The History of Slave Music and its Impact on Modern Music Essay

Music was tied to the black identity because of the historical significance that songs had. Slaves had not lost their interest in music when the owners forced them to work on plantations, and their songs were one of the few things that slave owners could not take away from them. [!crendentials] Eileen Southern discussed how slaves were part of the musical tradition even during the colonial era. Slaves sang their own music for recreation, but they also sang psalms and hymns from the Bible and performed for their masters. While living in captivity, music was one of the few areas of life in which slaves had autonomy. In addition to having group time away from their physical tasks, the structure of the songs allowed for more bonding because of

Spirituals, a religious folk song of American origin, particularly associated with African-American Protestants of the southern United States. The African-American spiritual, characterized by syncopation, polyrhythmic structure, and the pentatonic scale of five whole tones, is, above all, a deeply emotional song. Spirituals are really the most characteristic product of the race genius as yet in America. But the very elements which make them uniquely expressive of the Negro make them at the same time deeply representative of the soil that produced them. Spirituals were long thought to be the only original folk music of the United States, and research into its origin centered mainly on the nature and extent of its African

Negro spirituals was a “genre” of music introduced by African American slaves in response to their lives and treatment by the white race. It gave many slaves the voice of opposition that they never had and allowed them to subliminally speak against their masters without fear of consequences. Said to have originated from slaves who were “Unable to read the Bible for themselves and skeptical of their masters’ interpretation of it…” (Raboteau). These songs were “… the message of the Christian gospel… translated… into

Spirituals were not only “sung to keep spirits up” (Thompson 9), but were used as coded messages to give directions for where to go or how to proceed to freedom in the North. The slave owners believed that the slaves were happy because they sang church songs and they praised God but little did they know, that the slaves were secretly communicating. For instance, during the Underground Railroad, songs like “Follow the Drinkin’ Gourd,’ ‘Wade in the Water,’ and ‘Swing Low, Sweet Chariot,’ all directly refer to secret code about using the Underground Railroad.” As many as 100,000 slaves escaped by means of this method (Thompson 9).

In African-American history, "the church" has been the center of Black communities and has been established as the greatest source for African American religious enrichment and development. The term, "the Black Church” represents many details of racial and religious lifestyles unique to Black history. By 1700, most Protestant and Catholic slave owners came to a conclusion, that if a slave had a soul, conversion to Christianity had no effect on them being a slave. Some slave owners searched for passages in the Bible that made it sound as if the Bible approved the enslavement of black men and woman. During the 1730s, the "Great Awakening" movement brought about a demand for the use of livelier music called hymns in worship service. This new

Gospel music emerged during the twentieth century following the Great Migration of African American towards the north. Influenced by blues gospel music is a religious genre. Gospel music is used during religious practices, ceremonial purposes, pleasure and entertainment. During the Great Migration, two denominations followed by African Americans, Black Baptist and Methodists. The congregations were small and they utilized storefronts for worship. Smaller congregations allowed them to connect with their pastor and have better understanding of the sermon provided. Others preferred larger congregations that used an emotive style of worship known as the shouting churches, they were highly energized. (Burnim & Maultsby, 2015)

They were able to read and write their own stories, this made it possible for the others. Slavery was one of the most dreadful times in history. In order for the slaves to get through hardships like working on plantations, they then believed in higher power. The slaves tradition of receiving their higher power was through worship songs. The most known genre of music that slaves used while on the plantation fields or whole they were doing any kind of work were called “Negro Spirituals”, Negro Spirituals were a type of religious songs by black slaves in the south. Many songs that were included were, “Wade in the Water”, “The Gospel Train” and “Swing Low”, all songs were about one day being free from their dark times, the song “Wade in the Water” was an escape song used to tell slaves when it was time to run free. In effect to the Harlem Renaissance, Negro Spirituals were swept through the Renaissance Movement during this time in the 19th

African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.

Songs were used in everyday life by African slaves. The slaves called these songs negro spirituals. People such as Harriet Tubman and others used songs as a means for communication amongst each other in their fight to gain freedom. Many slaves knew the secret meanings of words from the negro spirituals, so they could be used to signal many things. For example, Harriet Tubman used the song “Wade in the Water” to tell slaves who were trying to escape to get off the trail and go into the water. This made sure that the dogs slavecatchers couldn’t sniff out their trail. Other slaves used songs as signals. For example, the Virginia slave Nat Turner, who organized a revolt against slave owners, used the song “Steal Away” as a signal to call people together to talk about their plans (“Joe Carter and the Legacy of African American Spirituals.”)

The soldiers in the war had a chance to visit other plantations where some of their family and friends were located. They sung to express their oppression and true feelings of this enslaved environment and the struggles that came with it. The songs used animal characters to supplement the slaves and their masters and were very popular and powerful. This was also a part of

It utilizes a call-and-response format. In this format, the deacon will sing about two lines with ornamentation, and the congregation will respond using various different techniques that were used by Africans to decorate their songs. (The Story of Gospel Music: The Power In The Voice) Gospel music contains many different harmonies within a piece, as well as the use of syncopation. Another key characteristic of gospel music is the use of repetition in the pieces.

     The power of song helped slaves through their dehumanized lives. They created unity in songs of religion and denounced the power their masters held over them. They were going to rebel in all facets of life. Slaves knew “that a happy slave is an extinct man” (p.33). The meanings of these songs can not be overstated. One who knew the importance of song was Frederick Douglass. “They told a tale of woe...they breathed the prayer and complaint of souls boiling over with the

For centuries, Gospel music has influenced and promoted African-American social, moral and ethical values, playing an imperative role in modelling their past and future. Originating from the hardships of slavery and the strength of Christian worship, Gospel music has adapted to musical tastes through the development of a number of sub-genres, while retaining its moral and spiritual framework. Throughout its musical history, Gospel music has had a profound and predominant influence on its devotees and followers. During the turbulent years of the American Civil Rights Movement, Gospel music played a vital role in building the foundations of stability and

The early vernacular traditions didn’t only consist of religious, spiritual, and sacred practices, but there were secular forms of acts that existed in their lives. The early African Americans composed many superb narrative rhymes that really influenced the culture today. They could also be known as poets, and these writers created a foundation for the modern day artists. The different stories and tales that these passages were describing, had a strong impact on the blues, which is a part of the secular songs. Rap, a modern day form of rhyming music, has been influence greatly by the earlier secular songs and stories that the African Americans practiced. These songs started out as humor for the African Americans, and then sporadically evolved into sex, violence, and drugs over the past century. The children’s games song also has special meaning to them when they are used. The little messages that are implanted in these songs really try to impact a message to the listener. The different songs also portrayed the ongoing violence and abuse that is present in the American society. The hardworking slaves also had a series of songs that they sang, in order to express their hardships and perseverance in the work

One of the most prominent forms of music that was incorporated by slaves in their daily lives was religious music. Another one of the most influential forms of musical expression among the slaves were slave songs, and these were songs of sorrow and misery. Some slave songs were joyful and cheerful, but others were sorrowful but were all deeply expressive. These songs were used by slaves as a means of communicating their true feelings and emotions, due to the brutal and repressive society that they resided in.