The House On Mango Street Identity Essay

As a young girl, Esperanza is a young girl who looks at life from experience of living in poverty, where many do not question their experience. She is a shy, but very bright girl. She dreams of the perfect home, with beautiful flowers and a room for everyone. When she moves to the house of Mango Street, reality is so different than the dream. In this story, hope (Esperanza) sustains tragedy. The house she dreamed of was another on. It was one of her own. One where she did not have to share a bedroom with everyone. That included her mother, father and two siblings. The run down tiny house has "bricks crumbling in places". The one she dreamed of had a great big yard, trees and 'grass growing without a fence'. She did not want to abandon

“She walks, she talks, she cleans, she works, she IS, but she is NOT, all at once. She is here, but part of her is elsewhere for eternity” (Anonymous). This quote by an anonymous person illustrates a woman who is rooted in who she is but dreams to be someone else. She dreams to be another person, far away from her dreary life. Sandra Cisneros establishes that many young girls within the Hispanic culture represented in The House on Mango Street are forced into roles they do not wish to take, resulting in a loss of identity and ultimately, a sense of powerlessness in the girl without anyone to show her how to be powerful.

A boy feels trapped and isolated in his house. He wants to go outside with his friends and explore the landscape, but he can't. His mom isolates him inside making him study and do extra work for school. He wants to leave, breathe in the fresh air, but he can't escape his mother’s grasp. This scenario represents a similar idea addressed in the vignette “The House on Mango Street”: Isolation. In The House On Mango Street, Sandra Cisneros is able to incorporate details and characterization to illustrate Esperanza’s isolation due to her moving constantly. Ultimately, the way Cisneros develops the use of symbolism, the theme of identity and literary devices in the vignette leads one to see why it is the most powerful chapter in the novel.

The image of a perfect family has been a staple for popular television shows and commercials hawking everything from luncheon meat to microwaveable TV dinners. It is a far reaching concept known by almost anyone living in the country, all over the world and people considering immigrating to the US. It is a fabricated dream, which does not truly exist. It is merely a false goal, striving to achieve this standard, and the aesthetic of the lifestyle is one which has been heavily marketed and changes frequently with the times. Sports utility vehicles, pristine lawns, massive backyards and home security systems are marketed as necessities for the modern American

Often in literature, authors create plot by writing about characters maturing throughout the story. One work that explores childhood to adulthood is The House on Mango Street by Sandra Cisneros. In this novella, Esperanza Cordero is a young girl who lives in a poverty stricken area in Chicago. During the story, Esperanza grows up from being an adolescent to a young adult. In the novella, the theme is that losing innocence brings about maturity. Cisneros expresses Esperanza growing up by juxtaposing vignettes. Tone is also used to enhance the change in Esperanza’s thoughts while maturing. Both the juxtaposition of vignettes and tone support the theme that the loss of innocence and the gaining of

The novel, The House on Mango Street, focuses on a young girl who strives to figure out her identity. She continuosly struggles to find her confidence, along with who she is. People tend to struggle with self-acceptance due to society. Society analyzes each person and dissects every one of their flaws, making them want to change themselves to fit expectations. Moving to her new home, Esperanza began to spend all of her time embarrassed. She was ashamed of her new home, and also uncomfortable with her outside appearance. She felt as if her outside didn’t convey the true personality hidden inside her. All Esperanza understood was that she didn’t fit in, and that she is different. Esperanza tries to find the person she truly wants to

“I looked at my feet in their white socks and ugly round shoes. They seemed far away. They didn’t seem to be my feet anymore. And the garden that had been such a good place to play didn’t seem mine either” (The House on Mango Street p.98) As a person matures they learn new things about themselves and develop their identity. People mature through certain experiences they go through and the issues they personally face. In Esperanza’s case as the novel progressed she changed and matured. Identity changes drastically as a person matures, through point of view, conflict, and setting the author of The House on Mango Street convey’s this.

