And Then There Were None Genre Essay

The horror genre in today’s world is one of the most popular genres around but some may think that it is bad for young eyes o see. Although many other students think that the horror genre gives them this suspenseful type of feeling.

What is common between most horror films and texts? They all use similar types of codes and conventions. These codes and conventions differ between genre and can be easily identified. These also reflect the values of the audience they are intended for. The 1993 stop-motion animated film, ‘The Nightmare Before Christmas’, directed by Henry Selick, and the 1845 poem, ‘The Raven’, written by Edgar Allan Poe, are both a part of the horror genre, as they follow the codes and conventions of that genre. They use similar visuals, sounds, characterisation, and themes. Using these and other conventions, audiences can identify a genre, which influences their opinions and feelings about the genre.

Horror is a genre that is often overlooked due to a plethora of reasons. Readers tend to think of vampires or werewolves, but it is much more in depth. Horror is a genre that if dissected properly, can help the reader understand the correspondence to society. The Horror genre has been around since the 1890’s, when Georges Méliès was credited for creating the first horror film, emphasizing the idea that horror films have a cavernous meaning. In Georges Méliès famous short film, Le Manoir du Diable, the main character confronts Satan and has nowhere to run. This represents conflict within oneself, coinciding with the idea of a deeper meaning being prevalent throughout Shirley Jackson's work. In the novel, The Haunting of Hill House, by Shirley

A: The “Ten Little Indians” rhyme guides the progression of the novel. The singsong, childish verses tell the story of the deaths of ten Indian boys and end with the line that gives the novel its title: “and then there were none.” A framed copy of the rhyme hangs in every bedroom, and ten small Indian figures sit on the dining-room table. The murders are carried out to match, as closely as possible, the lines in the poem, and after each murder, one of the figures vanishes from the dining room. The overall effect is one of almost supernatural inevitability;

Horror films were not rejected from mainstream society the same way that exploitation films were. Horror films usually did not have big Hollywood stars. They were considered feature films that had a stronger focus on settings and characters. The themes that were dealt with in the horror realm tended to be psychological and based on present day fears. The themes included death, fear of science and fear of losing

Ruth Ware’s “In a dark dark wood”, interpretes the ideas in Agatha Christie's novel “And there were None” in a quite similar, yet new way. Both novels are set in isolation. While Christie’s novel is set on an isolated island, hard to reach and impossible to leave alone, Ware decided to create a more mysterious darker setting by mainly focusing on the darkness of an isolated house in a forest. Neither one of the locations has the prerogative to external communication, making the story revolve and focus only on the characters being in the specific places. An additional connections these two novels share is how the characters were persuaded and what their motivations were to go to the places they were invited to. Both novels explore the resurrection

Upon the murder of a baby’s parents, two ghosts named Mr. and Mrs. Owens agree to raise the baby whom they name “Nobody” or “Bod” after he crawls into a cemetery. While the underlying theme of death and the supernatural lingers through Gaiman’s novel, the idea of a boy’s innocence and childhood is more predominant. In chapter one Mrs. Owens cares for Bod. She holds him, feeds him, and watches after him. By the end of chapter one, the murderer named “Jack” is angry as he thinks about all that has transpired and how the baby escaped. Suddenly Gaiman includes how Jack’s “knife was in his pocket, safe and dry inside its sheath, protected from the misery of the elements,” (Gaiman 33). This description can somewhat relate to that of a child. Nobody was still innocent and secure, protected from any evil elements in the world, even though such trauma had taken place because of the

Consequently, the guests, one by one, are mysteriously murdered. The guests that remain soon realize that all of the deaths are linked to one thing: the nursery rhyme located in each of the bedrooms in the house. Unbelievable as that may be, the guests begin to turn on each other becoming very paranoid and suspecting everyone that poses a threat. And Then There Were None keeps the reader guessing until the very end when the unlikely subject, Justice Wargrave, the retired judge, is the mastermind behind the mass murders. Through his sense of justice and longing to invent the perfect murder mystery, Wargrave succeeded in killing all nine guests going unsuspected. In his confession, he describes how he constructed his perfect murders and how he killed himself so that no inspector could solve the mystery. The strange mystery of Indian Island remains unsolved for the detectives, but the guilt of knowing the murderer will linger on the reader’s lips.

