The Historical, Political And Political Role Of The Eurovision Song Contest

* Barry Fife gives the state championships an iconic, almost ‘god-like’ status using the exaggerated description of the champion as a ‘hero, a guiding light.’ Baz Luhrmann is gently mocking the self-importance of the dance federation officials which also links to our understanding of the belonging concept, conform or be excluded.

Radio broadcasting has become an influence in contemporary times as it is a way of communication to a wider audience. Through radio broadcasting, we are introduced to a variety of components, different music genres, currents events both locally and internationally, competitions, free giveaways and live interactions between presenters and listeners. However, it is the idea of co-presence that is stimulated through these components in which makes radio broadcasting exciting to listen to and engage with. The realm of co-presence within radio broadcast has defined how the audience is actually listening to their preferred radio stations. In this essay will discuss and break down concepts such as intimacy, liveness and the implied audience that define the hegemony of co-presence with in radio broadcasting as described by Hugh Chignell’s in his text, Key Concepts in Radio Studies (2009). This essay will also be focusing on how the Mai FM breakfast show, Mai Mornings (2017), deliver Chignell’s concepts in order to understand the importance of co-presence. Mai FM is a hip hop and RnB station that is broadcasted all over New Zealand, and throughout the radio station, Chignell’s concepts are highlighted. Scholarly references will also be included throughout to shape the argument.

This essay aims to analyse how media globalisation shapes our identity and sense of belonging in the world today. In particular, this essay will focus on Australia’s involvement in The Eurovision Song Contest, otherwise known as Eurovision, discuss how it’s participation is placed via media flows as discussed by Thussu, and finally how media globalisation causes Australia to be represented in new ways.

Intro: Like various art forms such as film, television, and literature allows artists to express their own sense of identity, that being nationality, race, class, ethnicity, gender or sexuality. In this case, Queen uses music to illustrate the themes of gender and sexuality through their music video I Want to Break Free (1983). This essay will attempt to discuss how Queen’s music video, I Want to Break Free, explores queerness in relation to queer theory. Firstly, I will introduce the ideas and arguments of queer theory through Gilbert Herdt article Same Sex Different Cultures (1997). I will then discuss Queen’s portrayal of drag within the music video and how it can be seen as queer rather than heterosexual. Lastly, I will argue that

In the early 60s, Britain was known in America for essentially the Queen and tea. However, that all changed in February of 1964 when the Beatles touched down on American soil for the first time. Their first hop across the pond was no ordinary endeavor, as most British boy bands or performers had a hard time making it in the states. However, their venture to visit The Ed Sullivan Show ultimately changed America’s future. From that point forward, Americans began on their journey to find hope and expression through the Beatles’ music and their influence. In present day America, it is hard to imagine a day that passes by without the media mentioning the British Royal Family, the famous British supermodel, Cara Delavigne, or the British pop band, One Direction. However, most of these British obsessions wouldn’t be as prevalent in America today if it weren’t for the Beatles appearing on The Ed Sullivan Show or the pop culture phenomenon that ensued thereafter. If one thing is for certain, the Beatles invasion into the U.S. masked ambivalent socioeconomic affairs in the early ‘60s and accelerated the change in American pop culture.

The feel-good essence of a lot of commercial pop music has the outcome of concealing the reality of structural where a people may not be treated as equals around the world (McKay, 2000, p.2). Therefore, commercial pop music has the triple socialising effect of having listeners forget the environment that they live in, having them believe there is validity in commercial power, and of muting people by mass-producing blaring, fused type of pop music while censoring others. This is concerning since the increasing variety of media controlled by the same corporations. An argument to this is that this feel-good aspect can help consumers feel, that they have escaped the conditions they live in. (McKay, 2000,

Throughout this journey, many factors had an impact on the Olympics. Some of the factors that changed the modern day Olympics are women competitors, women’s suffrage, nationalism, wars, and economic conditions. An increase of women's rights was given, pride for the nations was shown, wars still occurred, and economies have flourished. The longer the Olympic Games have aged, the closer the world’s state is to Pierre’s

Beyond the fact that Manjoo conflates entertainment niches with political divisions fueled by greater sociopolitical and economic influences—already a large correlative jump that does not indicate causation—he suggests that the mainstream culture of a TV-Nation somehow promoted a national unity due to a shared cultural lexicon of sitcoms. The idea that we were more united in the past due to a more singular channel of information demonstrates a one-sided viewpoint. The mainstream may have dominated, but it wasn’t all inclusive.

