The House On Mango Street Analysis

The House on Mango Street is an interesting novel by Sandra Cisneros, and it was published in 1984. This novel is about a young Mexican-American girl named Esperanza who tells her story through vignettes, revealing the difficulties she experienced growing up with her Family in a low-income neighborhood in chicago. I chose The House on Mango Street because it is an interesting novel that explores race, gender, identity, culture, and socioeconomic status. In this novel, Cisneros incorporates her personal life experiences of being a young Latina female living in a society, dominated by man to describe the problems women were facing in House on Mango Street. During this period, women in the Latino culture and other cultures around the world were being treated as second class citizen, they were only valued for being wives and mothers, and were ostracized by society for wanting more in life. Throughout the novel, we see that Esperanza wants more in life, she has dreams of her own, dreams that goes against the cultural norms of Latinos. Her desire for something more than the house on Mango Street is going to help her move out of poverty by fulfilling her dreams. The negatives circumstances Esperanza endures due to the poor condition of Mango Street and the lack of role models motivated her to escape poverty and seek out a better life for herself.

Growing up on Mango Street, girls had to take two steps backward to take one forward. Just like ballroom dancing, women let men take the lead and sacrifice an extra step to continue moving on the floor. When Sally escaped from her father and married the marshmallow salesman, she had to give up her youth and femininity.

Judgement is a very frequent occurrence in today’s world. It usually isn’t an encouraging judgement though. Throughout the book, The House on Mango Street, the message of judgement of others being cruel is revealed. This isn’t just in Esperanza, the main character, but everyone in the book. It is important that everyone in the book progresses and matures as a person because, it causes everyone to become more together. This all proves the claim of, The House on Mango Street portrays an aspect of maturity by showing that what people imagine about others is often not how they truly act and are as a person, how they grow as a person, and what they strive to become.

Women within the novel and society face an inferior status by men and fall into a cruel cycle of abuse, but with the help of others the cycle of abuse and poverty and status of inferiority can break. The House on Mango Street takes place some time in the 1980’s. While not long ago, women during that time face domination by men and most struggle to fight back, which can still be seen today. Most women become bounded to the house, afraid to leave. Young girls however have the pleasure of going to school and most, but not all have the opportunity to play around. Although one should keep in mind that, most women in the novel who face abuse are Latino. In Latino culture, women are seen as possessions and therefore dependent on their man.

The transition from childhood to adulthood is a monumental part of one’s life. The change brings about many new responsibilities and expectations needed for adulthood. As the story, The House on Mango Street, follows the gradual maturation of the main character, Esperanza, readers can see the struggles of the transition to adulthood. In the novella, The House on Mango Street, by Sandra Cisneros, two main challenges are discussed, becoming self conscious and losing innocence.

Sandra Cisneros has been criticized by many for her depiction of Mexican Americans in her novel The House on Mango Street. Critics claim that Cisneros portrayal of Mexican Americans sustains an image of negative stereotypes. Those negative stereotypes being men who are dominating over women and women who are submissive. Throughout Cisneros’ story we meet many characters who are portrayed as the critics claim – in a way that suggests the dominance men have over the home and the family. Despite this, I believe this representation is not ment to enhance those negative stereotypes, but to better heighten the feelings of oppression, otherness, and helplessness Esperanza has. One of the most prominent examples of the negative stereotypes being displayed

(hook) Written by Sandra Cisneros, The House on Mango Street is a beautiful coming-of-age story from the perspective of a little Latina girl named Esperanza Cordero, who has just moved to a new house on Mango Street with her family. The story follows Esperanza and the people she encounters during her time on Mango Street as she struggles to find herself as an individual/her identity. During the story, Esperanza discovers how her culture and social class affects her, how she relates to the roles of women in her community, and how to process her hopes and dreams as she matures. These pieces eventually come together in order to help Esperanza form her identity.

The Novel, The House on Mango Street, was based on the writer Sandra Cisneros. She was writing this when she was living in Chicago. She was like Esperanza. She want though poverty. She has been heartbroken and deeply joyous. She inventing for herself who and what she will become. This is the life of Esperanza Cordero and based on Sandra Cisneros to all women out there.

