The House On Mango Street Analysis

Growing up on Mango Street, girls had to take two steps backward to take one forward. Just like ballroom dancing, women let men take the lead and sacrifice an extra step to continue moving on the floor. When Sally escaped from her father and married the marshmallow salesman, she had to give up her youth and femininity.

(hook) Written by Sandra Cisneros, The House on Mango Street is a beautiful coming-of-age story from the perspective of a little Latina girl named Esperanza Cordero, who has just moved to a new house on Mango Street with her family. The story follows Esperanza and the people she encounters during her time on Mango Street as she struggles to find herself as an individual/her identity. During the story, Esperanza discovers how her culture and social class affects her, how she relates to the roles of women in her community, and how to process her hopes and dreams as she matures. These pieces eventually come together in order to help Esperanza form her identity.

The Novel, The House on Mango Street, was based on the writer Sandra Cisneros. She was writing this when she was living in Chicago. She was like Esperanza. She want though poverty. She has been heartbroken and deeply joyous. She inventing for herself who and what she will become. This is the life of Esperanza Cordero and based on Sandra Cisneros to all women out there.

In the novel, “The House on Mango Street” by Sandra Cisneros, the main character Esperanza has many positive influences on her life. Hardships do not define one’s life either in a mental or physical capacity. Throughout the novel, Esperanza’s grandmother, Marin, and Rosa Vargas enable her to overcome the hardships of becoming a woman.

The House on Mango Street is a bildungsroman about a young Latina girl, named Esperanza Cordero, who has various struggles while she is searching to determine who she is and where she belongs in this world. The author, Sandra Cisneros, addresses several themes in the book of which three are significant; language barrier, self discovery, and gender roles.

In addition, the financial state of Esperanza and her family contribute to a factor that has shaped her identity. Esperanza is not pleased with her wealth and wishes for more. In the first chapter, she describes her home starting with a good, optimistic tone but as she explained more, her tone felt ashamed: “Out back is a small garage for the car we don't own yet and a small yard that looks smaller between the two buildings on either side. [.....] and the house has only one washroom. Everybody has to share a bedroom-Mama and Papa, Carlos and Kiki, me and Nenny” (4). This shows that the family does not have enough money to live a sustainable and comfortable life. Later in the book, it mentions how there is a desire for “white people” homes and towns with large homes and space. Although, Esperanza does not admit that she is poor, she surely hints to it multiple times throughout the novella.

In that community women must give up everything for their men. These women are trapped in their homes and sexually assaulted by the dominant man. Although, Esperanza knows that she won’t suffer the same way. “I have begun my own quiet war. Simple. Sure. I am the one who leaves the table like a man, without putting back the chair or picking up the plate” (89). She refuses to be treated in such a way, and shows her feelings by doing what she believes in. Esperanza focuses on herself, knowing if she wants to be different from the other women in her society she’s going to have to completely understand what she wants. At first, she was self-conscious and worried about how others viewed her. However by the end, she was no longer willing to follow the standing gender roles in her society. Esperanza still had a regard for how the people she cared about viewed her but knew she had to focus on what she thought was right. Focusing on her identity gave Esperanza the chance to unleash her true self against the outside forces holding her back.

Two worlds. Two names. One person. In life there are always two sides to a situation, and two sides to a story. Sometimes there are two sides to someone’s life. There is always going to be tension between the two sides to show that every situation is going to have a more and less favorable side, and they are both there to show us who we are. The House on Mango Street is about a girl named Esperanza, and she is trying to find her place on mango street, and her place in life. Her life is impacted, in good ways and bad, by every person that she meets. We follow her, her family, her friends, and others in her journey of living on mango street, and experience her growing, developing, and experiencing the life made for her. In the book The House on Mango Street by Sandra Cisneros, we follow a constant tension created by the straddle of each character’s two worlds, and how the straddle impacts the character’s lives. This is shown in belonging and not belonging, with Esperanza not wanting to belong to the house on Mango Street, even when she does. When choosing who you are and who you want to be, when Meme wants to choose who he is even though he knows who he is. And finally, the constant tension between innocence and maturity, like when Esperanza and her friends encounter a situation which forces them to increase their maturity.

Growing up as a young Chicano girl affected Esperanza's experiences throughout her life. A large emphasis was placed on her ethnicity by the author to build a large part of her identity. Even though Esperanza did not want to be associated with it at first, but her own identity is connected to the identity of the community.The barrio shares similar experiences and memories with Esperanza. In “Those Who Don’t,” The young girl notices the preconceived fears whites have of Hispanics and vice Versa. Esperanza knows she will one day leave Mango Street, but will return to help others. “You will

The House on Mango Street is a collection of vignettes written by Sandra Cisneros that is about a young Mexican-American girl named Esperanza, and the struggles of her life as she transitions from childhood into adulthood. Esperanza wants to find her true identity, but the conflicts and struggles that she faces throughout the story. Her town is a part of her adventure to find her self identity. She picks herself up, learning and figuring herself out throughout the novel. The author uses symbolism throughout the vignettes to convey the deeper meaning of conflicts developed in the novel, to show the difficulties of growing into adulthood.

In a series of vignettes, The House on Mango Street, by Sandra Cisneros, covers a year in the life of Esperanza, who is about twelve years old. During the year, she moves into a house on Mango Street. It is the first home her parents actually own, however she has had a plethora apartments in her life. However, the house is not what Esperanza has dreamed of, for the reason that it is run-down and cramped. For the duration of the vignettes, the readers watch Esperanza struggle but overall mature. In the rest of the vignettes, the readers receive a glimpse of the lives of the women on Mango Street. When reading the readers get to learn and understand these women. They are extremely important because they act as character foils to help the readers better understand Esperanza. During the novel, the women on Mango Street are confined and go through many struggles. The reader also learns about Esperanza's identity.

The world is not always fair, but don’t let that hold you down. Make the best of the cards you are dealt. In the Sandra Cisneros novel, The House on Mango Street, Esperanza, the main character, struggles to find happiness on Mango Street. In her youth, Esperanza moved from place to place quite frequently. Before she lived on Mango Street, she lived on Loomis, Keeler, Paulina, and in several other homes on several other streets. The story is about Esperanza’s experience on Mango Street and her self-discovery. She tries to figure out who she is in the light of the stereotypes of the Latina women she is surrounded by. Growing up in the barrio, Esperanza learns that Latina women are treated poorly by men and marry at an extremely young age.

Esperanza’s dreams offer her both hope and torment because she does not know whether or not she will have a chance to achieve them at all. Esperanza is a young girl who is a Mexican-American. She lives on Mango Street with her family in their first real house. In this vignette Esperanza is reflecting on her name and how she got it. She talks about how it was her great-grandmother's name and how she was kept from her dreams by marriage: “She looked out the window her whole life, the way so many women sit their sadness on an elbow.

In the "The house on mango street" by Sandra Cisneros, Esperanza is most likely to embrace her Sexuality. She receive's more messages of sexual empowerment. For example, the way she think and about Sire and his girlfriend. "Everthing is holding its breath inside me.

Many vignettes within Cisneros’s “House on Mango Street” imply powerful imagery, one of which stood out within the introduction, more specifically the section of where Elvira visits Sandra at her house in Chicago. This instance was well described as the surroundings around the mother and daughter were revealed gradually, following the areas where Sandra and her mother went. During Elvira’s tour around the house, certain personal commodities of Sandra’s were highlighted. Examples of which includes her spiral staircase to the roof, fine drapes in the library (implied by her mother commenting on how they must have cost ‘pretty penny’) and her space on the roof of her saffron house. These examples of Sandra Cisneros’ commodities emphasizes the