The History of Sound Recording Essay

A very popular consumer item was the phonograph. It was first invented in 1877 but it was so expensive it took a while for the homes in america to get ahold of it , by the time of the 1920’s 7 million homes had their hands on one but they were still pretty expensive. The phonograph was a music recorder and to the people of america it was important because that's where most of their music came from either that other radio. It was referred to by many names like “talking machine” or “music machines” or its proper word “phonograph”. The most popular phonograph was called the “victor victrola”. Its inventors were Thomas Edison, Emile Berliner,Eldridge R. Johnson. The newer version of the phonograph that was produced in the 1920’s didn’t have

The perfect solution came around the late 1970s in a format known as MIDI (Musical Instrument Digital Interface). In a simple explanation, a MIDI file is a blueprint, which is sent to a reading machine. This machine has various spectrum data programmed corresponding to different instruments. The rather small MIDI file is then read, and interpreted to match the desired synthesized sound. The quality of the sound produced depends on the

Post-production is overlapping with production.The digital non-linear system replaced linear taped-based process reducing the cost of editing. The parallel process not only saves editing time but also develops the

After reading"The Incredible Talking Machine","History Of The Cylinder Phonograph", and"Psst...Hey, You", it becomes evident that the phonograph and Audio Spotlight are similar.Both products were built,refined,and marketed.As a result,they became widely used and evolved into products we still use today.

Digital and Analog recording which both were foreign to me, I now have a better understanding of them both now. To help me understand them I use this saying “digital data" which means that a digital recording deals with data and "analog acoustic" and analog deals with recording acoustic recording into an electric sound. The more data on a digital recording the more data you have about the actual sound that was recorded. The digital recordings you can change whatever you want about them because they are dealing with data. Then the acoustic recording seems as if you are transferring the acoustic sound to an electric sound. The understanding that I have of an analog recording is it is the exact replica of what was previously recorded. There is not much you can do to change it.

Perhaps an even greater example of technology’s influence on the music industry is told with the

In Walter Van Tilburg Clark’s “The Portable Phonograph,” the author makes setting play a major role in understanding the action of the characters within the story. Clark, a writer and an English Professor, lived from 1909 to 1971. During that time, he lived through both World Wars at a relatively young age, which may have influenced this story. Clark has excellent use of setting to make the atmosphere needed and set the proper mood, so this story is credible. To accomplish this, Clark orients the reader to a unique place and time by use of the physical setting and human possessions, and uses symbolism to create a mood that gives the reader insight to how the characters must feel in

The war is over; no more detonations, no more shockwaves. Everything the mankind had built has been completely destroyed by the nuclear weapons, there is nothing left. The world is plunged into a nuclear winter. The men of the short story “The Portable Phonograph” by Walter Van Tilburg Clark were apparently the only humans left in a totally different world. According to the article “How to Survive a Nuclear Winter” by James Roberts, they live in what it seems to be an apocalyptic world, in something worse than in a nuclear war: a nuclear winter. Everything around the, has totally changed and the survivors would need several essentials items to feed together their body, their soul and

What do you think when you hear sound? Do you think of the old tale that says if a tree falls in the woods and no one is around to hear it, does it make any noise? Or do not question it and move on with life. Believe it or not sound is everywhere. Sound works in many different ways, to fully understand it, let's break it down into three main pieces. First of all sound is energy, next sound can change, Lastly to hear and to understand are two different things.

We agree with the way the cost per division is being calculated. However, we propose a different way to allocate indirect cost per product based on the number of hours calculated for each product and an estimate of the number of units needed for special effects, concept/design, and artist relations related to each product. Based on the calculations provided by Mr. King, we used the cost per hour or unit shown on the Resource-Based Cost Report to calculate the costs of each resource by product line. Once we had the cost resource-based, we calculated a percentage for Cassettes, CDs, and Digital Sound Tracks (DST). The percentage was applied to the “indirect costs allocated from central office”, shown on the product-type cost report, for each of the previously mentioned products. When we got the indirect costs, we noticed that DST absorbed most of those costs, which increased from $53,227 to $105,590. DST requires a lot more of recording studio hours, extensive special effects, new concept design, and continued artists relations. When comparing the indirect costs for Cassettes and CDs calculated using the Product Type-Based and the Service-Based systems, we noticed that both products’ indirect costs decreased by using the Service-Based system. Cassettes require less recording studio hours, moderate special effects, none modification to the

   Abstract: This essay deals with the creative possibilities generated by the influx of inexpensive and easy to use digital recording software, hardware, and digital distribution techniques.  One of the main themes of the essay is the problem of upholding creativity and artistic integrity in an unmediated digital environment.

In the present time we are always coming up with better electronics, because that is what we expect. So, in the recording industry we have moved from analog to digital recording. Musicians want the best recording gear to give them the fastest, easiest, and best sounding recordings for their music. Digital recording is the newer way of recording music since analog recording, but is it always better? There are obviously definite positives of digital recording or we wouldn’t be using it, but does it fall short to analog recording in some areas? When digital recording was first introduced, the audio capture abilities were not what they were now. Where it is now has gone a long way to strengthen the

The creation of musical works has always been culminated by several different processes and usually involves many people. The process takes a lot of time delaying the release of music. Advancement in technology has played a significant role in the music production by lowering the length of time it takes to produce recorded material. Artists usually sign a contract with a recording company that markets their music products. The internet and low-cost recording technologies have created a “do-it-yourself” music movement. New artists have gained worldwide recognition without landing a recording contract with a major record label.

phonograph in 1877, people have felt the need to create and record music. People have different

This does not detract the sources useful information as to the advancements of recording studio technology. Bryce Merrill illustrates the interactions between memory and home studio recordings through presenting ethnographic data in his paper, Music to Remember Me By . Merrill creates an interesting argument, supporting the use of home recording studios and their impact upon musicians in regard to wellbeing. The key elements within this article centre on the use of memory in the studio, new technologies, and the practice of home recording. The emphasis on personal experience and a lack of adequate external evidence, however, is apparent within this article which does compromise the validity of the notions presented. Although, it does serve as a great personal case study as Merrill explains his personal perspective of technological changes. More so, Merrill also manifests the personal impact and the necessity to adapt to technological changes, alluded to within Gibson 's article, which is also mentioned by Pinch and Bijsterveld . Therefore, these sources provide an overall solid basis for further research into the effect of technology upon both home and professional recording studios. The advancements made in digital music technology has allowed the accessibility of information on recording knowledge, that was once privy to those within a professional status. Studio engineers have always depended