The Hateful Eight: Minnie's Haberdashery

This movie based off of a southern family living in Memphis, Tennessee will show you a true taste of southern hospitality. In every film you have your list of characters along with their personalities and most importantly their motives. Along with the certain qualities of every character comes the ethos, pathos, and logos. Ethos which stands for the goodness of a film and/or ethics goes hand in hand with the sender of a film, Pathos which is the passion and emotions of a film which goes hand in hand with the receiver, and lastly the logos which is the logic/information that sends a message. Each rhetoric sends a message and surely puts a movie together.

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Harold and Maude, a movie directed by Hal Ashby and released in the 1970’s, did not receive much attention and popularity when first released. Since the movie depicted obsession with suicide through a 20-year-old character Harold, the movie received backlash because during the 1970’s there were high rates of suicides among teenagers and college students. However, over time college students found the movie very entertaining, therefore bringing the movie into the lights and making it a cult hit. In Blue Velvet, a neo-noir mystery film directed by David Lynch and released in 1986, received a variety of critical responses from a wide range of audience, but this movie’s unique style earned Lynch his second nomination for Best Director. The idea of innocent getting caught in a web of evil is portrayed through the character Jeffrey Beaumont, who first encounter’s a severed ear in a grassy abandoned field. In this paper I will compare and contrast these two movies that include key actors Bud Cort, played as Harold, and Kyle MacLachlan, played as Jeffrey and include a few key points that have made these movies enjoyable to watch.

This movie Directed by Paul Haggis who also directed Academy Award Winning "Million Dollar Baby" and had also won an Academy Award for this movie as well puts a twisted story in this film. This movie is trying to symbolize what goes on in the world today in regards to racism and stereotypes. He tries to make a point on how societies view themselves and others in the world based on there ethnicities. This movie intertwines several different people's lives, all different races, with different types of beliefs. Such ethnicities include Caucasians, African Americans, Hispanics, Asians and Middle Eastern. This movie includes conflicts on both sides of the picture from cops and criminals as well

Quentin Tarantino’s film Jackie Brown, released in 1997, challenges the pervasive stereotyping of not only blacks but specifically black women. Nowhere is the cinematic devaluation of African Americans more evident than in images of black women which, in the history of cinematography, the white ideal for female beauty has overlooked. The portrayal of black women as the racial Extra has been fabricated through many semblances in the history of American film. Film scholars and feminists alike have long been plagued with lament for the negativity and stereotyping that sticks with black women in American cinema. In this paper, I will argue that Jackie Brown highlights and stresses the racial variance of the female African American protagonist,

The film, Black Snake Moan, portrays a very Blaxploitation-style, which summed up is a film featuring African American characters, who have lead roles, and are stereotypical and glorify violence. The setting takes place in South of Tennessee and gives the audience two main characters that exploit the meaning behind the film. In the opening scene we see a very shocking, and sexual provocative scene, where we are introduced to the first main character, Rae Doole. Her character represents a young woman, who is highly addicted to sex and drugs, and is stereotyped as a ‘white trash tramp.’

The film consists of many cliché western characters. There is a banker, an outlaw, a prostitute, a doctor, a gambler, and a pregnant woman. These characters are categorized by social class. The banker, the pregnant

Regardless of how intensely the characters of this novel hope and dream, their plans do not find fulfillment. Due to the lack of fulfillment of their dream, the characters face loneliness setting each apart from the other. Unlike George and Lennie, the other character of Crooks has no one to support him and be there for him as Lennie and George have each other. In the story, Of Mice and Men, John Steinbeck contrasts the loneliness and isolation experienced by Crooks, whom life has made abandon his dream of equality, with the closeness of Lennie and George, establishing a false sense of hope for the achievement of their dream, making the ending tragic because they lose both the dream and their unique friendship no

[1] Before I start this essay, I feel the need to remind the reader that I find slavery in all its forms to be an oppressive and terrible institution, and I firmly believe that for centuries (including this one) bigotry is one of the most terrible stains on our civilization. The views I intend to express in the following essay are in no way meant to condone the practices of slavery or racism; they are meant only to evaluate and interpret the construction of slavery in film.

Pulp Fiction is an iconic early 1990s film directed by the unparalleled Quentin Tarantino. The title of the film pays homage to mid-20th century crime novels. In this way and others, the title is revealing of the content of the film. The film follows a very postmodern style that often distracts the plot to focus instead on developing the characters. The cinematography of Tarantino further highlights the characters, at times not allowing the viewer to focus on the context due to the intensity of the moment. Two elements that play key roles in the tone of the film are real violence and race. Real violence is used throughout the film both to create and release tension. The element of race is used through stereotypes that allow the characters and the way they interact to provide social commentary about racial perceptions in America at the time of its release in 1994. The elements of violence and race are used to entice the audience to remain invested in an incredibly complicated and interwoven story with no particular plot. It is these elements that allow the movie to have no single central plot and yet still captivate its audience as the artful masterpiece it is.

The concept art imitates life is crucial to film directors who express their views on political and social issues in film. In regard to film studies, race is a topic rare in many films. Like America, many films simply refuse to address this topic for various reasons. However, more recently, Jordan Peele’s 2017 box office hit Get Out explicates contemporary race relations in America. In the form of an unconventional comedy horror, Get Out is intricate in its depiction of white liberal attitudes towards African Americans. In short, Get Out suggests a form of covert racism existing in a post- Jim Crow era. Similarly, Eduardo Bonilla- Silva’s book Racism Without Racists acknowledges the contemporary system of racism or “new racism,” a system

The main lighting choice of hard and cold, blue light conveys the feeling that the environment is unforgiving and desolate creating an intended sense of pity and sorrow for Katniss in the audience’s mind. The prodominant sound choice of focusing on discrete amplified sounds, such as footsteps, groans and screams cleverly creates suspense and intensity in the scene as the absense of music and general ambience develops uneasiness whilst also brings a realistic feel rather than the typical hollywood

“All cruelty springs from weakness,” said Lucius Annaeus Seneca. To me, this quote means that cruelty comes out from a person who is feeling weak. A big question people ask each other is “Why are people cruel to each other?” In John Steinbeck’s novel, Of Mice and Men, there are many incidents of cruelty. Cruelty appeared in the book when George yells at the mentally handicapped Lennie in the beginning of the book. This trend of cruelty continues throughout the book. Characters that were notably cruel in the book are Curley, Curley’s wife, and George. The three things that motivate people to be cruel in the book are: when people feel they are powerless, when a person wants a feeling of short term enjoyment from

Both Laura Mulvey and bell hooks describe the idea of the “gaze” in film. In both of the theories presented by Mulvey and hooks, the “gaze” is the way in which viewers are subjected to a particular perspective because of their social standing. In Mulvey’s case, she argues that the “gaze” in which the audience is forced into is that of the “male gaze” while hooks argues a more nuanced “gaze” including the “oppositional gaze”. While some of Mulvey’s argument is accurate, hooks argues that it leaves out important other factors, in particular, race. Both arguments have many similarities and differences, and can be seen exemplified in many films, such as Spike Lee’s She’s Gotta Have It.

Harron’s production of American Psycho being a black comedy is necessary when taking into consideration of the film being accepted into society. Being able to laugh at Christian Bale during his performance as Ellis’ unstable character Patrick Bateman helps the audience overlook the murders taking place and be drawn into Bateman’s humorous character, which is innocently a result of the times.