The Horror And Thematic Thrill Of The Zombie

The article “Dead man still walking: Explaining the zombie renaissance” by Kyle Bishop is about the revitalization of the zombie genre. The article talks about the inception in the late 1960’s, the category of zombie films has had its roller coaster ride of ups and downs, starting with its decline in the early 1980’s with the release of Michael Jackson’s “Thriller” video. Furthermore, during 1990’s, due to the shift in the cultural consciousness that came with the Clinton Administration and the countries isolation from global tragedies, the popularity of these films continued to decline. Cultural consciousness refers to the understanding and awareness a shift in feelings, sensations, thoughts, of not only our own culture, but adjoining cultures.

She allows the reader to truly imagine themselves in a zombie apocalypse by using description and comparison. “If you work in the many white-collar fields that have suffered in this recession, zombies are the perfect representation of the fiscal horror show” (Bosch, 651). Any reader that works in the white-collar fields, or knows anyone that does, can relate to what Bosch is saying because she used a vivid description and a comparison in one sentence. Readers will read this line and imagine their work chaos during the recession and immediately visualize zombies taking over the world and the madness that goes along with that. “There was a recession. It was a time of unemployment – of white-collar employment…” (Warner, 197). She also uses another type of figurative language: a metaphor. When she talks about the reality of zombie television shows and movies, she used a metaphor to compare modern day zombies to unicorns. “[n]o longer are zombies the beloved genre of the lonely, virgin teenage male, the macabre flipside of the girls’ obsession with unicorns” (Bosch, 651). She uses this metaphor to enhance the reader’s reading experience with humor but also by allowing the reader to understand how modern day zombie television shows and movies are looked upon. It is no longer for guts and gore but for fondness of shows and

Reading through the whole essay, there are many appealing strategies found in order to strengthen the essay academically. Brooks attracts the audience with a pathos-style strategy, giving specific movie examples to straighten up the essay. The movie Night of the Living Dead resonates the viewers with an image of a flesh-eating and harmful zombie figure instead of a harmless voodoo-created zombie, which makes the notion of zombies transformed into a horrifying figure, provoking the sense of fear of audience with emotional appeal. The revolutionary creation of zombie film was led by George A. Romero, the father of the entirely new horror genre. In his work, zombies are characterized as a form of undead

Zombies have been a pop culture icon for years. Whether it be video games like Call of Duty or making people feel nervous for a potential zombie apocalypse, the zombie has become one of the most recognizable pop culture figures. The rise of zombies as a frightening creature can be related a real-world issue. In this essay I will dispute that zombies have changed over time and that there is a distinct connection between the way zombies are portrayed and the way the world looks at the lower economic class.

Zombies aren’t supposed to exist. But what if they do, and we interact with them every day? Chuck Klosterman’s essay, “My Zombie, Myself”, compares everyday life to the task of killing zombies. Through elaborate metaphors, quotes from zombie experts, and a strong call to action, he successfully appeals to pathos, ethos and logos to convince his readers. Klosterman argues that even though modern life is monotonous, it is possible to escape the monotony.

Daniel Drezner book addresses how the world would potentially react should the Zombie Apocalypse start while relating it to international relations. While discussing the anarchical nature of the world, in the realist argument, he addresses the fact that it is not likely that any one state would be able to gain complete control of the world. However, if the entire world is being overtaken by a zombie plague it is not outside the realm of possibility that survivors of various nations would come together and merge with whatever power still existed and divvy out more power to that group or individual. A good old fashioned military takeover would be just the thing to create an uneasy world-wide alliance with other militaristic organizations across the world against the zombie hordes. The military would easily be able to take charge in a global catastrophe of this nature relatively quickly and with little resistance from the common people. They are one of the most disciplined and structured organizations in regards to bureaucracy and other political organizations, and would not hesitate to change the protocols of war against an end-of-the-world type of threat such as a zombie takeover. Also, military tradition and codes of conduct cross borders with significantly more similarities than do political ideologies and governmental structures, which would result in there being a much easier and more unified alliance than could ever be achieved in any other global unification setting.

“Zombies are like the Internet and the media and every conversation we don’t want to have. All of it comes at us endlessly (and thoughtlessly), and – if we surrender – we will be overtaken

Vampires and Zombies are common in today’s modern world through the use of the media. In this essay, I will be talking about how each of these beings say something about society, how vampires have been portrayed across time and how zombies have been portrayed. By doing this, I will use two references from TV shows.

