The Horus Statue of Nectanebo II and the Human-headed Winged Lion
1118 Words5 Pages
The Horus Statue of Nectanebo II and the Human-headed winged lion, also known as the Lamassu, are two pieces of art that are very different yet similar with each other in composition, representation, function, and style. Although they were created at two different points in history, the artists thought about and created the two art works in similar fashion.
The work of art from the Egyptian period is a statue representing the god of war, the sun, and rulers, Horus. It was created in the time frame from three hundred sixty to three hundred forty-two B.C. It is titled The Horus Statue of Nectanebo II because the god Horus is seen protecting one of the kings, also known as pharaohs, of Egypt, Nectanebo II. Another similar work of art, a…show more content… The falcon figure was highly worshipped, and the animal was called the lord of the two lands, Upper and Lower Egypt. Like the lamassu, Horus wears a hat which symbolizes those two regions of Egypt. The cobra emblem on the hat represents royalty because it is also associated with the pharaoh. The lamassu creature is not a god but wears a hat and belt which are symbols of divinity. It makes the statue god-like in nature but does not represent a god in way the falcon does. The head of the statue was made to be a human’s representing humans’ intelligence. These works show that the artists were interested in animal anatomy. Although its body is made up of the parts of animals, the human-headed winged lion is far from being a natural creature. The statue of Horus is a much better example of the natural animal world because of the fine skill put into carving its anatomy.
The natures and composition of the statues can explain for their differences in size and function. The artist of the Horus statue carved it to be realistic and natural looking, unlike the lamassu. The work was carefully carved from the material greywacke, which is hard and dark sandstone. The statue was carved out of the stone without backing like most early art. One is able to view all sides of the falcon by walking around the piece. The lamassu figure was carved from the material alabaster and was made to be unnatural with five