Essay on The History of Motion Pictures

The Editors of Britannica state that color film technology did exist as far back as WWI but it so much more expensive and difficult to work with that it did not become popular until

Today, Film and Television are among the most internationally supported commodities. Financially, their contributions are enormous: both industries are responsible for the circulation of billions of dollars each year. Since their respective explosions into the new media markets during the mid-twentieth century, film and television have produced consistently growing numbers of viewers and critics alike. Sparking debate over the nature of their viewing, film and television are now being questioned in social, political, and moral arenas for their potential impact on an audience. Critics claim that watching films or television is a passive activity in which the viewer becomes subconsciously

It was Thomas Edison who was also responsible for the invention of Motion pictures . Thomas created equipment that would record and playback images so that they could be watched later on.

Although experimental film officially made its debut in the 1920's, the practice could be considered as old as filmmaking itself. The nineteenth century was a period of rapid growth for camera and film technology, and when the idea of motion pictures was still new, the visual formulas and narrative patterns that have become common in modern films had not yet been constructed.

Thomas Alva Edison was an American inventor. He developed many devices that greatly influenced the world around us, such as: phonograph, motion picture camera, and the electric light bulb. He stood out during the early 1800’s because he was always focused on creating thing that would be more beneficial and consumer friendly. Thomas Edison helped create the system of industrial innovation (TIME Staff) and created many inventions that impacted the world today.

The Motion Picture changed everything. The very first movies were rather basic, showing everyday routines such as the arrival of a train or female workers leaving a factory. The very first “action” film was The Great Train Robbery (1905) which had a simple yet thrilling plot about cowboy bandits and their attempt to steal money from a moving train. Then several Westerns adapted the same basic plot, and some even moved it further. In the 1930’s the Noir and Gangster movies such as Little Caesar (1931), Scarface (1932), and The public Enemy (1931) became immensely popular, and these films normally had a rather violent story, many of them were inspired by real gangsters. Then Came the forties and the fifties, which were mostly passive eras on

In the 1920’s, Thomas Edison created the phonograph and for the first time ever, people could record sound, save it, then listen to it later at another time and place. Then, in the 1920’s people viewed motion pictures as a secondary form of entertainment due to the lack of music and sound in the films. In 1926, thanks to the help of the Warner Brothers in conjunction with Western Electric, movies had a whole new reputation. Together they introduced a new sound-on-disc system. In this system sound effects and music were recorded on a wax record that would later be synchronized with the film projector. At first they faced some rejection from the movie studios, but with the Premiere of The Jazz Singer in October of 1927, they officially changed

Finally by eighteen ninety four the European Lumiere brothers, Louis and Auguste, manufactured a camera that served as both a recording device and projecting device. They then were able to name it the Cinematographer to make films cheaper than those Thomas sold. Later on in eighteen ninety five the very first movie produced with the Cinematographer was workers leaving the Lumiere factory at Lyon. All of these fantastic inventors have given people all around the world a chance to step into a new reality and take a break from the real world. With such a rich and beautiful history movies have come a long way over time and developed many different genres, and three out of many that people have access to are comedy, action, and

Throughout chapter one we are well informed about cinema from 1880 to the 1904. Cinema was invented in 1890; it offered a cheaper way of providing entertainment to a mass amount of people. Before cinema there were preconditions for motion pictures. There were five of these conditions: 1. Scientist had to realize how the human eye perceived motion images. 2. How were they going to project a rapid display of images? 3. How could they use photography to make clear images? 4. How could the photos be flexible? 5. Finding a suitable machine for cameras and projectors.

First when he built a magnetic ore processing plant it seemed to be a failure, but later he was able to salvage it into a better method of making cement. On April 23, 1896, Edison became the first person to project motion picture, holding the world’s first motion picture screening at Kosher and Bails music hall in New York City, New York. As the car

Do you agree with Andre Bazin that Ladri de Biccilette is an example of ‘pure cinema’? (Bazin [1971] p.60). To what extent is such a pure cinema possible and, in your opinion, which Italian Neo-realist film screened on the unit comes closest to it? Explain your reasoning.

In today's society, one could never imagine a life without movies or necessities such as youtube videos to watch. I do not recall ever thinking or wondering about what kind of entertainment/ technology individuals in the "olden days" had access to. This section in the Artforms textbook has taught me about the unknown."Before the advent of movies in the late nineteenth century, it was discovered that looking at rapidly changing short sequences of still drawings gave the illusion of motion" (page 159). People discovered that an action such as flipping a stack of pictures of the same object only in different areas created a sense of motion. In other words, they created flip books. Cinematography, the art of photography and camera work in film

Lastly, Thomas Edison shocked the world again, when he invented the Motion Pictures camera. The idea came, when he was listening to a lecture by Eadweard Muybridge. A man, who was using zoopraxiscope to arouse the motion of all kinds of animals. From that moment, Edison decided that he will create a camera, that could capture better quality images. He wanted to design, “an instrument that does for the eye what the phonograph does for the ear." He started to do experiments, by taking multiple pictures of a cylinder and then reviewing it by using a microscope. Edison decided to work with W. K. L. Dickson. Dickson was a huge photographer, so he was providing Edison with great information on photographies and giving him new ideas of how he can make it better. By the beginning

Around 1930, it was seen that mechanical television would never be able to produce a proper quality which could be used for commercials and other programs. An electronic television needs a picture tube this allowed to display the picture and an electronic camera tube was needed in order to capture the image. Philo Farnsworth, produced images on his image dissector camera tube in 1927. However, the image dissector required too much light to be practical for television.

During the mid to late years of the 19th century, a new form of entertainment emerged. Film entered the stage of innovation. New marketing and technological innovations developed for film to become the art it is today. In the 1830s, Joseph Plateau designed the Phenakistoscope. This device had a picture in the middle of a wheel made with mirrors and small openings. When spun, the Phenakistoscope made the picture appear to move. The name changed to Zoetrope in the 1860s and producers advertised the product as an accessory every home needed (Dixon & Foster, 2008). Later inventions that preceded the first motion picture camera include: Henry Du Mont’s Omiscope, Henry R. Heyl’s Phasmatrope, Eadweard Muybridge’s Zoöpraxiscope, Etienne-Jules Marey’s fusil photographique and Eastman Kodak’s chronophotographs (Parkinson, 1997). With a design by Thomas Edison, William Kennedy Laurie Dickson built the first modern movie camera, the Kinetograph, in 1890 (Dixon & Foster, 2008). In 1895, Auguste and Louis Lumiére patented the Cinématographe, a machine that combined the engineering of a camera and a projector (Bergan, 2006). Businessmen capitalized on the growing need for a place to witness these brand new films, thus they charged people to see them in their living rooms (Potter, 2014). These creations made movie-making a reality.