The House on Mango Street is the tale about a young girl named Esperanza who is maturing throughout the text. In it Esperanza documents the events and people who make up Mango Street. It is through this community that Esperanza’s ideas and concepts of the relationships between men and women are shaped. She provides detailed accounts about the oppression of women at not only the hands of men who make up Mango Street but also how the community contributes to this oppression. As the young girls and women of Mango Street try to navigate the world they must deal with a patriarchal society that seeks to keep them confined. Sandra Cisneros’s vignettes demonstrate through Esperanza’s experience of growing up on Mango Street and witnessing the oppression

When one is going through life, they will try to find who they are. This can be influenced by people around them and what they do, but they will find themselves eventually. Sandra Cisneros shows this through Esperanza in her novella The House on Mango Street. Esperanza through this aging and learning from her experiences. She very slowly, but very normally learning who she is. Esperanza’s negative view of herself slowly changes as she begins to focus on her larger community and her place within it. Through this, Cisneros shows that knowing and accepting where one comes from is an important part of growing up and determining one's identity.

In life, one gets inspired by others, which can also weaken their ability to live their own life in a personal-unique way, but in most case it makes their lives better. In the novella, The House on Mango Street, by Sandra Cisneros, women and their roles are discussed. Esperanza is a 13 year old girl that questions her life in many ways. She is not proud of who she is or where she lives. When facing discouraging events, she sees who she is as a person. Esperanza has a variety of female role models in her life. Many are trapped in abusive relationships, waiting for others to change their lives. Some are actively trying to change things on their own. Through these women and Esperanza’s reactions to them, Cisneros’ shows not only the hardships

The House on Mango Street is a coming of age story about a young Mexican-American girl named Esperanza, who is struggling to figure out the pieces of herself. Such as, self-definition, ethnicity, language, and economic status. All these come into play as she learns that what defines her is her ability to tell stories. Her writing allows her to express those aspects of her life and allow her to step out of her comfort zone about her background and how she feels towards defining herself.

“You will always be Esperanza. You will always be Mango Street. You can’t erase what you know. You can’t forget who you are” (41). In the coming-of-age novel, The House on Mango Street by Sandra Cisneros, Identity is portrayed through how one girl struggles to find herself. The main character Esperanza is struggling to fit in. She feels like the odd one out due to her race, gender, and the environment she lives in.

Stories dealing with coming of age are generally all the same. Somebody is having a normal, half way decent life and then some large, negative event occurs and pushes the protagonist out the door early and onto the path of maturity. The characters are all the same too: the hardened character who has been through all the ins and outs of life and occasionally gives a copy-and-pasted life lesson to help out the main character, the character who tries to give love to the protagonist as a source of hope in their “changing” life,and the annoying younger character who is there just to fill extra character space. There are always themes of hope, (as the characters experiences always seem to be unrealistically depressing), so you can get a sense that the character feels

Everyone has challenges in their life, their feelings behind their actions make them who they are. In the novel The House on Mango Street by Sandra Cisneros there are many conflicts which explore the characters, to get to know them closer. The internal conflict is used to discover the identity of the main character, Esperanza.

Various meanings of “Identity” exist in the world. “How would you describe yourself?” “What kind of person are you?” If someone asks you these questions, how do you reply to them? You make the choice among many alternatives by basing your way because everyone holds unique traits and a unique personality. I also hold some traits that includes not only positive but also negative. It indicates “Identity” in general. “people’s concepts of who they are, of what sort of people they are, and how they relate to others” (Hogg and Abrams 1988, 2). In other words, the meaning of identity describes “who a person is or the qualities of a person or group that make them different from others” (“Identity). Throughout the House on Mango Street, Esperanza showed herself and who she wants to become. She lives on Mango Street at the age of twelve. As she named the title “the House on Mango Street” to the book, Esperanza’s family, neighborhood and the place where she lives on show the most significant part of her identity. Also, the place “Mango Street” where she spends most of her childhood changes her a lot from a girl to a woman. The Latin-American traditions made up her another part of her identity. In her growth process, exile, poverty, and the restrictions of their gender roles by cultural traditions influenced Esperanza. As Esperanza shows her identity on “the House on Mango Street,” this booklet expressed my identity from many aspects, such as nationality, family, education, work, and