The name of the article is Our Zombies, Ourselves written by James Parker. In this article Parker discusses the historical backdrop of zombies and talks about where it is that they started from. Parker additionally raises exceptionally fascinating point on the notoriety of zombies and a short timeline on zombies. He also talks of different sorts of popular cultures which incorporate zombies and are utilized, for example, the movies Night of the Living Dead, White Zombie, the books The Zen of Zombies, Zombie Haiku, and the television series The Walking Dead.. By utilizing these references Parker helps demonstrate to us how zombies appear to ceaselessly draw our interest. The article additionally educates the reader about how zombies came

In the essay “Humankind’s Ouroboros”, J. Reagan Tankersley discusses about zombies in the horror genre and how over time they have evolved with society’s fears through evidence from big name zombie films of the time. The original publication of this essay was in a college classroom, though the audience was directed towards someone that understood or had basic knowledge of the zombie films Tankersley chose to use as evidence. So, if someone that picked up his work and had no knowledge of these films, they would already become lost. That is what makes this essay great. Instead of using the space he had to explain every little detail, he pulls towards an advanced audience; that would mean he would only have to slightly touch on the subject and

Today, the new movie "Zombieland" has just been released into theaters so the zombie is still going strongly through culture. Night of the Living Dead was a serious horror look at zombies but society has turned a once terrifying genre into some humor. Spoofs like ‘Shawn of the Dead’ and ‘Zombieland’ “has fun messing around with the rules of the post-apocalyptic zombie movie genre” (Machosky). However the reason the undead have survived so long is because they have broadened their publicity range. Not only does the world see zombies in movies, but mankind must “watch out for Nazi zombies rising from the grave in videos games like ‘Dead Snow’ and ‘Call of Duty: World at War’” (Greene). Zombies have been expanded into music as well with the Kingston Trio’s release of the song “Zombie Jamboree”. Even books have been used to spread the disease, such as “at Borders zombie literature runs the gambit from Pride and Prejudice and Zombies to Zombie Haiku” (Greene). In addition, David Lubar has just recently expanded the zombie craze to elementary school children with his newest novel, My Rotten Life (Lauer-Williams). This is a children’s book about a middle school student who is also a zombie. Zombies, once a scary menace only for the brave at heart, have become a friendlier topic for everyone.

There has been a resurgence of zombie films in the last decade, ranging from Danny Boyles 28 Days Later to Paul W.S. Andersons Resident Evil. This renaissance of zombie cinema has resurfaced in response to the cultural, political, and social volatility experienced in today’s society, much like its predecessors. A zombie film, unlike other monster movies, plays more with the real-world fears and anxieties, presenting the audience with inescapable realities. However, to understand why this subgenre has been brought back into the mainstream cinema, a comparison is needed across generations of film. This paper will focus on the comparison between George A. Romero’s Night of the Living Dead and Danny Boyles 28 Days Later; in an attempt to show how zombie cinema is a reaction to cultural shocks.

In this paper, the author, Olivia Miller, examines how zombie media texts affect presidential rhetoric through analyzing two of Obama’s foreign policy apologia speeches, one at the National Defense University and one at the Justice Department. She mentioned that the zombie narratives such as the Walking Dead and I Zombie have proliferated across media text and this popularity of Zombie text has caused the past decade’s cultural zeitgeist, “a fascination with the zombies that has been acknowledged by scholars as a response to the theorist attacks of 9/11 and a reflection to public uncertainty” (Olivia, 2016). She found a connection between the post-zombie apocalypse narrative, a differently structured narrative with more potential as a metaphor for the current political landscape and new terrorist threats, and Obama’s political efforts. That is, the post-zombie apocalypse narrative couches on surviving rebuilding society, reinstitution morality, and learning to live withe the threat of zombies while striving to regain normalcy. Obama’s speeches convey the similar thoughts that even

The author showcased through his writing that survival is critical in the world and also pointed out that Americans like the zombie genre because they believe they can survive anything with the right tools and

Is it possible to kill an idea when it is undead? Classic movie monsters tend to fade in and out of popularity as audiences grow bored and move on to fresher concepts. But there is one that has risen up and does not seem to slow down: zombies. Zombies have gone from being a small subgenre of horror film to a staple of popular culture across various media. This paper will explore the rise of zombies in popular culture and why it continues to remain relevant.