaissance, the cause and effect of The Dust Bowl, and the lasting political argument of the New Deal in the United States. First of all, the Harlem Renaissance was a time period where African Americans began to embrace their roots and create art/works to reflect their experience living in US society. However, during the Great Depression many Americans were left unemployed. In addition to drastic unemployment rates, the environmental disaster, also known as the Dust Bowl, contributed to many

Harlem Renaissance, a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history. Embracing literary, musical, theatrical, and visual arts, participants sought to reconceptualize “the Negro” apart from the white stereotypes that had influenced black peoples’ relationship to their heritage and to each other. They also sought to break free of Victorian moral values and bourgeois shame about aspects of their lives that might, as seen by whites, reinforce racist beliefs. Never dominated by a particular school of thought but rather characterized by intense debate, the movement laid the groundwork for all later African American literature and had

Firstly, it is worthwhile to examine the time when both of these literary works were written. The writers studied in this paper are part of the Harlem renaissance, the period of rebirth of the African American creative expression. During this time, the time of so-called “New Negro,” the African American communities more likely developed a sense of Negro pride (Rasche 5). In addition, the Harlem Renaissance writers attempted to relate their history to their present condition, as well the urban and rural experience of the African Americans. Thus, writing was the product of and their respond to their historical and cultural context (Rasche 6).