Music was tied to the black identity because of the historical significance that songs had. Slaves had not lost their interest in music when the owners forced them to work on plantations, and their songs were one of the few things that slave owners could not take away from them. [!crendentials] Eileen Southern discussed how slaves were part of the musical tradition even during the colonial era. Slaves sang their own music for recreation, but they also sang psalms and hymns from the Bible and performed for their masters. While living in captivity, music was one of the few areas of life in which slaves had autonomy. In addition to having group time away from their physical tasks, the structure of the songs allowed for more bonding because of …show more content…
Producers usually separated Motown groups by gender, but in either case, it was a group of black people singing about love and relationships: the same themes that existed in R&B and soul. With Motown, however, the target audience of these songs were teenagers and young adults, because the singers in these groups were also around that age, making their music relatable. Motown was a unique scenario in terms of race relations because the performers were black, but many producers who made money off these groups (especially girl groups) were white …show more content…
This exploitation minimized the value of the singers, as they seemed easily replaceable as long as the next one could sing the same old song and make it a hit on the charts. Despite good integrationist intentions, the music in this industry was a result of the commoditization of black culture, further complicating the relationship between the music and the Civil Rights Movement. Listeners would receive glamorous snapshots of life as a black American, and not garner the complexity of the issues that existed. On the other hand, using this frame of a neatly packaged life made white audiences more receptive of black music, allowing them to ease themselves into the idea of
American history was radically changed when President Abraham Lincoln gave the very famous Emancipation Proclamation. This lead to the freedom of millions of African Americans who sought the same liberty and equality that was promised to everyone under the United States constitution. These liberties, of course, were not achieved right away. During the Reconstruction era, which is the decade right after the Civil War, many of the recently freed slaves did not have money, property, or credit. They could not buy the necessary things to enjoy their freedom, which lead to sharecropping, a glorified form of slavery. Sharecropping is a system of agriculture in which a landowner lets a tenant use the land in return for a share of the crops produced on their portion of land (Sharecropping).. Added on to this, facilities were segregated to prevent the black man from enjoying the same things as the white man due to Jim Crow laws which were enacted after the Reconstruction era. The struggle for equality and rights continued during the Gilded Age (1873-1900), the Progressive Era (1900-1920s), the Great Depression (1930s), WWII (1939-1945), the beginning of the Cold War (1947), up until the Civil Rights movement (1954-1968). At this point in history, African Americans fought for their rights and changed the course of American history. Music was a very important tool used by African Americans that helped achieve this. Ever since the slavery times, music was a big part of their culture
During the Civil Rights era, African Americans changed the way people looked at music by ending the segregation in the music world and by making a well-known “soundtrack” and influence during the Civil Rights Movement.
In the time period of slavery, many famous slave songs were produced, and most of the slave owners and others found their singing as a form of joy. In reality, singing was the slave’s form of sadness, and emotion. Slaves got through the day by singing about their hardships and troubles. Fredrick Douglass in the quote above explains that through all of his hardships, he got through it with his “sorrow songs” to pacify him and his fellow slaves to be able to complete their
Motown took the world over by surprise. The vivid and new sounds from Motown artists made screaming dedicated fans all over the world. With the addicted fans, Motown artists raised the bad and opened the eyes of those who thought African Americans would never amount to anything. Although there still happened to be racism, and prejudice, African Americans managed to become recognized and well known for their abilities. Not only were the Motown artists extraordinary talented, but they also were unbelievably strong and persistent for going against all those people out there who discriminated on them. They took the criticisms continued and went on with what they loved to do. One of the most famous groups during the
African American influence in music has been an ever present and controversial subject in American history. Stemming from many different cultures, religions and backgrounds, large portions of American music was introduced by, and credited to African Americans. Although in many cases, this music was used for entertainment by the masses or majority, contrary to popular belief, black music served a greater purpose than just recreation. Dating all the way back to the beginning of slavery in the U.S. during the 17th century, music has been used to make a statement and send a message. As African American music progressed over the years, there were common themes expressed as the genres evolved. It has been an open letter to the world, documenting and protesting the ongoing oppression faced by blacks in the United States, as well as an outlet for frustration. For many African Americans, the music gave them the only voice that couldn’t be silenced by their oppressors.
