The History of Disk Jockey's

The first three years of college Dane worked for Utah Power and Light (Rocky Mountain Power). While he was working for them he read about a scientist of the name Dr. Thomas Stockum Jr. Stockum created the first audio recorded and Dane was extremely interested in this because he loved music. When Dane was a senior he went to the company Stockum was running and practically begged for a job as a janitor just to get his foot in the door. The

Into the 2nd half of the decade came the arrival of The Rolling Stones and The Who. These continued along the Blues Rock path pioneered by Cream and Zeppelin, and both had great success. It was these acts that led to the nickname, ‘the swinging 60’s’. 1966 saw the beginning of psychedelic music. It was The Beatles who first began to experiment like this. Adding new

The turntable, also called a record player, was invented in 1877 by Thomas Edison, who called it a phonograph. Later versions were called gramophones and Victrolas. By the late 1940s, high-fidelity and stereophonic sound were introduced, along with the vinyl LP. In the 1950s, because of these improvements, consumption of record players and records had sharply increased.

DJ Kool Herc is credited as one, if not the originator, of hip-hop. Kool Herc brought his Caribbean style when emigrated from Jamaica in 1967. He began this new musical journey with the desire to bring the powerful Jamaican Dancehall sound system to play music at parties and in the streets. In 1973 he had created his own sound system

It exhibits many famous DJs and groups from that time. Freestyle MCing is shown with rare footage of one of the godfathers of hip-hop, Grandmaster Flash, pulling off an awesome scratch-mix set. During this time it was not uncommon for scenes such as the ones in the movie to occur in black discos. Robert Ford, Jr. presents this idea in “Jive Talking N.Y. DJs Rapping Away in Black Discos”, by saying that “rapping DJs reminiscent of early r&b radio jocks … are making an impressive comeback here – not in radio but in black discos where a jivey rap commands as much attention as the hottest new disk” (43).

The genre created in very poor districts, like the Bronx, in New York by African-American and Latino teenagers. They learned how to use turntables by working as DJs at discos. DJs and MCs would play at free block parties. An MC is an abbreviation for Master of Ceremony his/her job is to focus on skills, lyrical ability, and subject. So, during block parties, the DJ would play music and the MC encouraged guest to have fun. Parties went on MCs slowly started to rhyme while they were performing. Hip-Hop was only played live at first until Sugar Hill Gang released Rappers Delight in 1979. Rappers Delight was a huge success for hip-hop. Personally, I consider the Sugar Hill Gang the founding fathers of Hip-Hop.

Normally at a rave, a DJ "spins" to create the music that the ravers hear. The act of spinning is the art of mixing songs together using different pitches, different speeds, and an equalizer to create an ever-flowing, ever-changing wall of sound. In effect, artists record techno songs, which are then reinterpreted and mixed with other techno songs, creating a spontaneous new song.

a. DJ Kool Herc originated the idea of extending beats and isolating beats by using two record players.

Hip-Hop is a complex cultural movement formed during the early 1970s by African Americans in the slums of South Bronx, New York (Dyson 6), it propagated outside of the African American community in late 1980s, and by the opening of the 21th century it became the most spread culture in the world. Hip-Hop consists of four elements: Deejay, Break-Dancing, Rapping, and Graffiti. (Kenon 112)

Beginning at 0:09 in “My Name is”, Eminem uses sample appeared at 2:31 in “I Got the…” as a major rhythm for the whole song. Sampling is one of the most common elements in the hip-hop music. Sampling is the act of using recordings of other music in making new music. In the hip-hop music history, sampling is always a controversial topic legally and musically since sampling relates to the issue of the copyright of the music. Does sampling violate the other musicians’ copyright? Does sampling threaten the innovation of the music? Those questions are the most sensitive debates about sampling. Sampling begins in mid-1970s, when DJs mixed between particular parts of records, especially the breakdowns, to inspire dancers in the party. The technique, such as spinning and scratching the record while it played, can be considered as an early form of sampling in hip-hop music. In the mid-1980s, the primary use of “sampling” as a basis of the beat is a main shift in production. “La Di Da Di” produced by Slick Rick and Doug E Fresh is probably the most sampled song in hip-hop. Sampling has three “layers”, which are the sound, the reference and the intertextuality. The artist may use sampling to refer the older piece’s context or refer to other people’s use of the same sample. There are some famous cases regarding sampling in the hip-hop history. For example, “Pretty Women” produced by 2 Live Crew was sued for using Roy Orbison’s song. As a result, 2 Live Crew won on the basis

Kool DJ Herc opened the door to the world for many up and comers such as Grandmaster Flash. DJ Grandmaster Flash and his group the Furious Five were hip-hop, greatest innovators, transcending the genres’ party music origins to explore the full scope of its lyrical and sonic horizons. Grandmaster Flash, born Joseph Saddler, began spinning records as a team growing up in the Bronx. By age 19, while attending technical school courses in electronics during the day, he was also d-jaying on a local disco circuit. Over time he developed a series of groundbreaking techniques including “cutting” (moving between tracks exactly on beat), “back spinning” (manually turning records to repeat brief snippets of sound), and “phasing” (manipulating turntable speeds). In short Grandmaster Flash created the basic vocabulary, which DJ’s continue to follow even today (Brewster and Broughton, 2000).

The term “rhythm and blues” was coined in 1947 by a white man named Jerry Wexler who was a reporter, editor, and writer for Billboard Magazine. The record

Hip Hop music had been around for about twenty years in the United Sates, but it was usually heard at block parties and discos where DJs would loop breakbeats and MCs would add live vocals.

Subotnick began creating electronic music through the use of familiar sounds. These familiar sounds were integrated with pulse and rhythm using looping materials. Early on, most musicians, Subotnick included used oscillators. Oscillators involved tape music on a reel. Audio and video would be physically cut and pasted. Subotnick then began designing the

In 1983, Run- DMC released “Sucker M.C”, which was a song about the group getting discovered, and how bad it was to be considered a “Sucker M.C”, meaning a bad rapper. “Sucker M.C” was important to hip-hop, for the fact that it separated the then new rappers, from the old. Up until this point, artist were using turntables, and used a technique called scratching to make their beats they would rap to. Run-