The Hero with One Thousand Faces by Joseph Campbell

Differently to what is thought nowadays, the Oedipus complex described by Freud goes beyond just the son 's desire to have sex with his mother. The Oedipus complex includes the teenager 's psychosexual idea of feeling jealousy, anger, and above all, competing with his father. Besides, Freud’s theory emphasizes that boys select their mother as their principal object of desire, and subconsciously wish to usurp or even murder their fathers in order to gain exclusive possession of her and become their mothers ' lover.

Do you ever wonder if your favorite movie follows the hero's journey? You might ask yourself what even is the hero’s journey. Well the Hero’s journey was made by Joseph Campbell. Joseph Campbell was born March 26 1904 and died October 30 1987. There’s 12 stages for the hero’s journey,which does not mean that all movies follow them,but most do. For example, one movie that follows the hero’s journey is Maleficent. In the movie maleficent, Maleficent displays the hero’s journey when Stefan cuts her wings, then later on she meets Diaval, and a few years later she gets to know Aurora and got to see her more than a monster.

Watching a film, one can easily recognize plot, theme, characterization, etc., but not many realize what basic principle lies behind nearly every story conceived: the hero’s journey. This concept allows for a comprehensive, logical flow throughout a movie. Once the hero’s journey is thoroughly understood, anyone can pick out the elements in nearly every piece. The hero’s journey follows a simple outline. First the hero in question must have a disadvantaged childhood. Next the hero will find a mentor who wisely lays out his/her prophecy. Third the hero will go on a journey, either literal or figurative, to find him/herself. On this journey the hero will be discouraged and nearly quit his/her quest. Finally, the

Countless cultures and religions gather around campfires and even hold ceremonies to hear a good hero story. But little do they know that these traditional stories that they are oh so eager to listen to, are all alike someway, somehow. All heroes in all cultures, dating from the earliest hero-story written, miraculously follow a sequence of events called a mononmyth/heroes Journey. The ineffable spectacle of the mononmyth is that despite the thousands of miles between ancient civilizations it was subconsciously present in the psychology of all the hero-writers. Joseph Campbell, an established psychologist stated his identification of the monomyth in his book, A Hero with a Thousand Faces. But, Campbell not only explained the monomyth in great detail, but he also elaborated into the psychology of humans. He did this by elucidating the exact steps in every hero’s journey, and providing factual proof. The initial belief is that no matter what the circumstance is, No matter past or present, man or woman, the heroes all have the same initiation. Here Campbell states that, “Whether hero ridiculous or sublime, Greek

Two books can seem completely different from each other when judged by characteristics such as genre, plot, and theme. However, if people were to look at the books together and as a whole, they might notice one striking similarity between the two. That striking similarity is known as the hero’s journey. First observed and documented by Joseph Campbell, the hero’s journey is a concept in which heroes, or people who commit actions for the greater good, follow a three-step cycle known as departure, fulfillment, and return. At the first stage of the hero’s journey, the hero receives a call to an adventure that takes him from the comforts of his home. Next, at the most important stage of the hero’s journey, the hero begins to experience life

In the late 1940’s a man named Joseph Campbell shared his Mythic principal with the world. He explains that there is a three-stage formula that he calls a Hero Journey which is the structure of every story. Though most stories are completely different on the outside, the stories are almost structured around these three stages. Stage 1 is the hero leaves the everyday world and enters another world. While Stage 2 the hero is challenged by opposing forces and must pass a series a test throughout the movie. That will then determine who will be victorious, either the hero or the opposing forces. Stage 3 is tied into Stage 2 because if the hero is victorious, they will return to the ordinary world with a gift for the world.

The Hero’s Journey is a situational archetype of every story made, whether it’s a poem, narrative or film they all tell this Journey.

The hero’s journey is an ongoing concept used in many tales which involves a hero who goes on an adventure, wins a victory, and then comes home changed or transformed. In the society that we live in, the hero becomes a hero by attaining in what they believe in for the good of others. Among the numerous tales which the hero’s journey is utilized there are some that stand out more compared to others. Star Wars which is an extremely popular film known by many which clearly demonstrates the hero’s journey. The hero in this film is known as Luke Skywalker whom goes through all the ordeals and comes out as a hero.

