The Hip Hop Wars: Hip Hop Demeans Women

If they see rappers calling females out of their name with big chains and expensive cars throwing all their money in videos, then they look up to the guys they see in those videos and are going to buy in to what their seeing and hearing on the radio, on TV, on the internet, on the streets and in school regardless if it’s true just like advertisement. Even though many of the rappers that rap about misogyny sound like they live what their saying, many don’t actually believe what they’re saying they’ll still say it anyway just to get a paycheck. Yet what a lot of the public fell to realize is that rap is about business and making money and they’ll do whatever it takes to increase their profit. Yes, a lot of what these big time record labels put out is wrong on many levels, but when their banks accounts have a lot of zero’s, they can care less about how their music is affecting young people. This situation is very multi-sided to say the least which is why I feel this article deserves to receive the Most Controversial Issue

The misogynistic treatment of women in commercialized rap has become a widespread phenomenon which as a result has become commonly accepted by majority of the individuals in society. Rappers, in general, nowadays use women in their videos in a way which is both derogatory and exploiting. Black men in today’s society, especially in the entertainment industry, do not see women as their equals; rather they objectify them as being nothing more than sex objects. People in the Hip Hop industry do not believe that sexism and misogyny is as big of a deal as racism, thus they push this issue to the side by simply ignoring it and learning to accept it. This misogynistic portrayal of women is ruining the image if Hip Hop as both an industry and a form of expressive art. However, instead of taking action against this atrocity, many women simply believe that the images of women and their portrayal in rap videos does not represent nor refer to them as an individual and the type of woman they truly are. By being silent these women are allowing themselves to be victimized by the men of not only the Hip Hop industry but also general society. By not having a say in this matter of the false classification and portrayal of women, they are voluntarily allowing men to do whatever they please to do so, in any given time and with any approach they feel is necessary. They do not

McLune also believes,“many hip-hop rappers are sexist and materialistic singers”(222), and not many rappers sing about equality and respect between the sexes. Even female rapper’s follow in the male rappers footsteps of disrespecting black women. Female rappers follow this path to keep from being “targeted, slandered, and ignored”(223). Female rappers who take a stance against the norm risk being called “bitch, a ho-or worse, a dyke.” McLune states that she wants the sexism to stop and until it does hip-hop will fail. According to McLune, Kevin Powell excuses sexism because of poverty. Experience has shown us that any man, rich or poor, can be sexist regarding women. By allowing the behavior to continue black women will always be the victim.

In Joan Morgan’s article “Fly-Girls, Bitches and Hoes: Notes of a Hip Hop Feminist”, she shows the way rap music has changed through it popularity. The widespread appreciation of rap had negative impacts upon the black community. Morgan talks about this through her Feminist point of view. She focuses the topic on what rap music says about the African American culture in Hip Hop. Rap music and Hip Hop were invented through the pain of African Americans. Hip Hop and the Rap industry use sexism and machoism to express the long years of oppressive pain they went through by the hands of the white people. Especially for the black brothers who continue that oppression by using provocative words that degrade the black sisters. Morgan states that blame isn’t only on the brothers

With that being said, she is all for women’s political, economic, and social rights/equality. Readers who understand the definition of feminist may want to associate sexism and the degradation of women with feminism. Morgan intergrades her own personal views of hip hop along with her feminist and antisexism views to create a dramatic shift within the passage. One that draws in the readers in order to make them focus on one problem, she has with hip hop, then she interrupts that with the problem the hip hop industry as a whole as. Morgan goes on to say, “My decision to expose myself to the sexism of Dr. Dre, Ice Cube, Snoop Dogg, or the Notorious B.I.G is really my plea to my bothers to tell me who they are. I need to know why they are so angry at me”. (Morgan,456) The latter part of the quote truly stands out. Using ‘why are they so angry at me’ suggest degrading even one woman in not only lyrics but also music videos, is also degrading every single women and girl. Morgan looks beyond the artist by going to look beyond what the hip hop artist wants you to hear, see, or believe. Joan Morgan suggested the sexism in rap music is undoubtedly a complex mask African Americans wear to hide and express their pain, similar to what poets do within their works. Morgan is not as concerned with the name calling and degradation, her concern is mainly the failure to love women especially the black women. The author makes the

