The Horizontal World By Debra Marquart Summary

As generations go by, our predecessors assume we are skipping out on important aspects of life just to get a few extra minutes on our devices. In Catherine Rampell’s “A Generation of Slackers? Not So Much”, it is said the older generations believe Generation Y is “coddled, disrespectful, narcissistic, and impatient” (Rampell 388). In all reality our generation is just doing what it has to in order to thrive in the world we live in, where technology is one of the largest parts of our everyday lives. If the older generations that criticize Generation Y had grown up in Generation Y they would realize the world we live in requires the use of technology. The advancement of society with technology has shaped Generation Y to be the people that they are, relying on technology; however, older generations believe Generation Y is lazy.

1. Utah is both a product of the times in which it emerged but also a unique entity that worked to shape its own future. Robbins and Malone both describe how the west, and by a large extent Utah is a part of the great narrative of the American West and sometimes differing from it entirely. By exploring the different facets and predominant activities of 1850's and beyond we can find clues as to the origins and ultimate fate of the region . By exploring Western American capitalism, various functions of manifest destiny, and how settlers adhered to the frontier pioneer spirit we can learn the overall narrative in which the region participates.

Where I Was From by Joan Didion is a book written about Didion’s perspective of the history of California. Throughout the novel Didion shares her families past experiences and adventures of moving west. Didion not only shows the readers how California has changed but also how it changed her as a person as well. Particularly in “Part One”, the opening paragraph contains an abridgement history of the eventful westward journey of Didion’s pioneer family unit, focusing particularly on the women in the family and tracing vertebral column six generations the blood of her famous hemicranias. Didion makes a very unpersuasive argument in “Part one” by her ineffective use of organization but effective use of grounds and claims.

In the passage, The Horizontal World, Debra Marquart states, “Driving west from Fargo on I–94, the freeway that cuts through the state of North Dakota, you’ll encounter a road so lonely, treeless, and devoid of rises and curves in places that it will feel like one long-held pedal steel guitar note” (Marquart 1). Debra Marquart, along with several others, share a great passion for the Midwest. The Midwest is an area that is truly full of the unknown, as much of its qualities are not known to society. The Midwest can easily be viewed as bland and insipid, yet also overly structured and undisclosed. It can be exceptionally difficult for one to fully understand the Midwest due to its size and variation. Although, all in all, it most certainly can be described as an area, whose positives are not know by all. In Debra Marquart’s writing, The Horizontal World, she utilizes comical satires and evident allusion to characterize the land of the upper Midwest.

Country” are two the texts to be compared. Though they share similarities, they too are quite

The American western frontier, still arguably existent today, has presented a standard of living and characteristics which, for a time, where all its own. Several authors of various works regarding these characteristics and the obvious border set up along the western and eastern sections have discussed their opinions of the west. In addition to these literary works by renowned authors, one rather convenient cinematic reference has also been influenced by these well-known, well-discussed practices of this American frontier. “True Grit”, a film recently remade in 2010 by the Cohen Brothers, crosses the boundaries of the west allowing all movie-goers to capture one idea of the western world. The movie, along with a few scholarly sources

“Dancing Out the Difference: Cultural Imperialism and Ruth St. Denis’s Radha of 1906” was written by Jane Desmond. In her dance career, she was a modern dancer and choreographer. Desmond is now a Professor of Gender and Women’s Studies and Anthropology at the University of Illinois. “Dancing Out the Difference: Cultural Imperialism and Ruth St. Denis’s Radha of 1906” was published in 2001 as a part of Moving History/Dancing Cultures: A Dance History Reader.

With her West Virginia upbringing and living in a coal town, she was inspired to write about “rednecks” in a more positive way. The main way of her doing so was to bring to light the characters of the novel and their loyalty to family, the land and values. The characters are very relatable, the characters manage to wiggle their way into the reader’s heart. It is easy for the reader to become attached characters and to the issues arising in the book. It is in fact a part of our history, native to Appalachia or

Leaving the comforts of the first world, Jessica Alexander abandons her job, fiancé, family, and home to venture into the misleading volunteer work of Humanitarian aid. Chasing Chaos: My Decade In and Out of Humanitarian Aid by Jessica Alexander is a conglomeration of stories that are written from Jessica’s memory. “It is a true account based on [Jessica’s] best recollections of the events and [her] experiences.”.

Ann Marie Low’s diary opens in 1927 when she is a teenager living with her family on a stock farm in southeastern North Dakota. Low’s diary tells the story of her family's struggle to maintain a way of life, keeping their farm, and educate their children. She discusses her family and friends, descendants of homesteaders, through the next ten years, a time when entire communities lost their homes to mortgages and to government recovery programs. Low’s faces economic hardship, unfortunate family circumstances, and the restrictions that society had placed on women. Low's diary is about life in during the Dust Bowl, and Great Depression.

In his short story “Greasy Lake,” the lake with the community teenagers create a stereotypical scene of current youth pop culture. Many youth who read this story can find the ironic references and similarities with their lifestyle in today’s world. T. Coraghessan Boyle uses the setting of the story to expose a world lacking self-discipline and showing immorality amongst a community youth, which can sometimes be rather common today. This also aids in creating an atmosphere that surrounds suspense and impaired judgement to better develop the characters of the story. Boyle is able to achieve this by creating a setting with the story of the Greasy Lake and describing the Lake as both a setting and main character.

Most curriculums being taught to students withhold a mass amount of history. Some may do this because they feel some events do not have the same importance as other topics being taught. Such topics for example would be the rape and sexual exploitation of thousands of African American females during the time periods where racism and segregation was the norm. It is important for people to be educated about the horrific events that these women went through without justice. It is also essential because it shows the amazing activism Rosa Parks took part in. Most people are often just taught about Parks’ actions on the bus. At the Dark End of the Street by Danielle L. McGuire shows how Rosa Parks and many other dedicated their lives to receive equality not only for themselves, but for all African Americans in the south. Danielle L. McGuire’s work is an amazing way for people to not only learn more of Rosa Parks story, but to get a better understanding of what all African American woman had to deal with during this time period. The realism of sexual violence and its dominant impact on the African American women was one of the many events that helped ignite the Civil Rights Movement. McGuire wrote At the Dark End of the Street in order to resolve the negligence of this reality.

Clint Eastwood’s, Unforgiven, represents a “new” type of Western that defies the formula previously used to create traditional Western films. Unlike Shane, a film with a clear-cut threat to the community, endangering all homesteaders, a lack of defense, creating an unfair advantage to the threat imposed, and a true hero, one who saves the day and must willingly return to where he came from, Unforgiven is a Western that is told through a different formula. Eastwood tackles this revisionist piece and lacks the three basic components to any classic Western film – a threat, lack of defense, and a hero.

            Western, Sam. Pushed Off the Mountain, Sold Down the River: Wyoming’s Search for Its Soul.

Boyle, Tom Coraghessan. "Greasy Lake." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999.