The History Of Magical Realism

Jacquelyn Barrett’s spookiest experience was, less than a year ago, she got a call from my oldest sister Hannah saying,”did you hear what happened to Grandpa Barrett?” For over two hours she was stuck inside of Citrus Valley Gym, playing with the boys volleyball team. Right after practice ended, her mom got a call from her dad and the next thing she remembers her mom saying “do you know? Grandpa Barrett passed away about a half an hour ago. “Right away on that day 3 April 2017 at 4:50 her life had changed forever. This scenario relates to Gothic literature and Magical realism because it was a very surreal moment. These genres are similar because both genres blend reality and magical moments in one. Gothic literature is a setting that begins with bleak setting and has an ambiguous ending. Also it has a scary and mysterious feeling and makes you wonder what's going to happen next. It impacts the reader by putting intelligent words and a gloomy setting. A example of gothic literature is in the story “Where is here”. In the story “Where is Here” a stranger appears at the family's house and the family reacted with curiosity and concern(69). Magical Realism is a literary genre, therefore there is a realistic narrative and natural techniques, combine with surreal elements of dream or fantasy. Julio Cortazar’s “House Taken Over” is a good example of Magical Realism because both the brother and sister started to hear “noises” coming from a part of the house, so they limited

The spookiest experience Kaylee ever had was the time she almost died at surf camp. She was trying to go where the water wasn't breaking into waves and as soon as she got just about there, a 3 foot wave came and was just about to crash and she was in the range to get hit so when it finally crashed it took her under the water and flipped her over about three times to the point where she couldn't breathe and she almost died. This scenario is related to the traits of gothic literature and magic realism because they both show life threatening situations. It is also different however, because Magical Realism is more relatable to a person with a normal life that has been interrupted with strange events, while in Gothic Literature one cannot

Magical realism is a type of writing where two views of reality come together. There are numerous of ways magical realism is expressed in Latin American writing. A very common one amongst stories is open-ended conclusion in which we the readers just have to accept it. Usually magical realism is used as a metaphor for something more meaningful. One story that conveys a lot of magical realism is The Third Bank of The River by João Guimarães Rosa. The story is about the narrator's dad who was quite the quiet man, who one day bought a boat fit for one. He entered the river and never spoke a word to another soul again. The son is the only one who stays at the house in case of the father's return. He leaves food out for him so that he will survive, until one day he makes an offer to his father, and ends up fleeing in terror.

The conventions of Myths, Fables, and allegory all have magical elements in common like magical realism. But what sets magical realism aside from these genres is that it portrays magical or unrealistic elements in such a way that it is viewed as natural. Matthew Strecher defines magical realism as “what happens when a highly detailed realistic setting is invaded by something too strong to believe”. Some elements that authors use to support magical realism is using unexplainable things/events in the context to be normal, metamorphosis occurring, and not using regular constructs of time.

While this genre in itself is an oxymoron, it can be defined as a genre of writing where magical or spectacular elements are introduced to a realistic and culturally accurate setting whose characters accept these events as part of their lives. Some of the genre’s defining characteristics are magical events are set in an ordinary world with historic and cultural realities but there is no logic or reasoning behind the event. There are also cultural influences in the story that are common beliefs among different types of people. And the hardest to define characteristic is the seamless blend of magical and realistic elements into one story.

Latin American literature is perhaps best known for its use of magical realism, a literary mode where the fantastical is seamlessly blended with the ordinary, creating a sort of enhanced reality. Though magical realism is practiced by authors from other cultures, the works of authors Salman Rushdie and Toni Morrison, for example, are notable examples of non-Latin works in which magical realism has been used to both great effect and great celebration, it is in the works of Latin American authors where the style has flourished and made its mark on the literary world. Yet even in Latin American works we can find many different kinds of magical realism, all used to achieve a different end. In the works of the Cuban poet and novelist

Magical realism is a genre that portrays both reality and fantasy. As defined by Faris (2004) in Ordinary enchantments, magical realism is a genre of writing that includes an irreducible element of magic and details that suggest phenomenon (Faris, 2004, p. 7). He describes the irreducible element as: “…something we cannot explain according to the laws of the universe as they have been formulated in Western empirically based discourse…” (Faris, 2004, p. 7). In Gabriel Garcia Marquez’s short story, The handsomest drowned man in the world, the facets of magical realism are rife. He uses magical realism to enchant the reader. The story is of a small cliff-side and coastal community

