Throughout history, a person’s economic and social rank could be shown through what clothes they wore. In ancient Egypt, a person of upper class was permitted by law to wear sandals on the harsh, desert floor. Because of these laws, female-confining ideals arose. For example, the Greeks and Romans controlled the type, color, and number of undergarments worn by women and the kind of fabric décor used on them. The torso became the sculpting block of feminine beauty. This was the beginning of the corset, a restraining, essential item in the women’s attire through the 19th century.
During the Renaissance period, the corset resembled a cone, as it was small at the waist and uplifting at the bosom. It extended from the underarm to just below
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A small waist was still considered “proper” and feminine, and women were still judged by their waist size.
The Romantic period introduced a corset that was more severe than the others. Women were expected to compress their waist to equivalent measurements of 1/3 their natural body size. This kind of daily restraint ruined internal functions in the extreme. Stomach and internal problems were common.
Barbie, the modern day popular children’s doll, is an example of what is considered to be perfect. If Barbie were life size, she would have to walk on all four limbs just to balance. She would be seven feet and two inches tall with a neck two times the size of an average female’s neck. She would have a 39-inch chest and 21-inch waist. The chest and waist measurements resemble what was expected of women in the Romantic period.
Today, a “Barbie” would be sent to the doctor for treatment of anorexia and plastic surgery on the chest.
In the 1860s, churches began to reject the idea of a corset. The reason for this was stated in the bible: “Instead of a girdle there should be a girding sackcloth, and burning instead of beauty.” Health critics also began to notice the demented female bodies. The expected waist size was 17 inches to 21 inches. Although opposed, men and women still felt it necessary for women to maintain a small waist. Therefore, no change was made to the disorderly custom.
In the
Submissiveness was perhaps the most feminine virtue expected of a woman. While a man could be religious or pure, a man could not be submissive. The Bible even states, “Wives submit yourselves unto your husbands as unto the lord (Eph 2: 22-33), (Welter, Cult, 159). Adding to her submissive state was her clothing; tight corset lacings closing off her lungs and pinching her inner organs together. Large numbers of under garments and the weight of over dresses limited her physical mobility (Green, 130). In quite common cases the use of a corset would cause a prolapsed, or sagging, of the uterus. Physicians alleged that it was possible for the uterus to invert and protrude from the vagina. One of the most famous “remedies” of the time was to insert a pessaries, or mechanical supports, into the vaginal cavity to help support the uterus (Green, 122). Her clothing could be seen as a way to weaken her already delicate ways. “True feminine genius is ever timid, doubtful, and clingingly dependent; a perpetual childhood,” (Lavender, 3). George Burnap describes a woman’s weakness in his novel, The Sphere and Duties of Woman:
Clothing was also an important part in men's lives. The Sumptuary laws implied to not only the women, but to the men too. Men also wore many layers, some similar to the women. According to Linda Alchin, "The fashions were designed to give the impression of a small waist-especially desired by the women but also emulated by men" (Elizabethan Upper Class Fashion). They wore most of the following under layers: a shirt, stockings, a codpiece, and a corset. Then, most of the following over layers: a doublet, separate sleeves, breeches, a belt, a ruff, a cloak, and boots or flat shoes. Men's clothing fashions were related to those of women's due to the similar, and many layers.
In the latter part of the Victorian era there were significant developments signaling the decline of the corset. The way garments were produced is perhaps the key factor in the move away from the corset. In 1839, a Frenchman by the name of Jean Werly patented a loom for the production of women 's corsets. This type of corset was popular until 1890, when machine-made corsets gained popularity. The development of the sewing machine in the early 1850’s gradually led to mass production, manufacturers could produce corsets in far greater numbers and increase the variety of designs available to women of all classes. These advances finally led the way to new designs in underwear in keeping with the changes to the fashions and silhouettes of the early Twentieth Century.
Picture yourself as the ‘perfect’ woman. Embodying every woman’s dream. You are undeniably gorgeous, weighing in at 100 pounds, standing 6 feet tall and holding nearly 150 careers (barbiemedia.com). Yes, this is the beloved, ever so ‘inspirational’ childhood toy, the perfectly perfect Barbie Doll. Barbie is America’s most beloved toy, considering young girls between the ages of three and eleven own at least 10 Barbie’s throughout their childhood (‘Life in Plastic’). As creator of the Barbie Doll once said, “My whole philosophy of Barbie was that through the doll, the little girl could be anything she wanted to be. Barbie always represented that a woman has choices,” (Handler). However, Barbie has proved to serve the opposite effect and
1830: President Andrew Jackson signs the Indian Removal Act authorizing the move of of several tribes to Western lands. 1830: The Choctaws sign a treaty exchanging 8 million acres of land east of the Mississippi for land in Oklahoma. 1832: Democrat Andrew Jackson is re-elected president over his opponents, gathering 216 electoral votes to National Republican candidate Henry Clay's 49. 1834: Anti-Catholic protestors burn the Ursuline convent in Somerville, Massachusetts. 1836: Massachusetts Supreme Court rules that any slave brought within its borders by a master is free.
