T. S. Eliot’s modernist style critiques the lifestyle of modern society during the Roaring Twenties. He expresses the false values found in society that affects their perception of themselves, and cause them to lose direction in their lives. Through his poems “The Hollow Men” and “The Love Song of J. Alfred Prufrock” Eliot explores the modern underlying issues of both society and man as being lost, stagnant, and aimless. He advocates for change through de-romanticizing the human condition via the use of allusions. Through such allusions, Eliot comments on the alienation, indecision, and inadequacy that hinder the forward progress of the modern man, warning that continuing to live aimlessly will result in empty and meaningless lives. Eliot uses an epigraph quoting Dante Alighieri to help explain the psyche and inadequacy of Prufrock. In “The Love Song”, there is an excerpt from Dante’s Inferno, when Guido da Montefeltro, concerned for his reputation, agrees to speak to Dante only because he does not believe anyone can “return alive from this depth, without fear of infamy” (Prufrock, Epigraph). This is important because, Guido agreeing to talk, parallels Prufrock, the narrator of the poem, when he agrees to take somebody, referred to as “you”, somewhere: “Let us go then, you and I,” (Prufrock, 1). This parallel shows that Prufrock is in a similar position as Guido, concerned with his reputation, and believes that he resides in hell, and whatever he may say will never be
Eliot uses allusions and imagery to make several references to characters—both real and fictional—to vicariously show how Prufrock feels. The first allusion is an epigraph from Dante’s Inferno:
Another famous and influential work from T.S. Eliot is The Hollow Men. Likely influenced by World War I, T. S. Eliot portrays a disconnect from humanity and a disillusionment with typical beliefs as a source of human despair in The Hollow Men. The “hollow men” that the work is centered around are depicted devoid of any human qualities that might provide them a relief from despair, such as hope or faith. As is written in “T. S. Eliot's Indigenous Critical Concepts and 'The Hollow Men'” by Muhammad Khan Sangi and others, “In this poem the human beings have been shown devoid of the qualities of faith, moral strength, of personality, determination and that of humanity; they are like empty bodies, lacking all human virtues” (Sangi et al para 4). No matter how these qualities were lost to the individuals, the result is constant and predictable: the individuals feel an inescapable despair. When one has nothing to anticipate in life, no expectations or hopes, then life loses its meaning. This is the world that the hollow men live in perpetually. The entire work, as Sangi describes, “is a cry of despair unrelieved by hope. The peculiarity of the poem is that it is an inner drama with the utmost economy of words. The images echo the deadness of sensibility and the emptiness of hollow men who, like the effigies, are fit only for burning” (Sangi et al para 5). Again, the hollow men are depicted as worthless, insofar as they are compared to effigies, the only purpose of which is to be
When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.
Eliot begins “The Love Song of J. Alfred Prufrock” by using an epigram from Dante’s Inferno to set the theme of the poem. By alluding to a story about a journey through Hell, readers can infer that Prufrock will also take readers on a journey through Hell, only this time it is a living hell. Upon examining the first couple of stanzas, it is clear that Prufrock is afraid of living his life, so much so, that time has become illusory to him. Eliot writes, “Time for you and me, and time for a hundred indecisions, and for a hundred visions and revisions, before the taking of a toast and tea” (369). The poetic device of repetition to portray never-ending time proves Prufrock fools himself into believing he has all the time in the
In T.S. Eliot’s “The Love Song of J. Alfred Prufrock”, the speaker, Prufrock feels alienated
Poetry can sometimes allow one to explore the unknown. However, in some works of poetry, one can realise that some known ideas or values remain relevant to current society. This is certainly applicable to T.S. Eliot’s poems, The Love Song of J. Alfred Prufrock and Rhapsody on a Windy Night. Eliot’s manipulation of poetic techniques in both these poems allows the responder to realise that some ideas prevail in both modern and post-modern society. These poems explore the unknown phenomena of the obscurity regarding the purpose and meaning of life. This unknown phenomena causes the persona in both texts to resort to a sense of isolation or alienation. Eliot uses poetic techniques such as metaphors and personification to convey his ideas.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that
1. How does the epigraph from Dante’s Inferno help Eliot comment on the modern world in“The Love Song of J. Alfred Prufrock”? What does it tell us about the setting of this poem? How is Montefeltro’s miscalculation related to the poem?