Many authors have their own techniques in literature in order to get a point across. One of the ways that they vary their ideas is through the genre that is utilized within their work. One of the lesser-known/harder-to-identify genres that can be used by writers is magical realism. Although the name magical realism may sound basically the same as fantasy, there are fine lines that separate the two genres; while fantasy includes magical events that occur in a magical world that the characters escape to, magical realism contains magical occurrences in the ordinary world that seem normal to the characters. The genre of magical realism has several elements that are incorporated into stories.

Imagine, every morning you wake up to the sound of the rooster singing. Not to the normal crow a rooster makes, but to a beautiful sonata that wakes your soul up from a deep slumber. It may not sound too realistic in our real word, but to a writer, this can bring special emphases to the story’s meaning. This literary practice is called magical realism. The Merriam-Webster dictionary defines magical realism, or magic realism as they put it; 1) painting in a meticulously realistic style of imaginary or fantastic scenes or images; and 2) a literary genre or style associated especially with Latin America that incorporates fantastic or mythical elements into otherwise realistic fiction. It is the second definition that author Laura Esquivel, incorporates magical realism into her book, Like Water for Chocolate. Many of the themes and emotions in the book are emphasized with the use of Magical realism.

The controversy surrounding Magical Realism makes the classification of what is and what is not Magical Realism very difficult. Gabriel Garcia Marquez, a famous Latin American author, has written many pieces of what is generally conceived to be Magical Realism. Marqez's "A Very Old Man with Enormous Wings" fulfills every characteristic of Magical Realism..

In Putin’s Kleptocracy: Who Owns Russia?, Karen Dawisha relates Russian President Vladmir Putin’s rise to power. She overarchingly claims that Putin is an authoritarian leader who has obstructed and even reverted Russia’s path of democratization, citing, amongst many factors that enabled his ascension, his “interlocking web of personal connections in which he was the linchpin” (100), money-laundering to tax havens and personal projects, and the complicity of the West. With copious research, journalistic interviews, legal documents, and even sporadic informational diagrams, it is evident why her book is so popular amongst scholars and history enthusiasts. Unfortunately however, in spite of the grand yet oftentimes substantiated claims she generates, a more subtle yet noteworthy assumption is made: that the state is a protector, as Olson proffered. She employs this theoretical underpinning from the beginning, though is not representative of Putin’s actual authoritarian regime.

Latin author Gabriel Garcia Marquez has written many short stories and novels that are considered to be Magical Realism. Some of these works are "The Ghosts of August," One Hundred Years of Solitude," "A Very Old Man with Enormous Wings," "Chronicle of a Death Foretold," and "Light Is Like Water." In "Light Is Like Water" (December 1978), the use of various fantastic elements along with the realist elements is what defines this story as Magical Realism.

Magic realism is a writing style in which mythical elements are put into a realistic story but it does not break the narrative flow; rather it helps a reader get a deeper understanding of the reality. Often time’s Latin-American writers utilize this writing technique. It has been speculated by many critics that magic realism appears most often in the literature of countries with long histories of both mythological stories and social turmoil, such as those in Central and South America. Like many Latin-American writers, Gabriel Garcia Marquez used this approach of magic realism, in his book “One Hundred Years of Solitude”, in which he reveals the history of Macondo through the seven generations of the

Okri’s story ‘The Famished Road’ includes several features of magical realism. Precisely, instances of hybridity happen often. The character Azaro wrongly believes a character by the river to be the ferry man of the dead, he acquires that she is in fact a hybrid woman, young in body but ‘with an old woman’s face’. The illustration is also a hybrid of ancient custom and ritual. Also, The Famished Road portrays the theme of political corruption and political struggle. The character Madame Koto is implied in the corruption of modern Nigerian politics. She summarizes the new power herself, rather than its transgression, foreshadowing the country’s Civil War to come. Okri has also used ironic distance in this novel..

There are also the authors that actually mix the fantasy and the reality to a point that it is really hard to see the difference between them, Gabriel Garcia Marquez is said to be the father of this gender called “Magic Realism”, he said that the reason that he sees the world in that particular way of his, is because of the persons