The Heros Journey: Symbolism In The Hero's Journey

In the late 1940’s a man named Joseph Campbell shared his Mythic principal with the world. He explains that there is a three-stage formula that he calls a Hero Journey which is the structure of every story. Though most stories are completely different on the outside, the stories are almost structured around these three stages. Stage 1 is the hero leaves the everyday world and enters another world. While Stage 2 the hero is challenged by opposing forces and must pass a series a test throughout the movie. That will then determine who will be victorious, either the hero or the opposing forces. Stage 3 is tied into Stage 2 because if the hero is victorious, they will return to the ordinary world with a gift for the world.

Within the Odyssey, most characters are able to be classified into the archetypes of the ‘Hero’s Journey’, a notable narrative pattern lain for protagonists of many epics/adventure stories. While some characters serve a singular, one dimensional purpose to the story, such as the suitors, thus fitting into a general stereotype, other characters, such as Odysseus, can be classified into multiple categories, as he has a more flexible narrative function. In this, Odysseus behaves in the Odyssey as both one of its heroic protagonists as well as the scapegoat for many of the issues faced by others throughout the epic. As Telemachus, previous to his venture to find his father, mentions the issues with his house, he indirectly blames Odysseus’ absence

Countless cultures and religions gather around campfires and even hold ceremonies to hear a good hero story. But little do they know that these traditional stories that they are oh so eager to listen to, are all alike someway, somehow. All heroes in all cultures, dating from the earliest hero-story written, miraculously follow a sequence of events called a mononmyth/heroes Journey. The ineffable spectacle of the mononmyth is that despite the thousands of miles between ancient civilizations it was subconsciously present in the psychology of all the hero-writers. Joseph Campbell, an established psychologist stated his identification of the monomyth in his book, A Hero with a Thousand Faces. But, Campbell not only explained the monomyth in great detail, but he also elaborated into the psychology of humans. He did this by elucidating the exact steps in every hero’s journey, and providing factual proof. The initial belief is that no matter what the circumstance is, No matter past or present, man or woman, the heroes all have the same initiation. Here Campbell states that, “Whether hero ridiculous or sublime, Greek

Small or big, everything we do in life is part of our journey. Reg Harris’ “The Hero’s Journey” describes the voyage one takes throughout life to grow and change as a person. He breaks the journey down into eight steps leading to the return. It starts out as a goal that isn’t always easy to reach, one goes through hardship and personal doubts only to succeed and become a better person. An example of this journey can be found in the movie, Troy through the character Achilles. Achilles is a strong fearless warrior in the movie, Troy who goes through “The Hero’s Journey” and ends up with a change of heart.

The “hero’s journey”, coined by Joseph Campbell, is a pattern in the plot structure of literature, myths, and oral tradition in which the hero is consistently faced with similar obstacles and achieves many of the same goals. The first part of the hero’s journey is “The Call.” The hero is usually living a very comfortable and easy life, unaware of the journey ahead. The hero is then faced with a situation or dilemma which eventually causes them to seek change. The hero, at this point, tends to refuse the call to adventure in fear of the unknown. Once the hero has been given the strength to push past the unknown, they have entered the threshold. The hero will experience many challenges and temptations where the hero is tested, eventually reaching “The Abyss,” the most difficult challenge. The hero is then transformed by these trials and returns home to every-day life and begins to contribute to their society. The novel, Their Eyes Were Watching God by Zora Neale Hurston, the protagonist, Janie, experiences the hero’s journey first-hand through overcoming obstacles and transforming herself. In Their Eyes Were Watching God by Zora Neale Hurston, the heroine Janie overcomes many obstacles and is therefore transformed into a self reliant woman.

The “Hero’s Journey” is a common template in stories that involve a hero who goes on an adventure, wins a victory in a decisive crisis, and then comes home changed or transformed. This template has been used in tales throughout history to convey the journey that a protagonist goes on. The universality of the struggles and conflicts these heroes overcome allows this template to become as popular as it is today. Many of the stages that exist within the “Hero’s Journey” can be applied to my journey as well as yours. The stage of my grandfather’s death in my journey is comparable to “The Ordeal” in the “Hero’s Journey.”

In 1949, Joseph Campbell published his book “The Hero with a Thousand Faces.” It details his theory of the “monomyth,” a theory that illustrates how many heroic mythological stories have similar outlines and archetypes. During his discussion of the second chapter of the monomyth, Campbell says that the monomyth can “serve as a general pattern for men and women” in their everyday lives (121). In many circumstances, comparisons can be made between normal situations throughout life and the monomyth. When a challenge of task is encountered in life, it can be analyzed under the three main stages of the monomyth: the departure, the initiation, and the return.