To begin, in Tricia’s Rose’s Hip Hop Wars, the author goes into great detail about the current state of hip hop. From reading this book, one will see that Rose feels worried about this new generation of hip hop. This can be seen when Rose states, “Hip hop is in a terrible crisis” (Rose, 1). Rose feels concern for this culture because of the messages that are coming from hip hop (Rose, 1). For instance, Rose states “… the most commercially promoted and financially successful hip hop…. has increasingly become a playground for caricatures of black gangstas, pimps, and hoes” (Rose, 1). It becomes increasingly clear that Rose feels that these messages are responsible for the “dumbing’ down of hip hop’s imagery” (Rose, 3). The reason for this being that these messages are so prevalent in hip hop music. Rose states, “relying on an ever-narrowing range of images and themes, this commercial juggernaut has played a central role in the near-depletion of what was once a vibrant, diverse, and complex popular genre” (Rose, 1). In other words, when certain messages are delayed over and over again, it becomes hard to focus on anything else. This is one example of why Rose is concerned about hip hop. Overall though, the author is concerned with the messages being sent from hip hop and how it is affecting what hip hop use to be. Further into her book, it is also clear that Rose is concerned with the negative outlook that people have on hip hop. For example, Rose states “…the increased profitability of the gangsta-pimp-ho trinity has inflamed already rile critics” (Rose, 4). Therefore, not only are these new messages changing hip hop, but they are

Masculinity in the Hip-Hop culture has been redefined repetitively as the genre grows in popularity. Created in the late 70’s, Hip-Hop was started as an outlet for residents of urban communities to express them and have fun through the music. As Hip-Hop grew into the 80’s and 90’ the genre also evolved as the artist began to voice what was going on in their day to day lives and in their communities; Hip -hop became a form of storytelling. Being that a lot of Hip-Hop artist had street, and gang related backgrounds, their music would reflect their past lives that were violent and controversial. Despite their brave and unapologetic storytelling, the era of ‘gangster rap’ set the standard of what it meant to be masculine in the

Misogyny is a tried and true American tradition from which hip hop derives its understanding of how men and women should behave. Critics argue that hip hop’s misogyny and promotion of traditional gender roles reflect mainstream American values. Feminists suggest that misogyny in hip hop culture is not a “black male thing”, but has its roots in a larger pattern of hostility toward women in American culture.

In black media today the hip hop culture is often referred to when defining what it means to be a black person in society. In particular the hip hop culture is where many young black men pull both positive and negative aspects of black masculinity. Many mainstream hip hop songs often create a common misogyny by objectifying and stereotyping women. An example of this can be heard in the song Nasty Girl by The Notorious B.I.G. where he states:

In the world of Hip-hop, artists have the ability to shape the image and status of women in our society. Over time, these music videos have misrepresented women and portray them as sex symbols or material objects. In these music videos, women wear provocative clothing to pacify the desires of males further

Rap music is filled with imagery that degrades women. Women are continually referred to inappropriately in many songs, while men refer to themselves and other as pimps or players. Women are not only referred to by derogatory names, they are frequently lowered to sex objects for entertainment. The common idea of a woman in a rap video is one who is half naked while dancing flirtatiously and seductively behind, or in front of the rapper. Many female rappers make public appearances dressed inappropriately, their clothing is always revealing and skin tight, they have unfortunately accepted and entertained this idea. Young girls see these women as role models. As female rappers conform and accept their roles as sex objects they are making it socially acceptable and the young girls who see them as role models and look up to them think

Hip hop and rap as a musical genre is a very controversial subject for nearly everyone. Its influences are powerful, both positive and negative. There are many positive influences of hip hop, and a few examples are the breaking down of cultural barriers, the economic impact, and political awareness of pressing and urgent issues. Though there are many positive influences, there are many negative influences as well. Some of the more heated debates of the negative influences of hip hop are that it glorifies violence, and the fact that the music sexualizes women and degrades them as well. Attached to the negative outlook on hip hop, there are also many stereotypes assumed by society towards this type of culture

Misogyny and degradation of women is present in almost every genre of music, yet the one genre that completely revolves around demeaning women is rap. Over the years rap and rap music videos have continually become more sexual and degrading towards women. Rap has been criticized numerous times for this reason, and that is because rap is one of the most popular genres of music for the younger generations. It is more than a genre of music, it is a complete industry filled with clothing and other merchandise. The reason this constant demeaning of women exists is because rap as a genre that rewards the objectification of women. The excuses used to justify the misogyny in rap are incomplete and lack accurate support. The most effective way

One negative global implication that commercial Hip Hop in the U.S. produces is the characterization of young black women in four different personas: Diva, Hoe, Gold Digger, and Bad Bitch. When young black women hear music and see music videos that promote sexual conduct, they take on one of the different personas that is illustrated in the music and treat themselves as sexual objects. This characterizations affects the black community worldwide because this causes young black girls to be more sexually active at a much younger age, this results in teen pregnancies and

Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to