Beginning with a roster of young artists drawn largely from Detroit’s poor and working class neighborhoods, the Miracles, the Marvelettes, Martha and the Vandellas, Marvin Gaye and Mary Wells began providing Motown with consistent hits, which many were written and produced by Robinson. Other acts that were signed with Motown Records included the Temptations and the Supremes. After signing the Temptations
Many other African-Americans started to cross-over to the white market. They wanted to appeal to the white audience. Many black Rock ‘N’ Rolls went for a sweeter sound, better looks, and soothing lyrics. They would dress up in tuxedos and sing ballads. As it breaks down barriers it was opening doors for African-American artist and
Music has meant many things throughout history. For many, music can be used as a form of religion, worship, or as way to pass the time while working in the fields (Music 2001). In the case of Motown, it was able to change the way that the black society was viewed. Before Motown, African Americans did not have very many rights and were seen as unequal to the white society. All of this change was achieved with the help of a man named Berry Gordy. Gordy was able to take the struggles from the lives of past African Americans, change the music world with some key players, and change the way that society viewed the African American race.
The roots of modern american rock and roll music, are firmly planted in Africa. As the native Africans were torn apart from their family’s and brought to the new world their lives were immediately and drastically changed forever. Finding themselves immersed in a completely new environment with a foreign culture, they thankfully persevered and carried on with their own traditions and most importantly to this paper, musical ones. Most American slaves originated from Western and Central Africa. The West Africans carried a musical tradition rich with long melody lines, complicated rhythms (poly rhythmics) and stringed instruments CITATION. The West Africans music was also strongly integrated into their everyday lives. Songs were preformed for religious ceremonies and dances and music was often a
separation. Rock and roll music was formerly made up of only whites, but gradually African-Americans moved into that genre of music. This is a good thing for racial equality, except for when you look at the other types of dominant music today, rap and rhythm and blues. There is almost no white singers in these entire styles of music. On MTV, there has been only two white rap singers in the history of the channel, and one of them, Enimem,
Religious songs were also another group. They were sung accompanied by clapping of hands and foot stamping. Slaves had their own ways of praying and worshipping in their native land which assisted them to be introduced to Christianity. Africans used to sing songs, give testimonies and worship to their gods and deities; a culture which they could not forsake. These songs were classified as work, jubilee and social. Work songs sung while working in the field to give the black community hope and freedom. Social songs contained social messages and the jubilee songs were sung in the church.
Rhythm and blues, also known today as “R & B”, has been one of the most influential genres of music within the African American Culture, and has evolved over many decades in style and sound. Emerging in the late 1940's rhythm and blues, sometimes called jump blues, became dominant black popular music during and after WWII. Rhythm and blues artists often sung about love, relationships, life troubles, and sometimes focused on segregation and race struggles. Rhythm and blues helped embody what was unique about black American culture and validate it as something distinctive and valuable.
The power of song helped slaves through their dehumanized lives. They created unity in songs of religion and denounced the power their masters held over them. They were going to rebel in all facets of life. Slaves knew “that a happy slave is an extinct man” (p.33). The meanings of these songs can not be overstated. One who knew the importance of song was Frederick Douglass. “They told a tale of woe...they breathed the prayer and complaint of souls boiling over with the
Establishment of Motown in April 1960, granted opportunities to young African-American singers or a platform to reach vast audiences, were in the past were subjugated. Motown provided various church gospel singers like Sam Cooke, Stevie Wonder, Marvin Gaye and others to showcase their talents. Writes Ricky Vincent: “The music followed the people, as both matured and grew to new levels of independence and meaning”. (Vincent, 3) Sam Cooke’s brilliant “Change is going to come”, “Keep on pushing” and Stevie Wonders “Heaven Help us All”, are some of the great example of popular black music. The song’s depicted decade’s long struggles and racial brutality faced by blacks, and challenge society to change the status quo. Vincent Writes “Music that went beyond the personal issues, dealt with higher forces and spoke of the society.”(Vincent, 4)
One of the most prominent forms of music that was incorporated by slaves in their daily lives was religious music. Another one of the most influential forms of musical expression among the slaves were slave songs, and these were songs of sorrow and misery. Some slave songs were joyful and cheerful, but others were sorrowful but were all deeply expressive. These songs were used by slaves as a means of communicating their true feelings and emotions, due to the brutal and repressive society that they resided in.