The House On Mango Street Analysis

The House on Mango Street is an interesting novel by Sandra Cisneros, and it was published in 1984. This novel is about a young Mexican-American girl named Esperanza who tells her story through vignettes, revealing the difficulties she experienced growing up with her Family in a low-income neighborhood in chicago. I chose The House on Mango Street because it is an interesting novel that explores race, gender, identity, culture, and socioeconomic status. In this novel, Cisneros incorporates her personal life experiences of being a young Latina female living in a society, dominated by man to describe the problems women were facing in House on Mango Street. During this period, women in the Latino culture and other cultures around the world were being treated as second class citizen, they were only valued for being wives and mothers, and were ostracized by society for wanting more in life. Throughout the novel, we see that Esperanza wants more in life, she has dreams of her own, dreams that goes against the cultural norms of Latinos. Her desire for something more than the house on Mango Street is going to help her move out of poverty by fulfilling her dreams. The negatives circumstances Esperanza endures due to the poor condition of Mango Street and the lack of role models motivated her to escape poverty and seek out a better life for herself.

Have you ever felt like the place you belonged to didn’t belong to you? In The House on Mango Street, this is how the main character, Esperanza, felt. The author, Sandra Cisneros, did a good job in portraying a girl who couldn’t find her place. She had a problem accepting where she was from, The House on Mango Street is heartfelt novel and is great to pass the time. In this story, you will be shown the lives of Esperanza, her sister Nenny, their two best friends Rachel and Lucy, and the many people who lived on Mango Street. This book is about a girl who went from denying her place to accepting it.

Growing up on Mango Street, girls had to take two steps backward to take one forward. Just like ballroom dancing, women let men take the lead and sacrifice an extra step to continue moving on the floor. When Sally escaped from her father and married the marshmallow salesman, she had to give up her youth and femininity.

In The House on Mango Street, Sandra Cisneros creates the theme that when a young girl is growing up without role models and a community that doesn’t support her development, she will have uncertainty in her identity and will search for her way out of the endless cycle. Cisneros does this through the main character, Esperanza. Cisneros creatively weaves the uncertain identity though many of the vignettes, but the vignettes that have the strongest meaning are number one and four. In vignette one, “The House on Mango Street,” Esperanza describes the places that she’s lived before

Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a

“Born Bad” is the vignette I chose to address from The House on Mango Street. I didn’t find it to be significant at first because of the style of writing the author uses. I’ve not read any books using little vignettes as chapters. This style of writing makes me feel like I am reading about situations that seem random and disconnected. Esperanza was born on the evil day, what does this really have to do with her being a woman and not fitting in on Mango Street? Lucy, Rachel, and Esperanza made fun of Aunt Lupe the day she died, a sad event but what does that have do with her being a foreigner on Mango Street?

The Novel, The House on Mango Street, was based on the writer Sandra Cisneros. She was writing this when she was living in Chicago. She was like Esperanza. She want though poverty. She has been heartbroken and deeply joyous. She inventing for herself who and what she will become. This is the life of Esperanza Cordero and based on Sandra Cisneros to all women out there.

The House on Mango Street, written by Sandra Cisneros, is a novel about a young girl growing up in the Latino area of Chicago. It is highly admired and is taught in a plethora of grade schools and universities. The House on Mango Street expresses the story of Esperanza Cordero, whose neighborhood is full of harsh realities and jarring beauty. Esperanza doesn’t want to belong- not to her run-down neighborhood, and not to the low expectations the world has for her. Esperanza’s story is of a young girl coming into her power, and inventing what she will become for herself. While Esperanza and the other women have many differences, as in the way she is fortunate to avoid the pitfalls of her environment and others are not, there are just as many

The House on Mango Street is a bildungsroman about a young Latina girl, named Esperanza Cordero, who has various struggles while she is searching to determine who she is and where she belongs in this world. The author, Sandra Cisneros, addresses several themes in the book of which three are significant; language barrier, self discovery, and gender roles.

In the book “The House on Mango Street” by Sandra Cisneros we are advised the story of the protagonist Esperanza over a sequence of short scenes. Esperanza is a adolescent lady who moved out of her old home along with her parents into a new area called Mango Street. The new house is not what Esperanza wanted, she anticipated a big, white, provincial house with a backyard. Rather, she got a tiny, red, recap apartment in a Latino area in Chicago. It is a coming of age story where Esperanza blooms in many attitudes, all over the whole book we appreciate she wants to move out of Mango Street into her own house. One of the complications that Esperanza faces is the experience of shame. This happens through House on Mango Street, Rice Sandwich, Bums in the Attic, and Monkey Garden; the first three have to do with her despise of the new house. In the scene Rice Sandwich, Esperanza ambitions to eat in the canteen with the other “special kids” rather of having to walk back home to make lunch. She asks her mom to write a letter to the nun who is the principal of the school, she doesn't accept the letter as the grammar was amateurish and asks Esperanza where she lived.

The House on Mango Street emphasises the importance of being oneself in order to grow and reach one’s full potential. The novel contains many advocates of remaining loyal to one’s morals. Esperanza, a poverty-stricken girl growing up in a barrio,

The world is not always fair, but don’t let that hold you down. Make the best of the cards you are dealt. In the Sandra Cisneros novel, The House on Mango Street, Esperanza, the main character, struggles to find happiness on Mango Street. In her youth, Esperanza moved from place to place quite frequently. Before she lived on Mango Street, she lived on Loomis, Keeler, Paulina, and in several other homes on several other streets. The story is about Esperanza’s experience on Mango Street and her self-discovery. She tries to figure out who she is in the light of the stereotypes of the Latina women she is surrounded by. Growing up in the barrio, Esperanza learns that Latina women are treated poorly by men and marry at an extremely young age.

The House on Mango Street by Sandra Cisneros is about a teenage girl named Esperanza who desires to live in a better house, but her family is unable to afford it, so she begins following the traditional role of the man of the house. Then, she begins to realize that even though her original house is in shambles, she still belongs to Mango Street and plans on visiting often. Sandra Cisneros gives many examples of the idea that Esperanza can't fully escape her home, even if she physically leaves.

In The House on Mango Street, by Sandra Cisneros, a little girl from a Latino heritage is given birth to. Not literally, but in the sense of characterization. Esperanza is a fictional character made up by Cisneros to bring about sensitive, alert, and rich literature. She is the protagonist in the novel and is used to depict a female’s life growing up in the Latino section of Chicago. Cisneros creates the illusion that Esperanza is a real human being to communicate the struggles of growing up as a Latina immigrant in a modern world, by giving her a name, elaborating her thoughts and feelings, and illustrating her growth as a person through major events.

The number 1 is a recurring theme in ¨Into the Wild¨. First, it is directly symbolized in the way that Chris is trying to complete his journey on his own. He backs this idea up by never wanting anyone’s help or money and doing things on his own. An instance of doing things on his own occured when he left with his car to begin his journey and drove and drove until his car broke down. Also, he found a job at McDonalds in order to get money for his rent of his trailer, instead of just rooming with one of his co workers for free. Also, the division line in the domino represents his uniqueness because him alone is different from any other person. He decided that this journey was a way to find the true meaning of life and not everything that makes him happy is given to him. This is how I feel a domino represents the story.