The Hermits

The protagonist, Vahan Kenderian, is a spoiled naive child who loses his family in the Armenian genocide and now he must go on his own journey that will last more than three years. He will have experienced more mental and physical pain than any other child his age. Vahan will encounter new people that will change his character for the better. Therefore, the three characters that Vahan meets and influences his character the most is Sarkis Kenderian, Selim Bey, and Mustafa.

Supporting Characters: Kit Slip, Hal Mitchell, Constable Sanders, Mr. Wellington, Mr. Mitchell, Mr. Abroscotto, Pap(Oliver Blake)

The film has several characters, such as McLeod, Chuck (son), Chuck (father), Catherine (Chuck’s mother), Gloria (Chuck’s sister), Megan (Chuck’s sister), Chief Wayne Stark, Prof. Hartley, and many more (Gibson, 1993). Of these characters,

This person is unlike any of the passengers aboard the Stamboul-Calais coach. Hildegarde Schmidt tells Poirot she saw a man in a Wagon Lit Conductor's uniform moving quickly down the hallway that matched Hardman's description. The passengers attempt to create an enemy and a person that entered the train, murdered Ratchett and quickly left. The passengers use the idea of a typical murderer to convince Poirot that the mysterious person kills Ratchett. The twelve murderers use the concealment and the lie to hide their identities and erase any connection to the Armstrong case.

The story shows how the narrator is in a dark place in his life, and every person that is referenced was most likely killed by him. When the narrator picks up the hitchhiker, the hitchhiker immediately reminds him of his son when pancake writes “Aw, buses stink, he says. My boy always talked like that (Pancake, 2006, p. 85).” Whenever he picked up hitchhikers, he ends up killing them, so his plan with this hitchhiker was to kill him also. When the time came that he was going to murder the hiker, he distracts him by asking him to get his flashlight under the seat. He then proceeds to get his wrench to hit him in the head, but something stopped him from killing him.

The way I read the taxi cab portion made me think of it as a quasi mock confession booth, with the driver, Fekadu, serving as the priest. This isn’t very clear at the beginning of the ride when William’s trying to meditate and stuff his problems away into his imaginary deposit box. But once Fekadu gets the conversation rolling, the outpour of emotion starts, marking an important shift from William hiding problems to trying to face them.

Every single person in the world, regardless of their race, religion or gender, is different. Therefore, there is more than one way to reach God, enlightenment, or whatever each respected person chooses to believe in. In Christianity, there are two main paths taken to reach the divine; the communal path embracing obedience and the individual route which focuses on asceticism. The Sayings of the Desert Fathers and The Rule of St. Benedict in English reveal what each road to the divine entails while explaining how the ascetic hermits and monks live for the mutual goal of reaching unity with God.

Since “Annabel Lee” and “The Highwayman” are both narrative poems, the speakers of each story influence certain features of the plots. The narrator of “Annabel Lee” is also the affected lover who is recalling the catastrophic incident that is his lover’s death. Since he is actually a part of the storyline, he conveys the plot the way he had experienced it as it began “with a love that was more than love” but progressed onward to the “killing [of his] Annabel Lee”. The passionate narrating establishes his reliability as a narrator as the audience can truly sense his pain for the loss of his lover. However, the narrator of “The Highwayman” is not involved with any aspect of the storyline and, therefore, tells the story from a bystander’s point of view. Even though the narrator is not directly impacted by the events, they are still able to captivate the audience by utilizing lifelike elements, such as the “tlot-tlot; tlot-tlot” of the horse, to institute their trustworthiness as a narrator. Therefore, both narrators within “Annabel Lee” and “The Highwayman” add different elements of persuasion to their narratives to establish an authentic storyline.

After his series of run-ins with the law Harril decided he should retreat deeper into the

`Beat me!' he heard her cry. `Throw me down and beat me you dirty little coward!' A moment later she rushed out into the dusk waving her hands and shouting; before he could move from his door the business was over. The `death car' as the newspapers called it, didn't stop; it came out of the gathering darkness, wavered tragically for a moment and then

The third character is the old man. What we know of him is that he is deaf and passes every night getting drunk at the café. It is believed by the waiters that he has plenty of money. After all, he can afford to sit and get drunk every night. Even when he is drunk, he is incredibly neat. “This old man is clean. He drinks without spilling. Even now, drunk.” He is filled with despair, which may be the reason that he tried to hang himself the week before. He is taken care of by his niece, since she was the one who saved him when he tried to kill himself. He may have been married at one time. He has no real desire to go home, since he waits until the waiters cut him off before he leaves.

Doctor Benedict Mady Copeland is another character lost in this book. He is a black doctor whose desire is to motivate people to demand their rightful place in American Society. He has ideas that no one seems to understand regardless of how hard he tries to explain him or her. Jake Blount is another pathetic character. He shows up at this cafe drunk and constantly acting foolish. He searches for someone to listen to him and finds that in Singer. He actually believes Singer understands him when Singer really doesn’t fully understand him. Mick Kelly is another character in the book. She has poor living ways and desires to write symphonies. She cannot express her love for music. She is also forced to quit school and take on a job to help the family out.

There is another figure in the novel who is judged to be a murderer. Marsden includes the story of the Hermit. Whom the story goes, the hermit cold bloodedly murdered and moved to hell but as the story continues Ellie and Lee came about a case, the size of a shoe box this information surprised Ellie and Lee as the hermit story may not be what everyone says, the hermit had an unlucky fire at his house that severely burned his wife and child and to stop their suffering, the hermit shot his wife and only child. The townsfolk of Wirrawee accused him of murder and to escape this, the hermit moved to Hell for the rest of his life. This made Ellie Change her view into what the hermit had done and the name evil “They just did what they did. I didn’t

Mitch makes the pedal hit the metal as they flew across the freeway. Melanie was sleeping on the shoulder of Lydia as Cathy looked out of the window. Lydia heard a soft flutter of the lobe bird’s wings and she stares at the cage like they are about to attack. The birds started to sing their song gets louder and louder until behind them Cathy sank in her seat. She slowly sits up to look again and what she say was real she screams “No!!! They are coming behind us! Hurry!” but they could out run the flock of birds.

The main characters are Gerry Lane, Karin Lane, and Segan. Throughout the movie, people can get an idea of who Gerry is. He is a man who cares deeply for his family, is protective, resourceful, and observant. His action display these traits. For example, he would jump off a building for his family (in case he turned into a zombie), uses magazines for armor, and found out that the sick people are immune from the zombies.