The Hobbit Annotated Bibliography Essay

When most people think of J.R.R. Tolkien, they often think of his great imagination and his world of great dragons, warriors, orcs, hobbits, wizards, dwarves and elves. But most people forget about the deeper meaning behind his stories and his controversy towards society. Tolkien was a British, fantasy, writer during the mid-1900s. Through his love of languages, religion, and country, J.R.R Tolkien’s works of The Hobbit and The Lord of the Rings are controversial but masterpieces because Tolkien represents “good” as a fuller, more imaginative reality than evil.

Thesis: John Ronald Reule Tolkien’s life experiences influenced his writing, beginning as a student, then a soldier, lexigrapher, professor, and then a writer to his own children; Tolkien’s life created the place known to most as Middle-Earth.

By putting his life in danger Bilbo shows a true example of heroism. Though the dwarves were still skeptical of his abilities, they were starting to take into consideration of what Gandalf had said about this little hobbit. Continuing their adventure the group is attacked by goblins where they are eventually saved by Gandalf. Throughout the turmoil of the attacking goblins Bilbo gets lost in the caves and finds himself alone in the darkness. It is in this event when Bilbo finds Gollum’s ring. Gollum was a sickly looking creature that had been dwelling in the caves for many years. Bilbo used his wits to outsmart the creature by playing a riddle game with him and eventually made it to safety. Having Bilbo win the riddle game shows that his smart and witty mind aids him in becoming the hero. Bilbo wasn’t some tough strong stereotypical super hero, he used his smarts to outwit his foes and to triumph over evil. Though Bilbo at the time did not know the power of the ring that he had retrieved from Gollum’s lair (the power of invisibility), it was his heroic fate that he found it as it assist him in becoming the hero of the story. Fate has it that Bilbo will become a hero, but Bilbo also has the courage on top of his fate to get the dwarves out of life threatening situations.

Going forward, in this essay, topics such as heroism and transformity will be strongly analyzed through quotes directly from the book The Hobbit and opinions formed while reading. Through the book The Hobbit, J.R.R. Tolkien is able to show how a hero isn’t always the typical buff and boots with a cape on his back kind of person. Tolkien shows the reader that a hero is made by the struggles he conquers and isn’t just a perfect character thrown into the beginning of the story.

The Lord of the Rings by John Ronald Reuel Tolkien is a book widely known for its rich language, detailed imagery, and profound story that expands over three volumes and six books. The book is scattered with deep characters ranging in back stories and eventual character development. Motifs, key parts throughout the story, include lightness and darkness, eyes, jewelry, and sword. JRR Tolkien even creates his own language for the solemn race of elves in the lengthy three volume novel. A part of this length may be attributed to the unusual placement of many full-form songs and poems within the book, as a break between the usual story. These poems and songs have ranges of playfulness and thoughtfulness. With uses of made up Hobbit words and beautiful

Tolkien, let the story unfold: Unfettered by the chains of innovation and not blinded by its obscuration of reality, the story itself, had the characters tackle the battles, the triumphs, and the disappointments of the actual good and spiritual humans. That is the thing that great narratives do. The reader is especially attracted to the story in light of the fact that the reader gets the chance to know and admire the real, not cardboard, characters, and the characters are genuine in the light of the fact that they have souls, displaying fundamental goodness in the midst of failings and ready to settle on choices in spite of knowing that choices are however a piece of a bigger story. The reader partakes in a mythic universe of Middle-earth and experiences there—without allegory or specific

J.R.R. Tolkien's books and short stories created a large following and also showed new ideas and ways to connect with other

The Hobbit and The Lord of the Rings have been beloved works among many generations of readers since they were first published. The author of these two books, J.R.R. Tolkien is just as interesting a man as many of the characters he created in the world of Middle-Earth. John Ronald Reuel Tolkien was born in Africa to a banker manager and his wife in 1892 and had only one sibling, Hilary, who was less than two years younger (Wikipedia). When he was young both of his parents died (one from rheumatic fever, the other from diabetes) and he and his brother were raised by a Catholic priest in Birmingham (Wikipedia). Tolkien was involved in World War One and Two, first as a serviceman, then as a cryptographer (Wikipedia). Indeed he was very

Mythlore: A Journal of J.R.R. Tolkien, vol. 25, no. 95/96, ser. 13, 15 Oct. 2006, pp. 175–196.

“In a hole in the ground there lived a hobbit” (Tolkien 3). J.R.R. Tolkien wrote this simple sentence, of only ten words, and just like that an idea was born and journey began which soon grew to be a classic novel and then best selling series. Something that few may know is that, from the time it was first created, The Hobbit is actually intended for young children. When writing The Hobbit Tolkien’s main objective was simply to create a fairytale for his four children. But soon after it’s publication in 1937 his imaginative tale soon became a popular novel for all ages.

Similarly, Lewis’ colleague at Oxford, J.R.R. Tolkien also defended Fantasy, or as he called it, “fairy-stories.” Tolkien was known for his fantastic works that included The Hobbit, The Lord of the Rings trilogy, and an assortment of companion books to the series. He was also well known for his criticism of Beowulf, “The Monsters and the Critics.” His Fantasy series have had broad implications on the fantasy genre as a whole since publication, influencing the current generation of writers with the firm grasp of history

Even though he has fallen into darkness, he always manages to find a light to bring him back. Whether it’s a friend, or just internal strength, he fights for what he believes in. We can see that Frodo has a lot of internal strength on many occasions, such as when he meets Galadriel and she expresses yearning for the ring. “‘I will give you the ring if you ask of it’ said Frodo.” (Page 356).

In the “Fellowship of the Ring” written by J.R.R. Tolkien and it reveals a new world of elves, magic, men, dwarves, hobbits, and other unworldly creatures. Middle Earth is the name of the lands every creature inhabits, and like our world, it is divided up and has different realms of elves, dwarves, men and so forth. Much to my surprise I enjoyed the book and found it was very intriguing. While I was reading further into the book I became more drawn into the plot and main characters. The “Fellowship of the Ring” is part of a trilogy and I would enjoy reading the other two books in the series.

"Three Rings for the Eleven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his Dark throne, In the Land of Mordor where the Shadows lie. One Ring to rule them all, One ring to find them, One ring to bring them all and in the darkness bind them, In the Land of Mordor where the Shadows lie(Tolkien)." Master of storytelling J.R.R. Tolkien continues the lives of the fictitious creatures that he introduced in The Hobbit, in his modern classic The Fellowship of the Ring. He artfully illustrates the truths of the evil that plague the hearts of man. He tells a story of greed, destruction and how mortal men are enslaved by

In a statement to Houghton Mifflin Company, his American publisher, Tolkien explains his conception of and plans for Middle-earth. Imaginative fiction, or the Fantastic, has existed as a form of literature from the onset and differs in one key respect from Tolkien’s conception. In order to avoid a typical representation of a Fantasy world, Tolkien developed the model of sub-creation. Sub-creation is the complete making of a secondary world with no discernible