The classic tale of the hero's journey can be recognized in almost every situation. It is not only apparent through daily life and historical events, but in this circumstance, a fictional novel, as well. As an epic voyage, it can be recognized in the vast majority of books throughout the course of history. One specific example where it is carefully and intricately exhibited is in Sue Monk Kidd's novel, The Secret Life of Bees, in which a young woman's search for acceptance and the truth becomes a heart-warming chronicle. Through the obstacles and people she meets, Lily is able to experience the trials and self-fulfilling incidents that are required in the hero's journey she partakes in.

The “hero’s journey”, coined by Joseph Campbell, is a pattern in the plot structure of literature, myths, and oral tradition in which the hero is consistently faced with similar obstacles and achieves many of the same goals. The first part of the hero’s journey is “The Call.” The hero is usually living a very comfortable and easy life, unaware of the journey ahead. The hero is then faced with a situation or dilemma which eventually causes them to seek change. The hero, at this point, tends to refuse the call to adventure in fear of the unknown. Once the hero has been given the strength to push past the unknown, they have entered the threshold. The hero will experience many challenges and temptations where the hero is tested, eventually reaching “The Abyss,” the most difficult challenge. The hero is then transformed by these trials and returns home to every-day life and begins to contribute to their society. The novel, Their Eyes Were Watching God by Zora Neale Hurston, the protagonist, Janie, experiences the hero’s journey first-hand through overcoming obstacles and transforming herself. In Their Eyes Were Watching God by Zora Neale Hurston, the heroine Janie overcomes many obstacles and is therefore transformed into a self reliant woman.

All throughout history, heroes from all types of stories have gone through the same journey. Joseph Campbell researched several stories as well as Greek mythology and created a template that every main character or hero follows in each story. Campbell stated that each hero begins his journey in his normal world until he experiences a call to action, which causes the hero to find a mentor and go through several tests and other setbacks until he faces his biggest fear and eventually finishes his quest and returns home. In the Disney movie Hercules, the main character, for which the film is named, follows the journey laid out by Campbell. Hercules follows this journey from his normal life, which he lives until he is called to action and meets

John Keegan describes his book, The Face of Battle, as "a personal attempt to catch a glimpse of the face of battle." This personal aspect that Keegan mentions is essential to his book and is excellently articulated, driving home his point. Keegan, who taught at Royal Military Academy Sandhurst for over 25 years, begins by acknowledging his uneasiness with the fact that even though he taught British cadets military history, "I have not been in a battle; not near one, nor heard one from afar, nor seen the aftermath . . . And I grow increasingly convinced that I have very little idea of what a battle can be like." Keegan is clear to state his proposition that almost all military history has functioned simply as a “battle piece” description in which one can see all the larger moving aspects followed by the outcome. However, this sort of recounting fails to acknowledge the personal side of war, the experience of battle. What really ensues when a cavalry unit meets an infantry unit? What are the vital features in determining whether soldiers stand and fight or turn and run?

The American author, teacher, and mythologist, Joseph John Campbell, is universally known for his work in comparative folklore and culture. His studies led him to discover the pattern, journey of the hero. The sequence consists of three stages and exists in many dealings with Greek mythology as well as current popular culture. A modern example of the occurring cycle is the 2001 production, Harry Potter and the Sorcerer’s Stone. In the film, an orphaned young boy named Harry Potter is invited to study at Hogwarts, School of Witchcraft and Wizardry. In time, he is involved in a dangerous quest to save the wizarding community from the grasps of the Dark Lord. The film demonstrates aspects of a traditional journey of the hero because Harry

The Hero’s journey, or in its more correct terminology the Monomyth is an object from the area of comparative mythology. Its definition in the most basic of forms, it is a pattern or outline that is used in storytelling, usually the myth. This pattern is found in many famous pieces from all around the world. In the book The Hero with a Thousand Faces from 1949 by author Joseph Campbell, this pattern is described in detail. Campbell describes that numerous myths from different times and areas of the world seem to share an identical structure in their storytelling. He summarized this with a well-known quote found at the intro of his book:

hero's journey is not solely “applicable to fiction but also to the journeys that everyone goes