The Heroic Significance of Christ in The Dream of the Rood Essay

Every epic hero acquires certain heroic characteristics. The poem, “Beowulf, is about the most heroic man of the Anglo-Saxon period. Beowulf is a warrior from Geatland that comes to help Hrothgar, the king of Danes, defeat the monster Grendel who has been killing men in their kingdom. Beowulf defeats the unstoppable beast, Grendel. Then Grendel’s mother comes to try to avenge Grendel’s death, and Beowulf slaughters her in her underwater lair. After 50 peaceful years of ruling the Geats, Beowulf in his old age fights his last battle with a dragon. He defeats the dragon, with help from Wiglaf, but dies as a result. The main character, Beowulf exemplifies many characteristics that an epic hero possesses. Beowulf’s characteristics include

Jesus’ willingness to die shows his courage which is very important characteristic for an epic hero. This behavior is similar to Beowulf’s when Beowulf goes to battle the dragon, knowing that this would be his last battle; Beowulf says, “By my courage, or else mortal combat, /doom of battle, will bear your lord away” (2536-7).

The Anglo-Saxons’ cultures and traditions are rooted in their beliefs of the perfect hero. Their ideal hero has many key characteristics influenced by their culture including courage, strength, bravery, thick skin, loyalty, humbleness, and the ability to create strong trustworthy friendships. Beowulf is an epic poem that exhibits the ideal Anglo-Saxon hero. The Anglo-Saxon traditions illustrated in Beowulf accurately represent the Anglo-Saxon traditions of the time period. This is accomplished through the distinct correlation of heroic characteristics between Beowulf and the culture’s traditional depiction of an Anglo-Saxon hero.

Beowulf is an epic poem that, above all, gives the reader an idea of a time long past; a time when the most important values were courage and integrity. The only factors that could bestow shower fame upon a person were heroic deeds and family lineage. Beowulf, as the paradigm of pagan heroes, exhibited his desire to amass fame and fortune; the only way to do so was to avenge the death of others. This theme of retribution that is ever present throughout the poem seems to color the identities of its characters.

The poem Beowulf presents the transformation of Beowulf from a brave warrior to an honorable King. The evolution of Beowulf shows how he fulfills his obligations to the warrior’s heroic code and then transcends into a King who loyally protects his Kingdom. Beowulf’s transformation is shown through a progression of three increasingly more difficult conflicts he must overcome- first with Grendel, then Grendel’s mother and finally against the mighty dragon. These three events are seen "as the three agons in the hero 's life"(Chickering 64). Through these adverse events Beowulf will change from brave young warrior to noble King. This paper will examine the manifestation of heroism in the poem

Beowulf is an Anglo-Saxon epic that was transmitted verbally for hundreds of years before it was written down. Around the time of its composition, Christianity was beginning to gain prominence in England and was quickly replacing the animistic religion of the Celts. As a result of the dueling religions of the time, the poem includes influences from both Christianity and paganism, leaving its readers to wonder which religion had the most sway over the poet. Beowulf is a fundamentally more Christian epic on account of Beowulf’s resemblances of Jesus Christ, its allusions to the Bible, and its intimation of a supreme, monotheistic religion.

The oldest of the great lengthy poems written in English and perhaps the lone survivor of a genre of Anglo-Saxon epics, Beowulf, was written by an unknown Christian author at a date that is only estimated.  Even so, it is a remarkable narrative story in which the poet reinvigorates the heroic language, style, and values of Germanic oral poetry.  He intertwines a number of themes including good and evil, youth and old age, paganism and Christianity and the heroic ideal code, into his principal narrative and numerous digressions and episodes; all of which were extremely important to his audience at the time.  Vengeance, part of the heroic code, was regarded differently by the two distinct religions.

Since humans first emerged into the intellectual sphere of literature, extravagant tales of mystical lands, bloody wars, and gallant heroes spread far and wide. All treasured tales transpire time, From trespassing viking warlords, to poetic french vineyards, and indian tribes across the sea, each culture remains coated in these tales. In the twenty first century there is no need for memorizing stories, however in times gone by stories were circulated by tune or voice until christianity began to spread worldwide. Beowulf, written by an anonymous christian monk, possesses a timeless approach of a classic fight for love and glory; a case of do or die to audiences across the span of a lifetime with intricate tones,

Warriors are considered among the bravest of men. In the Anglo-Saxon community, the warriors were of the most respected class, and made up the foundation for their way of living. Anglo-Saxon warriors would not stop fighting until either they were victorious or they were dead. Written during this Anglo-Saxon period, the epic Beowulf contains many pagan ideals, in addition to several references to Christian philosophy. Beowulf is a tale of dual ordeals; an external fight against treacherous enemies, and an internal struggle with human tendencies of pride, greed, cowardice, and betrayal. The story intertwines them with both pagan and Christian beliefs.