Everyone who matures has a family and that family shapes that person into who they come to be. The main character, Esperanza from The House on Mango Street by Sandra Cisneros, is an excellent example of that; Esperanza is an insecure young Latina girl who is shaped by her family as she grows up. In the novel, Esperanza has the perspective of life from the experience of living in poverty. Esperanza dreams of a perfect home with amazing flowers and enough rooms that everyone in her family would each have one. However, she moves to the house on Mango Street, and reality is so different from what she has dreamt of. She receives a tiny run-down house with bricks that are broken down in numerous places around the house. Throughout the

The House on Mango Street by Sandra Cisneros tells the poignant and heartwarming story of Esperanza Cordero, a Latina girl maturing in Chicago. As Esperanza grows, she is faced with new hardships and expectations associated with being a woman, and becomes ashamed of her life. Esperanza learns to accept her life because she is exposed to different perspectives of women who feel trapped on Mango Street.

Two worlds. Two names. One person. In life there are always two sides to a situation, and two sides to a story. Sometimes there are two sides to someone’s life. There is always going to be tension between the two sides to show that every situation is going to have a more and less favorable side, and they are both there to show us who we are. The House on Mango Street is about a girl named Esperanza, and she is trying to find her place on mango street, and her place in life. Her life is impacted, in good ways and bad, by every person that she meets. We follow her, her family, her friends, and others in her journey of living on mango street, and experience her growing, developing, and experiencing the life made for her. In the book The House on Mango Street by Sandra Cisneros, we follow a constant tension created by the straddle of each character’s two worlds, and how the straddle impacts the character’s lives. This is shown in belonging and not belonging, with Esperanza not wanting to belong to the house on Mango Street, even when she does. When choosing who you are and who you want to be, when Meme wants to choose who he is even though he knows who he is. And finally, the constant tension between innocence and maturity, like when Esperanza and her friends encounter a situation which forces them to increase their maturity.

The House on Mango Street is a collection of vignettes written by Sandra Cisneros that is about a young Mexican-American girl named Esperanza, and the struggles of her life as she transitions from childhood into adulthood. Esperanza wants to find her true identity, but the conflicts and struggles that she faces throughout the story. Her town is a part of her adventure to find her self identity. She picks herself up, learning and figuring herself out throughout the novel. The author uses symbolism throughout the vignettes to convey the deeper meaning of conflicts developed in the novel, to show the difficulties of growing into adulthood.

In a series of vignettes, The House on Mango Street, by Sandra Cisneros, covers a year in the life of Esperanza, who is about twelve years old. During the year, she moves into a house on Mango Street. It is the first home her parents actually own, however she has had a plethora apartments in her life. However, the house is not what Esperanza has dreamed of, for the reason that it is run-down and cramped. For the duration of the vignettes, the readers watch Esperanza struggle but overall mature. In the rest of the vignettes, the readers receive a glimpse of the lives of the women on Mango Street. When reading the readers get to learn and understand these women. They are extremely important because they act as character foils to help the readers better understand Esperanza. During the novel, the women on Mango Street are confined and go through many struggles. The reader also learns about Esperanza's identity.

“You will always be Esperanza. You will always be Mango Street. You can't erase what you know. You can't forget who you are” (105). No matter what, Esperanza’s experiences on Mango Street have become a part of her and she cannot change it. In the novella, The House on Mango Street, written by Sandra Cisneros, the author introduces Esperanza, a resident of Mango Street, who constantly dreams of becoming an independent woman with a house of her own ideals. As she and her family purchase a house and become a newcomer into a new neighborhood of a crowded and poor Latino area, Esperanza faces mental and physical changes that affect how she sees the world. Sadly, the characteristics of the house consist of nothing of her desires. Due to her

Prisoned in Forced Marriage According to “House on Mango Street,” the author Sandra Cisneros show and representing the struggle that Esperanza great- grandmother went through in vignette of “My Name.” “My great-grandmother. I would’ve liked to have known her, a wild horse of a women, so wild she wouldn’t marry. Until my great-grandfather threw a sack over her head and carried her off. ”(Cisneros,