The Hipstersism And Cultural Movements And The Hipsterism Movement

A counter culture is defined as a group that rejects the major values, norms, and practices of the larger society and replaces them with a new set of cultural patterns (Thomas, 2003). The thinking and behavior of younger people who want to be different from the rest of society developed during the 1960s. It was a different way of living chosen by people who would eventually become known as hippies, or freaks. The name came from “hip,” a term applied to the Beats of the 1950s, such as Allen Ginsberg and Jack Kerouac, who were generally considered to be the pioneers of hippies (Britannica, 2015). The movement originated on college campuses in the United States, and Members of this counterculture held beliefs almost the same as that of the New Left movement in that they wanted to change domestic policy within the United States.

The word “Cult” has not always had such a negative connotation attached to it. Many religions would’ve been considered cults when they first began. By the end of the 19th century many visionaries had revealed radically new religious systems, claiming immunity to the impurities of the old ones (Powers, 1997). These were no more than a group of people organizing themselves in worship and devotion for a person, object, or movement. They practiced rituals different to other “mainstream” religions, and were therefore considered cults.

The rise of counterculture in the 1960s was caused in large part by the Civil Rights Movement, the Vietnam War, military conscription, and the teenagers of affluent middle-class parents. The teenagers of those families wanted more than anything else to experience life to its fullest, before it was too late. The irony was that “ behaviors by counterculture youth were and are an easy target for criticism, especially on the part of those eager to belittle the decade’s significance ( Morgan; 170). There were two waves of the counterculture (hippie) movement; the first dealt with the shock of JFK’s assassination, government aid to Vietnam, the student sit-ins and the militant stance of the Black Panthers. All of which caused a weariness to hippie-dome

Cultic activity has taken place since the practice of religion was established thousands of years ago. Since then, literally thousands of denominations have been inoculated throughout the world, especially in the United States. A cult, according to Merriam-Webster’s Collegiate Dictionary is a system of religious beliefs and rituals. By definition, this includes organizations such as Baptists, Catholics as well as Satanists and Witches. While this maybe true, cults have been popularly perceived as Separatists who are consumed by the belief of apocalyptic events, and the leader is someone who believes he or she is chosen by God or some other deity to lead those who are to follow him or her. One group that fits this description is the

A cult is a group of people with similar interests, and lead usually by a trusted leader. This leader will have to convince others into believing or provide a place where they can worship

Cults have existed throughout history since the beginning of time. A cult is defined in Webster’s dictionary as a “system of religious worship with a devoted attachment to a person, principle, etc.” Over the past thirty years numerous religious cults have caused “ tens of thousands to abandon their families, friends, education’s, and careers to follow the teaching of a leader they will never meet”(Beck 78).

The beat generation was a movement that sought to oppose American society values, and any sort of control. They explored Eastern religions, was somewhat postmodernism, rejected the materialistic culture, spoke about drugs, our conscious mind, and fought for sexual liberation and exploration with their unapologetically offensive language. While reading the novel Jitterbug Perfume written by Tom Robbin, one can witness how the novel exhibits aspects of the beat literature, and thus concluding that the beat generation served as inspiration to Tom Robbin.

The Merriam-Webster online dictionary defines cult as: "a religion regarded as unorthodox or spurious; also: its body of adherents." Indeed, any religion involving unconditional worship and unquestioning obedience to God could be labeled as a cult (using the derogatory suggestion of the word), since such a religion would have that high level of dependency, obedience, and unwavering compliance ascribed to cults by definition. Many mainstream religions still require their members to believe in God unquestioningly, to have faith that he is good and that what he does is good, to consider one's own wants and needs as unimportant while accepting the will of God as paramount. All of these are certainly characteristics commonly attributed to cults, but while it would not be unreasonable to apply this definition of a cult to any dogmatic religion that requires strict compliance with God's word and will as a condition of membership, the notion of applying the word "cult" to Christianity, Islam, Judaism, or any other major world religion today is considered absurd. There are those who make this very claim: that those who worship God fit the classic depiction of cult members in their dogmatism, unswerving

” Williams’ theory therefore suggests that the terms must necessarily co-exist in order to define each other. The “pervasiveness of consent ” therefore characterises the fifties, against which these Beat texts can be contrasted. Theodore Roszak’s 1969 article ‘The Making of a Counterculture,’ helps define beat ideology as “heightened self-expression and often a rejection of political and authoritative institutions… a negative spirit of the times coupled with a specific lifestyle .” Both On the Road and Howl and their author’s lifestyles of their writers reflect this criterion, in idiomatic and contextual terms, lending to the notion that they are, by the overall nature of their existence, countercultural texts. Roszak’s adolescent counterculture often seems the embodiment of Dean and Sal’s ‘beatitude’ in On the Road “when they pulse to music…value what is raunchy… flare against authority, seek new experience, ” but it is similarly descriptive of the naked, sometime vulgar language Ginsberg employs in Howl “who bit detectives in the neck… let themselves be fucked in the ass.” (13) The Beats admire the vibrancy naturally present among youth, and although this is a style for which their writing has been criticised, it is a move away from the traditionally

The turbulent societal changes of the mid-20th Century have been documented in countless forms of literature, film and art. On the Road by Jack Kerouac was written and published at the outset of the counter-culture movement of the 1950s and 1960s. This novel provides a first-hand account of the beginnings of the Beat movement and acts as a harbinger for the major societal changes that would occur in the United States throughout the next two decades. On the contrary, Fear and Loathing in Las Vegas, a Hunter S. Thompson novel written in 1971 provides a commentary on American society at the end of the counter-culture movement. Thompson reflects on the whirlwind of political and social activism he experienced and how American society had

The “beat movement” is a literary period born out of World War II. This movement in American Literature has become an important period in the history of literature and society in America. Characterized by personal alienation and contempt for convention, the movement celebrated stylistic freedom and spontaneity. The Beat writers created a new vision of modern life and altered the nature of awareness in America.

The subcultures “Beatniks” and “Hipsters” have proven to media and society that they have an urge for individualism. This is not something that has gone unnoticed by anyone, especially in the 1950’s with the beatniks. As a rise in each of their cultures, they have both experienced harsh criticism, attacking their style and how they approach life. There are many different views on how beatniks and hipsters lived/live their lives. Today, it is easy to tell the differences and similarities between beatniks and hipsters, because there are many of them.

A cult is defined as a social group or a social movement under one charismatic leader. It maintains a belief system, which includes a transformation of a group member. Members of the group have a high level of commitment to the leader, members, and beliefs (Lalich). An additional definition to consider is from the American Journal of Psychotherapy:

Jack Kerouac was one of a group of young men who, immediately after the Second World War, protested against what they saw as the blandness, conformity and lack of cultural purpose of middle-class life in America. The priorities of people of their age, in the mainstream of society, were to get married, to move the suburbs, to have children and to accumulate wealth and possessions. Jack Kerouac and his friends consciously rejected this pursuit of stability and instead looked elsewhere for personal fulfillment. They were the Beats, the pioneers of a counterculture that came to be known as the Beat Generation. The Beats saw mainstream life as a prison. They wanted freedom, the freedom to pick up and go at a moments notice. This search for

Influences of the Beat Movement can be noted in the next phase of American History: Hippie counter-culture of the 1960s. The Beat Generation was an important political catalyst for those minorities that had no voice. The “beatniks” of the movement were seen as a threat by those Americans that lived in the typical suburbs of American who tried to raise their children in morally upright ways (Silesky, 81).