The archetype of the Hero’s Journey holds a prevalent pattern in the works of “Initiation” by Sylvia Plath, “A & P” by John Updike, and “Everyday Use” by Alice Walker. These works all follow the 17 stages of Joseph Campbell’s Monomyth which are separated in three stages; separation, initiation, and return. The main characters have different characterizations; however, they all follow the basic structure of the Hero’s journey archetype. There are many similarities and differences between the stages that are shown through many context clues and literary devices in each work. The Hero’s Journey archetype expressed in these literary works follow a similar and direct narrative pattern.

During the course of this World Literature class, several stories have been covered that accurately describe Joseph Campbell's mono-myth, or basic pattern found in narratives from every corner of the world. The Hero's Journey in it's entirety has seventeen stages or steps, but if boiled down can be described in three; the departure, the initiation, and the return (Monomyth Cycle). Each stage has several steps, but the cycle describes the hero starting in his initial state, encountering something to change him, and this his return as a changed person. To further explain this concept, there are a few stories covered in this class that can be used.

“The Hero’s Journey” is a pattern of narrative identified by the American scholar Joseph Campbell that appears in drama, storytelling, myth, religious ritual, and psychological development. It describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization. The hero’s journey is divided into three sections departure, initiation, and return. The three sections are then divided into subsections that give a little more in detail journey that the so-called “hero” takes in the storyline. Hamlet and Simba are the main characters in the two storylines that take on the role of the hero.

A key to understanding his writing, says author Tom Robbins, is a knowledge of Greek myth. A particular influence on him is the life and work of Joseph Campbell, author of several books on mythology (Hoyser and Stookey 9). Campbell, in turn, owes influence to the insights of analytic psychologist Carl Jung. Jung recognized the patterns within myths --- throughout the world and across all cultures -- of characters, situations, and events, and identified these recurring images as archetypes (Harris and Platzner 40). Campbell

Many of the stories that have been told for centuries, or have recently been created, incorporate the story of a young innocent character who embarks on a journey and becomes a hero, known as The Hero’s Journey; a series of steps that all heroes follow. This journey not only shows the main character becoming a hero but also shows the hero move along a path similar to that of adolescence, the path between childhood and maturity. The Hero’s Journey was created by a man by the name of Joseph Campbell. He wrote a book called The Hero with One Thousand Faces, a novel containing a variety of stories that follow the steps of the Hero’s Journey. One famous creation that follows The Hero’s Journey is the science fiction

The night air was heavy with silence. Clouds drifted across a calm sky, and a full moon shone in the distance. In a small hut on the outskirts of the valley, an old man lay in bed, awake in the peaceful slumber of the village. His breaths came in rattling gasps, his forehead burned, and his joints felt stiff with pain. He shifted on the blankets, his withered hands clenched in fists as he tried to suppress the wave of bitter memories coming to him. His life had been nothing more than work, loss, tragedy. He remembered all of his hope, his ambition, in his youth, and he smiled bitterly. No one would remember him as the man that he had once hoped he would become. Now, as his breathing became heavier and he felt himself fading on the brink of

Two books can seem completely different from each other when judged by characteristics such as genre, plot, and theme. However, if people were to look at the books together and as a whole, they might notice one striking similarity between the two. That striking similarity is known as the hero’s journey. First observed and documented by Joseph Campbell, the hero’s journey is a concept in which heroes, or people who commit actions for the greater good, follow a three-step cycle known as departure, fulfillment, and return. At the first stage of the hero’s journey, the hero receives a call to an adventure that takes him from the comforts of his home. Next, at the most important stage of the hero’s journey, the hero begins to experience life

Watching a film, one can easily recognize plot, theme, characterization, etc., but not many realize what basic principle lies behind nearly every story conceived: the hero’s journey. This concept allows for a comprehensive, logical flow throughout a movie. Once the hero’s journey is thoroughly understood, anyone can pick out the elements in nearly every piece. The hero’s journey follows a simple outline. First the hero in question must have a disadvantaged childhood. Next the hero will find a mentor who wisely lays out his/her prophecy. Third the hero will go on a journey, either literal or figurative, to find him/herself. On this journey the hero will be discouraged and nearly quit his/her quest. Finally, the