The Heart of Hamlet’s Mystery

Allowing herself to continually feel her grief without support and guidance causes Ophelia to lose her mind. King Claudius says of her, “O, this is the poison of deep grief: it springs/ All from her father’s death…; Poor Ophelia/ Divided from herself and her fair judgement,/ Without the which we are pictures”(4.5.74-75,83-83) Without her father and his ability to reason and tell her what to do, Ophelia loses the little control she has over herself. Previously, she could rely on Polonius to speak for her, but her only support is gone, and her coping strategy is ineffective and detrimental. By being separated from “herself and her fair judgement”, Ophelia is no longer herself, and the girl who she used to be has been destroyed.

There are a variety of factors that can contribute to one’s demise. In the context of the play Hamlet by William Shakespeare many possibilities can be identified that pertain to Ophelia’s sudden death. Ophelia’s death was triggered by her mental breakdown due to the loss of her father. In the midst of her inner turmoil, her depression worsens as she learns that Hamlet, the man she loves departs to England. When she dies, Gertrude reports her death to Claudius and Laertes. Gertrude, The Queen of Denmark, is responsible for Ophelia’s death. By looking at Gertrude’s over protective relationship with Hamlet, her lack of initiative on the situations around her in a time of tragedy, as well as her vivid account of Ophelia’s death, evidence that

Hamlet: one of the most analyzed tragic heroes in all of literature. Hamlet, the main character in William Shakespeare’s Hamlet, is conflicted throughout the whole play. He obsesses over avenging his father’s death, and this leads to rash, irresponsible actions that cause others to suffer, as well. He plans to kill Claudius, his uncle, for murdering his father and then marrying his mother. In an act of outrage, Hamlet unknowingly kills Polonius, the King’s assistant, instead. This creates even more problems because now someone else’s father is dead. Hamlet is somewhat of an inconsistent character; he’s different almost every time we see him. Hamlet displays characteristics of depression, irony, timidity, and being hurt.

Polonius teams up with King Claudius and once again places demands on Ophelia which require her to disregard her own self to fulfill their wishes of deceiving Hamlet into revealing the cause of his erratic behavior. And once again, it is Ophelia’s duty to her father and this time to the king to be obedient. Disobedience to the king and his advisor are not an option. Polonius wants the king to look on him in good favor and he is willing to step on his daughter to get this admiration. He neglects Ophelia’s feelings by not even thinking of how his requests will affect her. He feels at liberty to request whatever he would like. He is purely worried about himself. Polonius holds a position of unquestioning authority over his daughter. He treats her as though she is not intelligent enough to make her own decisions and he knows that she will inherently obey him. To him her feelings are irrelevant and immature which he states when saying “Affection, puh, you speak like a green girl.”(1.3.101) Following her fathers instructions, she loses her lover and a piece of her happiness.

It is widely believed that “Living life without honor is a tragedy bigger than death itself” and this holds true for Hamlet’s Ophelia. Ophelia’s death symbolizes a life spent passively tolerating Hamlet’s manipulations and the restrictions imposed by those around her, while struggling to maintain the last shred of her dignity. Ophelia’s apathetic reaction to her drowning suggests that she never had control of her own life, as she was expected to comply with the expectations of others. Allowing the water to consume her without a fight alludes to Hamlet’s treatment of Ophelia as merely a device in his personal agenda. Her apparent suicide denotes a desire to take control of her life for once. Ophelia’s death is, arguably, an honorable one,

    Ophelia's downfall continues throughout the play, and her final plunge into the waters of madness and suicide culminate around her father's death. Hamlet, while talking threateningly to his mother, accidentally slays Polonius who was hiding behind the curtain in his mother's room. Hamlet thought it was Claudius he heard coming to his mother's aid when she cried for help and lunged at the curtain with his sword, killing Polonius. "O, I am slain!" were his final words. After Ophelia learns of her father's death at the hands of her estranged lover, she goes

The Tragedy of Hamlet, Prince of Denmark has been performed thousands of times since it was “written in 1599–1601 and published in a quarto edition in 1603” (Britannica.com). It’s popularity stems from its themes that translate across time. These themes, are seen to be relatable even to this day with the ever growing audience. Readers and viewers are able to find similarities between the current state and or even relate to one of the characters or events taking place over the course of Shakespeare’s five act masterpiece. Shakespeare's, The Tragedy of Hamlet, Prince of Denmark remains a viable text for contemporary readers in that it functions as a mirror.