Horror is an opportunity for us humans to face our fears. Reading Stephen King’s short story “Strawberry Spring”is a perfect example that we use horror to “show that...we are not afraid” (King, “Why We Crave” 1). We go to prove ourselves as brave. In comparison, watching horror movies is alike “daring the nightmare” (King, “Why We Crave” 1). In this case, the “nightmare” is facing our fears, considering horror films are equivalent to going through a literal nightmare. To point out, the narrator in “Strawberry Spring” is “enchanted by that dark and mist-blown strawberry spring, and by the shadow of violent death that walked through it…” (King, “Strawberry Spring” 1). As a matter of fact, we are all enchanted by the darkness in the story just as the narrator is. Additionally, King describes this process as riding a roller coaster by reason of “a really good horror movie may… surprise a scream out of us… the way we may scream when the roller coaster

The absence of a person, idea, or object in fact creates something. A hole in the room is the absence of the floor, but this absence becomes the main focus of the room. It is no longer a room, it is a hole in the room. This analogy is to express this void in most Hitchcock films that hurts the main characters. In several occasions main characters are hurt by nothing. It seems strange to be hurt by nothing, but the absence or rather the presence of this absence creates psychological torment for these characters. This absence and withholding of knowledge creates the perfect atmosphere for Hitchcock’s suspense. The looming absence controls the scope of the film and is what makes Hitchcock the successful suspense director he is today. The absence is where the anticipation lies and there’s an irony of the absent taking form, the black humor underneath, and the suspense it brings.

John Carpenter’s Halloween is an example of what a great film composer can achieve with any budget. When it comes to film genres, Halloween has to be one of the greatest examples of what a horror movie is. Throughout the film, many of the story elements can easily be seen contributing to the idea of what makes a film fit in the horror genre. There are many horror films that stray quite far from the basic idea of what a horror film usually is; however, Halloween is a great example of classic horror. Typically, horror films have a set of basic guidelines or expectations that can be seen portrayed; such examples of what is to be expected in a horror film would be the presentation of a ‘monster’ or something that violates the natural world in a perverse way, something that is unknown, or that a monster is unintentionally unleashed, and the film takes place in creepy setting or suburban neighborhood/summer camp (slasher sub-genre). In Halloween, Carpenter brilliantly matched his film to the genre guidelines of horror. The variety of ways he did this can be seen in the presence of an unknown being which extends human knowledge, introduce the killer into the story by an accidental release from a facility, and depict the sub-genre horror being a slasher film.

In the genre of Gothic literature , a key technique often used is the sense of paranoia the characters posses. In Agatha Christie’s , And Then There Were None , nine characters are tricked into going to Soldier Island and 1 character set this up. There , one by one they start to die and the remaining guests are faced with the challenge of figuring out why this is happening. The theory makes each guest turn on each other and make false accusations , resulting in everyone’s death.

Guests start dying like flies with no reliable suspect as the murderer. In And Then There Were None, Agatha Christie uses imagery, symbolism, and foreshadowing to build suspense. First, the author uses rich description to build a suspenseful

And Then There Were None written by Agatha Christie, the mystery elements that were used were main conflict, setting, characterization, and the author’s techniques of giving clues. As the reader followed that plot of the novel, the main conflict is person vs person, or the killing of all the people in the mansion. The deaths were determined by a rhyme in the mansion. The rhyme had ten little indians dying in the most gruesome ways imaginable, and

Since the beginning of literature, there have been certain elements that cause readers to feel unsettled. These elements are what evolved into the horror of contemporary times. Horror is unique in the literature genre due to the forms that fear can take. Fear in the horror genre comes from all sources, whether it is the way the story is approached, the way the story is told, the way the story is shown, or countless others. Above all other aspects of horror, though, the most iconic form that fear takes in the horror genre is the villain.