Popular music is often one of the best lenses we have through which to view our own cultural orientation. Many of the artistic and experimental shifts in popular music have mirrored changes in our own society. For instance, the emergence of Elvis Presley as a public figure would signal the start of a sexual revolution and the growth in visibility of a rebellious youth culture. Similarly, the folk and psychedelic music of the 1960s was closely entangled with the Civil Rights, anti-war and social protest movements. In this regard, we can view popular music as an artifact through which to better understand the time and place in which it is produced. In light of this, the state of popular music today may suggest troubling things about our society.

These example show how while the Panhellenic Games did create some unintentional unity amongst the Greeks, the unity was in no way finite or stable as many athletes and spectators retained their sense of city-state patriotism and superiority. The Panhellenic Games even seems to have encouraged these de-unifying

"The Olympics are a wonderful metaphor for world cooperation, the kind of international competition that's wholesome and healthy, an interplay between countries that represents the best in all of us,” said John Williams, the composer for theme music for the Olympics (8). The Olympic Games are international sports festivals that began in ancient Greece. The first ancient Olympics can be traced back to 776 BC when people held this religious festival to honour Zeus, the father of all the Greek gods and goddesses. The participants were male citizens from Greece, and these athletes participated in only one event — foot race. Unfortunately, this ancient Olympics did not last forever. The first olympic in 776 BC in Olympia was an significant event

The question I have posed is a very contentious one, which has been debated by scholars and graduates for some time, with many arguing that popular culture and mass media are ways of brainwashing the 'masses' into the ways of a dominant social order. Others believe that popular culture is a type of 'folk' culture which encompasses the idea of an 'alternative' culture incorporating minority groups, perhaps with subversive values sometimes challenging the dominant control groups, as was scene with the advent of the 'Indie' music scene in the mid nineteen nineties. In this dissertation I aim to uncover whether aforementioned 'subversive values' can be uncovered in popular culture or whether popular culture is really a means by which the masses can direct dominant controlling forces.

Throughout the years, music has evolved and transformed in many ways. However, there are restrictions in today’s music, otherwise known as, censorships. A crisis has emerged concerning the issue of censorship. This argument consists of two possible stances: one, supporting the continuation of censorship, and two, eliminating the status quo of censorships in the music industry. There have been countless debates and arguments regarding the issues of censorship ever since the U.S. Congress passed the Radio Act in 1927 (The History). The time has arrived for censorship to be brought to an end. The government should release their grip on the censorship of music for the following reasons: it obstructs the public’s freedom of choice, it

In the twenty first century, the media has been transformed into a highly influential tool and segmented to aspects such as print, broadcast, film, outdoor and internet etc. The relationship between the media and construction of national identity is apparent with distinctive representation of nationalism in news coverage of politics, celebrations, tourism and country heritage (Leong, 2001).

According to Jenkins ‘Convergence Culture: Where Old and New Media Collide’, It spectacles that the entertainment industry has taken the advantage of harnessing ‘New Media’ on traditional formats by focussing on the logistics and practices. This evidently helps to increase the popularity and the availability of audience participation through the use of updated technology. This is denoted through old technological formats via applying new interactive media to heighten the participation for numerous audiences. For instance, back in the day many industries i.e. entertainment had to depend on broadcasting and radio for the viewers to receive their audio or visual content. To do these industries had to send out signals globally through a large transmitter so that people can receive their content. Transmitting these signals