Beowulf has both pagan and Christian influences. Throughout the story there are many elements of Christian teachings: that man survives only through the protection of God, that all earthly gifts flow from God, and that the proper bearing of man is to be humble and unselfish (csis.edu, 2011). While many pagan influences appear in the poem, Christian overtones are more prevalent, exhibiting many elements of Christian heroism in the poem. An example is when Beowulf says “God must decide who will be given to death's cold grip” (Norton, lines 174-175).   He knows that God has already created an ending to this battle with Grendel, and he is lavished with peace. He shows true Christian character, bravery, and faith in the manner in which he

In The Dream of the Rood, the poet has added elements of the idealized heroic death (as exemplified in Beowulf and The Battle of Maldon) to the crucifixion. He has also eliminated details of the story that tend to render Christ as a figure of pathos, in order to further Christ's identification with the other glorious warriors Anglo-Saxon poems.

In Anglo-Saxon literary works, the writing usually addressed to a Christian audience but yet all commonly affirm the values of the warrior cultures in power in different matters. In the two pieces “The Dream of the Rood” and Beowulf there are two powerful kings being represented that are set in overlapping values that benefit their true courageous deeds. Both are considered good, but do they mean the same thing in Christianity and paganism contexts? Specifically, the two pieces both fuse together Christian and pagan ideals to show their two powerful kings represented in two completely different manners. In the literary work Beowulf the character Beowulf is known as the king along with many others. While in the literary work “The Dream of the Rood” Jesus Christ is known as the king since he is directly referred to as a “king” several times throughout the work.

Throughout the epic poem, the possession of wealth and treasure represents a reputation of honor, status, and skill, but were also used to solidify bonds and ensure loyalty. Every king along the lineage of royalty had a duty to spread his riches, a responsibility indicated by the frequent use of “ring-givers” that would even provide, “far-fetched treasures… and precious gear” (36-37). Wealth, a vastly important role in Beowulf, enables the king to manifest his generosity upon society. This act was not only a practice, but also a representation of honor as it was a way to exhibit benevolence to others as well as rewarding their loyal followers. An example would be during the time Beowulf saves the hall of Hereot from the terror and destruction of Grendel. As a result of Beowulf’s heroic acts, Hrothgar showers treasure on him and his men in order to show his thankfulness and goodness. The poet asserts how this giving of gifts signifies the manifestation of Hrothgar’s honor as king.

Writers for many centuries have depicted the greatest event of history, Christ's sacrifice in many ways. Fantasy writers, especially, have symbolized it as either the sacrifice of a lion on the Stone Table, a mighty warrior battling a red dragon, or less obviously, the destruction of a ring, and numerous other ways. However once writers chose to directly write about Christ's sacrifice without using symbols. Nonetheless even these writers differed greatly in their portrayal of Christ's sacrifice. Among these, William Langland, who wrote Piers Plowman, and the poet who penned “Dream of the Rood” both discuss Christ's sacrifice vividly and poetically. While Piers Plowman and “Dream of the Rood” share many similarities in their portrayal of Christ

The consequence of their loyalty leads the warriors of the Maldon to death. Likewise, the Rood also follows Christ in his suffering and to his death. It states, ¡°standing in a sweat of blood/ I was all wounded with shafts¡±(The Rood, 57). Indeed, that ¡°sweat of blood¡± belongs to the Rood and its ¡°wounded¡± body identifies with that of the Christ¡¯s. In fact, while having the knowledge of the inevitable tragedy, the heroes of the Anglo-Saxon literature neglects to heed to their fear of death. What defines a hero in this period pertains to facing the ¡°wierd.¡± Rather than a resignation in giving up their lives, they participate actively in order to live out their given role, to fulfill what they have promised to do. Indeed, the heroes of the Maldon are ¡°fated [to] fall¡±(Maldon, 4). In the face of their inevitable doom, these heroes state ¡°in right good time dost thou recall us to our allegiance¡±(Maldon,232). This ¡°allegiance¡± to serve the lord cannot be forfeited even when the lord no longer lives. Regardless of the tragic consequences, these heroes choose to suffer. The Rood indicates, ¡°wry wierds a many I underwent¡± in revealing its active role in its fate (The Rood, 56). The Rood states that ¡°[it] underwent],¡± have chosen to suffer with Christ.