The House On Mango Street Identity Essay

Self-exploration is hindered in this book and my life. I can very much identify with Esperanza perspectives on societal issues that Latin women face. A society dominated by men and women relying on them, whether it is a father, spouse or friend. Men are considered the strong reasonable as where women are weak and emotional, in turn women need men for protection. A young girl may have two story paths, one where she relies on the protection of her father while she watches her mother cater to him or two, witnesses the struggles of a single young woman and absence for a father. This book describes marriage as priority for every girl or else how could she survive; appearances and physical features are highly valued traits. This attitude is not one that Esperanza agrees with, nor do I. For example, Marin she is the girl standing on the street just “waiting for a car to stop, a star to fall, someone to change her life.” This character implies that she does not dream of actively setting life goals for herself and working to earn them, instead she will wait until a man makes it happen for her. The ideology behind this thought being that as a woman she must thrive to be as attractive as possible to heighten her chances of marriage and acquire

All the people on Mango Street were struggling to get by, but they seemed satisfied with just making it. Esperanza was not. There were characters like Esperanza’s mother who was a “smart cookie,” and could’ve been anything, but she let shame get the best of her and dropped out of school. There was also Rafaela who got married before the 8th grade just so she could move into her own house, but her husband never let her leave the house afterward. He never let her see her friends, and the highlight of her week was getting coconut or papaya juice from someone who would send it up in a paper bag attached to a clothespin since she couldn’t leave the house. Lastly, there was the time when she was left stranded by the tilt-a- whirl waiting for a friend that never came back and got molested by a group of boys. The only witnesses were the red clown statues that seemed to be laughing at her. Nevertheless, she let none of this stopped her from going forward and perusing her dream. She still seemed to be struggling with a sense of belonging, but maybe that’s because she didn’t.

The neighborhood is not exactly a pretty place as Esperanza describes it. She says, “here there is too much sadness and not enough sky. Butterflies too are few and so are flowers and most things that are beautiful” (39). In the one year of Esperanza’s life that this book covers, she is raped, abused, and sees the death of the only person who would listen to her poetry- “Her name was Aunt Lupe and she was beautiful like [her] mother” (70). Her discontent with the neighborhood surrounding the house on Mango Street and the rough times that she experienced caused her to want to move away from

Esperanza has a variety of female role models in her life. Many are trapped in abusive relationships, waiting for others to change their live. Esperanza had many struggles in her life, not growing up where and how she wanted to so role models were very important to her. These role models showed her the way she didn't

As a young girl, Esperanza is a young girl who looks at life from experience of living in poverty, where many do not question their experience. She is a shy, but very bright girl. She dreams of the perfect home, with beautiful flowers and a room for everyone. When she moves to the house of Mango Street, reality is so different than the dream. In this story, hope (Esperanza) sustains tragedy. The house she dreamed of was another on. It was one of her own. One where she did not have to share a bedroom with everyone. That included her mother, father and two siblings. The run down tiny house has "bricks crumbling in places". The one she dreamed of had a great big yard, trees and 'grass growing without a fence'. She did not want to abandon

Lots of things can change when era changes except gender roles but after read this story, gender roles are changing distinctly than others. Even though it has changed a lot now, woman still has difficulty with when they get a job so we must strive until the equality of man and woman is evenly distributed. Esperanza make effort to improve her life and cultivate own self but not make effort to gender equality. She has interest in gender role but not that much so she think about it but not to act. From this essay, I have gave examples of how people might react to the idea about gender roles. However, we need to realize that women should take action for themselves instead of following

The first time Esperanza makes an appearance in the book, she is younger and easily manipulated, especially by her friends. Esperanza meets a girl named Cathy, a snobby girl that lived on Mango Street. When Cathy tells Esperanza “Okay, I’ll be your friend. But only until next Tuesday. That’s when we move away.” Then as if she forgot I had just moved in, she says the neighborhood is getting bad” (13) This was a racist statement towards Esperanza and her family, something she doesn’t quite understand yet because Esperanza thinks Cathy forgot they moved in, yet she was actually being racist. This is the first time Esperanza is exposed to racism in the book, therefore exposing her to the outside world. Later in the book, Esperanza meets Sally, a beautiful girl with shiny black hair, that all she seemingly just wants is to love, and Esperanza wants to be just like her. “I like your black coat and the shoes you wear, where did you get them? I want to buy shoes just like yours.” (82) Sally and Esperanza become friends, but later in the story, in the chapter Red Clowns, Esperanza is put in a dangerous situation where Sally walks off