The “Inner Corset” by the Laura Fraser is about how people in the United State from 1880 to 1920 start from being heavy to thin. At the beginning the women were sexy if they were heavy and it was a sign that they belong to a rich family that they could afford buying food, but since times goes people ideology start changing. Then society influences the women to be thin which makes them more beautiful, and man would love them more. In the twentieth century the image of thin started changing and the woman were facing some diseases. According to The Inner Corset “When many women ventured out of their homes and away from their strict roles as mothers, they left behind the Plump and reproductive physique, which began to seem old-fashioned next to
The role of women in the household and workforce was changing dramatically. Before this time period, women aspired to marry a successful and rich man so that they could live comfortably. Marrying a well-endowed man would ensure the wife with a steady income source and pleasurable life. This idea changed because women were starting to gain independence and strived to make their own money from jobs other than prostitution. Even women 's idea of modesty changed. They would usually dress modestly and wore their hair up as to not look prudish. This idea was thrown out the window, and women started dressing for
Imagine a woman rising from bed wearing heavy bedclothes of wool or cotton. Underneath she would be wearing a corset for sleep, made of cotton, wool or a mix of heavy linen. After brushing out long hair, which was rarely washed, she would be wrapped in a light cotton garb that would protect her skin from actually touching her formal corset. Often corsets would stretch from the mid-hip region to the breasts. Corsets were constructed of whalebone and metal stays, which shaped the ribs and stomach to form a fashionable waist of approximately eighteen inches. After the corset was tightly laced (which required assistance of at least one other person), then heavy wool or cotton stocking would be pulled on. Stockings were held up ties, girdle-like bloomers or special buttons in the petticoats. At this time, a woman would put on six to eight petticoats . She would put on a special top to keep the corset from touching her dress. At this point, a woman may have worn a large hoop skirt. The large metal device would allow the woman to keep proper social distance from her guests and potential suitors. Often the woman would have to be lowered into the hoop skirt. If the hoop was too heavy, a woman would be placed in the parlor room and she would remain there until after a dinner party or until such a time she could remove the hoop because it could render her immobile. In some rare cases, small rolling wheels were attached at the bottom of hoop skirts to aid women in moving
In the Victorian era, corsets became longer and became not only about supporting and lifting the breast, but creating a tiny hourglass waist. ‘Women were so tightly corseted that they could not bend over’ but to add to the strain ‘the corset was hung with an extraordinary amount of gear, a combined system of garters and suspenders.’
The Victorian Era depicted a traditional woman. Women were expected to be beautiful but conservative. A notable fashion piece to mention is the notorious corset. Krystal D’Souza states that corsets were meant to, “… accentuate a woman's breasts and hips, while cinching the body at the waist, and dramatically curving the back” (D'Souza). The corset was created to slim the waist and make the hips and bottom larger. This was meant to create the ideal, “Hour glass shape,” women were expected to have. In the Victorian Era, dresses were worn all the time and the skirt length had to be passed the ankles. Pagoda sleeves were essential to dresses to cover shoulders and high necklines were made to cover the women’s neck and décolletage. If the skirts were not touching the floor, skirts were closely worn over the hip and flared out just above the knee. (Joshi). The Victorian Age signifies a time period where women had to follow stringent dress codes. The thought of showing any feminine flesh was un-lady like and unrespectable. (Alchin “Women
Fashion was developing into something new with the upper-class woman and men. After women started to wear corsets, the clothing industry began to evolve as time progressed. At the time, men wore tight-fitted clothes and felt as if
It wasn’t until the late 1960’s that critics began “comparing Barbie to a Playboy Bunny and calling her a corrupter of youth” (”Bad Girl” 3). One woman commented, “She’s an absurd representation of what a woman should be” (“Bad Girl” 3)-–and that’s exactly what many others thought she was, too. With such impossible real-life measurements of 5’9” tall, 36”-18”-33” bust, waist, and hip (Benstock and Ferriss 35), it’s easy to see why mothers across the country banned the doll from their homes and refused to let their impressionable young daughters be influenced by a piece of painted plastic (Bestock and Ferriss 35). Since dolls have often been responsible for teaching children what society deems important or beautiful, many concerned parents wondered why Mattel did not design a doll that taught more valuable lessons than dressing pretty and being dangerously skinny (Edut 19)? Who said a runway model was best suited for teaching a child what is beautiful anyway? “According to a Mattel spokesperson, a Kate Moss figure is better suited for today’s fashions” (Edut 19), and that is one reason why Barbie must be so disproportional. Actually, another reason for Barbie’s anorexic figure can be traced back long before Kate Moss and the fashion runway. Barbie was
This was modeled after the Virgin Mary whose round belly contained the savior (Yalom, 1997, p. 40). It wasn't until the fourteenth century and the Renaissance that this began to change. Explosive creativity and art occurred despite great famine and disease. As people became more frolicsome, clothing became more revealing. Such clothing including lowering the neckline to show cleavage (Latteire, 1998, p. 31). In the seventeenth century, the breasts once again became the center of female attractiveness over the belly. The breast stood as a symbol of power and wealth at a time when mercantilism was on the rise in Europe (Latteire, 1998, p. 32). The corset, which was previously used to flatten the breasts, was used to push in the stomach and push up the breasts (Winston, Website). Louis XIV of France's personal taste was a factor in this, as he demanded lower necklines for all the court women. He considered it a sign of respect to
Finally in 1958, Barbie Millicent Roberts was born 11 1/2 inches tall and weighing 11 ounces. She debuted as a teenage model in a black and white striped swimsuit that came with sunglasses, high-heeled shoes, and gold-colored hoop earrings (see Figure 1). Her body was shapely with movable head, arms, and legs. Barbie was the first doll in America with an adult body.
Ever since slavery, the size and shape of a woman’s body has been important. in the seventeenth