Ophelia is Hamlet’s love interest throughout the entire play. However, in an attempt to be strategic, Hamlet feigns insanity in order to be deceiving and in turn breaks Ophelia's heart. His sudden disinterest towards her coupled with her father Polonius and brother Laertes’ commands to stay away from Hamlet composes a dire internal conflict within Ophelia's mind. She is torn between her undying love for Hamlet versus her desire to be an obedient daughter and sister. In addition, Hamlet unintentionally murders Polonius rather than Claudius, which also adds to Ophelia's insanity. To make matter worse, Ophelia has no mother figure within her life. So taken all together, she is stuck in a constant battle within herself with nobody who is there for her. “I hope all will be well. We must be patient/ but I cannot choose but weep/ to think they would lay him/ i' th' cold ground” (Hamlet v, iv). This quote from Ophelia demonstrates her deep sorrow towards her father's death, as well as the start of her path to insanity. Her lack of a maternal figure leaves her with nobody to discuss her feelings and troubles with. Because of this constant battle within her life, Ophelia finds herself in a confrontation with her emotions, which ends in her official decision of suicide. Which one could argue makes her decisive in the end which may be true, but her internal struggle leading to her choice of suicide is what makes her a great example of a character struggling with uncertainty during times of

In Shakespeare’s play Hamlet, doubt is one of the most important themes. In fact, the whole play is based on the story of a ghost who claims to be Hamlet’s father, and nobody can be sure if what he says is the truth. In this essay, I am going to focus on the theme of doubt throughout the play. I will first speak about the opening scene, and then I will talk about the ghost, which is a supernatural element used by Shakespeare to create doubt in the play. I will also analyse the passage in which Hamlet declares his love to Ophelia. Finally, I will briefly discuss Hamlet’s sanity.

In William Shakespeare’s, “Hamlet”, Hamlet’s love interest and Polonius’ daughter, Ophelia, died a passive and sudden death. While hanging wreaths from a willow tree, Ophelia fell from the tree and drowned in a brook. Although her death was claimed to be accidental, it is unknown if she committed suicide because she made no attempt to save herself. Her death represents the life she lived and the relationships she had with other people like her father and Hamlet. Ophelia’s death symbolizes her life with being controlled by her father, her honor and privilege of being buried in sacred ground, and the sudden termination of the relationship she had with Hamlet.

Not only is Ophelia's death marked much less significant than the other male deaths noted in the previously mentioned articles, but Ophelia’s death is articulated as a passive accident, one that happened to occur, to no avail. Every other death in the play is met with vigorous analysis and criticism, unphased by the death of Ophelia, inadvertently caused by men. Ophelia is also described as “mermaid-like” adding to the previously set notion that women are sexual objects- even at death. At this point of the play, Hamlet proclaims in a bipolar and seemingly fraudulent manner that he has always loved Ophelia (although he ordered her to “get thee to a nunnery” and was the root of her abrupt madness and suicide), while Laertes threatens that he loved Ophelia more. The attention and passion are still not recognized and respected with Ophelia even after her death but is used as a game between two men to satisfy their guilt and build their ego, competing for the love of Ophelia that was only disrespected when she was

In Hamlet, Shakespeare uses various characters to demonstrate the concept of passion versus reason. He uses his story to show the readers that passion and reason can both exist, but it is necessary to find a balance between the two. As evident in Prince Hamlet’s life, an overabundance of passion can be harmful to oneself and to others. Throughout the play, he faces an internal battle: he must choose between rationality and sentiment. This task becomes especially hard, however, when the ghost of Hamlet’s father comes back from the grave to share the horrible story of his murder. The late King has been poisoned and replaced by his own brother, Claudius, and, driven by sorrow and agony, Prince Hamlet decides to get revenge. Hamlet’s plan is to kill Claudius. This idea seems extreme. However, it is reasonable that the Prince would act irrationally as a coping strategy. In times of loss, especially after the loss of a parent, it is normal to experience overwhelming thoughts and sometimes “emotional issues” arise (“Adult Death of a Parent).

Ophelia experiences alienation throughout Hamlet, although she ends her life with suicide, unlike Hamlet. The queen places blame on Ophelia for Hamlet's madness and states: "...for your part, Ophelia, I do wish that your good beauties be the happy cause for Hamlet's madness..." (Shakespeare 140). The queen lightens her feelings of guilt for the murder and places the guilt upon Ophelia. Gertrude, the queen, knows that she has committed something wrong with the plot of killing Old Hamlet and therefore finds an outlet through Ophelia. Also, to try to discover Hamlet's cause of insanity, Claudius and Polonius use Ophelia to get closer to him and find out that perhaps they could conclude that his

1. How much time has passed between Act I and Act II. How do you know?

In this scene, Ophelia feels inner conflict because she is no longer sure that sleeping with Hamlet before marriage was the correct thing to do. Ophelia is having a lot of doubts about the decision that she has made, and this can be connected to her decision of whether to end her life or not. Eventually Ophelia decides that she can not live through the pain any further and drowns herself in a river. This is not the only instance in which Ophelia felt a large amount of inner conflict, another example is during Act I, Scene iii, when Laertes confronts Ophelia about her relationship with Hamlet: “Perhaps he loves you now… but you must fear, his greatness weigh’d, his will is not his own.” (I, iii, 25-28). At this point, Ophelia feels that her love towards Hamlet is reciprocated and she is not sure why Laertes is doubting her relationship so much. However, when Polonius joins the conversation and tells Ophelia to end the relationship, she responds with: “I do not know my Lord what I should think.” (I, III, 103). This shows how Ophelia is conflicted whether she should go with her own feelings, and keep seeing Hamlet, or to listen to her father as he should know what's best for her. Eventually, Ophelia decides that her feelings towards Hamlet do not matter, because Polonius wants her to end the relationship so she must do what he