Prufrock begins his “Love” song with a peculiar quote from Dante’s Divine Comedy. It reads: “If I believed that my answer were to a person who could ever return to the world, this flame would no longer quiver. But because no one ever returned from this depth, if what I hear is true, without fear of infamy, I answer you.” In the Divine Comedy these lines are spoken by a damned soul who had sought absolution before committing a crime. I think that Eliot chose this quote to show that Prufrock is also looking for absolution, but for what he is unsure.
T.S. Eliot, a notable twentieth century poet, wrote often about the modern man and his incapacity to make decisive movements. In his work entitled, 'The Love Song of J. Alfred Prufrock'; he continues this theme allowing the reader to view the world as he sees it, a world of isolation and fear strangling the will of the modern man. The poem opens with a quoted passage from Dante's Inferno, an allusion to Dante's character who speaks from Hell only because he believes that the listener can not return to earth and thereby is impotent to act on the knowledge of his conversation. In his work, Eliot uses this quotation to foreshadow the idea that his
Prufrock's fear to live never allowed him to accomplish anything. The issue of death emerged again in lines 26-27. In these lines Eliot said, "There will be time, there will be time to prepare a face to meet the faces that you meet."(ll. 26-27 Eliot) This statement showed that Prufrock spent the majority of his time preparing for death. In lines 37-39 Eliot said, "And indeed there will be time to wonder, 'Do I dare?' and 'Do I dare?' time to turn back and descend the stair."(ll. 37-39 Eliot) This line showed that Prufrock felt that he was bound to Hell. Prufrock constantly lived in fear of death. This fear caused him to not be able to live. In the second section Prufrock realized the error of his ways. He came to the understanding that being afraid to live was no way to live his life. Eliot summed up the entire reasoning of Prufrock in the following line, "And in short, I was afraid."(l 86 Eliot) Prufrock spent his entire life in a wasteland, because he did not have the courage to live. At this point he knew that there was no opportunity to regain the years that he lost. In lines 92-98 Eliot said, "To have squeezed the universe into a ball To roll it towards some overwhelming question, To say: 'I am Lazarus, come from the dead, Come back to tell you all, I shall tell you all'- If one, settling pillow by her head, Should say: 'That is not what I meant at all. That is not it, at all.'"(ll. 92-98 Eliot) These lines showed how
The human psyche has perpetually been characterized by a nagging sense of doubt. When one makes the decision to follow through (or, rather, not follow through) with an action, it is unlikely that he does so without questioning whether he made the right choice; this is recurring theme in literature, evident in works such as Crime and Punishment and A Separate Peace. T.S. Eliot’s The Love Song of J. Alfred Prufrock explores the universal nature of hesitation and self-doubt as part of the human condition primarily through apt use of metaphor, syntax, and allusion.
Eliot’s earliest work, “The Love Song of J. Alfred Prufrock”, set the bar for Modernisms exemplification of Man and his Modern Masculinity. This was done by incorporating Symbolism, and Imagism along with looking past the profound facts, and into the subconscious (Freud).
T.S. Eliot was an outstanding author and an exemplary representation of the ideas of modernism. "The Love Song of J. Alfred Prufrock," despite being one of T.S Eliot's earliest publications, still manages to remain one of the most famous. He uses this poem to not only draw out the psychological aspect of members of modern society, but also to draw out the aspect of the time that he lived in. The speaker of this poem is a modern man who feels alone, isolated, and incapable of making decisive actions for himself. Prufrock desires to speak to a woman about his love for her, but he continuously hesitates while attempting to do so. This poem demonstrates a theme of fragmentation, which is a theme that we can see throughout the entire
Eliot is vague in his suggestion of Prufrock’s audience, only referring to the listener once using “you and I;”(1) however, by analyzing Eliot’s intertextual inclusion of the passage from Dante’s Inferno and Prufock’s