She doesn’t let men rule over her. In this vignette thou, Esperanza doesn’t agree that hips were made to do “womanly” things. As stated in the quote that says “Hips are good for holding a baby when you’re cooking.” Women have hips to hold babies and do other things women are expected to do. For example, women are expected to pick up the plates and clean the table after everyone is done eating. “I am the one who leaves the table like a man, without putting back the chair or picking up the plate.” Here Esperanza is making a statement. She isn’t doing things women are expected to do. By defying this “rule”, Esperanza is showing that she is different and she doesn’t believe that men should be the dominant gender role.

Eventually, Esperanza decides she does not need to set herself apart from the others in her

This relates to the theme of the struggle for self definition, because at first Esperanza was under the impression she could change a man, but as she’s exposed to these horrible encounters she comes to the conclusion that boys and girls live in different worlds.

“Beautiful and Cruel” marks the beginning of Esperanza’s “own quiet war” against machismo (Hispanic culture powered by men). She refuses to neither tame herself nor wait for a husband, and this rebellion is reflected in her leaving the “table like a man, without putting back the chair or picking up the plate (Cisneros 89).” Cisneros gives Esperanza a self-empowered voice and a desire for personal possessions, thing that she can call her own: Esperanza’s “power is her own (Cisneros 89).” Cisneros discusses two important themes: maintaining one’s own power and challenging the cultural and social expectations one is supposed to fulfill. Esperanza’s mission to create her own identity is manifest by her decision to not “lay (her) neck on the threshold waiting for the ball and chain (Cisneros 88).” Cisneros’ rough language and violent images of self-bondage reveal the contempt with which Esperanza views many of her peers whose only goal is to become a wife. To learn how to guard her power

Often in literature, authors create plot by writing about characters maturing throughout the story. One work that explores childhood to adulthood is The House on Mango Street by Sandra Cisneros. In this novella, Esperanza Cordero is a young girl who lives in a poverty stricken area in Chicago. During the story, Esperanza grows up from being an adolescent to a young adult. In the novella, the theme is that losing innocence brings about maturity. Cisneros expresses Esperanza growing up by juxtaposing vignettes. Tone is also used to enhance the change in Esperanza’s thoughts while maturing. Both the juxtaposition of vignettes and tone support the theme that the loss of innocence and the gaining of

She is just to use that identity to prove to others who her right self is, rather than the self that does not convey who she is. Near the end of the novel, Esperanza has come to the conclusion that she will not be someone who society had plan out for her, “... but I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain… in the movies there is always one with red red lips who is beautiful and cruel… I am one who leaves the table like a man, without putting back the chair or picking up the plate.” (Cisneros 88,89) Esperanza will not grow up to be ordered around like the other women in her neighborhood. She will be a woman that is beautiful, yet cruel and in the eyes of men, she will be the man. She decides that she will not follow the rules of society like the fact that all a woman can do to escape, is to wait for a man to sweep them off the street. Instead, she will be a “man” of her own self where she will be “beautiful and cruel.” Esperanza will be cruel as she will not “grow up tame” like the women who does so by being scared, afraid, and controlled by their husbands. She is to be beautiful as she will be the one who holds power, and independence where she will depend on her own self. Esperanza changes the use of her identity, from having an identity to only represent her true inner self, to an identity that will change both the rules and paths that society. With the

"My Grandparents, My Parents and Me." My Grandparents My Parents, Mis Abuelos Mis Padres, Frida Kahlo, C0160. N.p., n.d. Web. 29 May

In The House on Mango Street, by Sandra Cisneros, a little girl from a Latino heritage is given birth to. Not literally, but in the sense of characterization. Esperanza is a fictional character made up by Cisneros to bring about sensitive, alert, and rich literature. She is the protagonist in the novel and is used to depict a female’s life growing up in the Latino section of Chicago. Cisneros creates the illusion that Esperanza is a real human being to communicate the struggles of growing up as a Latina immigrant in a modern world, by giving her a name, elaborating her thoughts and feelings, and illustrating her growth as a person through major events.