The House On Mango Street Women Essay

Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced

In today’s world there are countless social problems. People are often treated as an inferior or as if they are less important for many different reasons. In The House on Mango Street, the author Sandra Cisneros addresses these problems. Throughout the story Cisneros does a thorough job explaining and showing how these issues affect the public. This novel is written through the eyes of a young girl, Esperanza, growing up in a poor neighborhood where the lifestyles of the lower class are revealed. Cisneros points out that, in today’s society, the expectation of women and their treatment, discrimination based on poverty, and discrimination because of a person’s ethnicity are the major

“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and

Hook: In the coming-of-age novel, House on Mango Street, the main character Esperanza narrates the story through her perspective of the situations she encounters as she grows older in her new neighborhood.

As a young girl, Esperanza is a young girl who looks at life from experience of living in poverty, where many do not question their experience. She is a shy, but very bright girl. She dreams of the perfect home, with beautiful flowers and a room for everyone. When she moves to the house of Mango Street, reality is so different than the dream. In this story, hope (Esperanza) sustains tragedy. The house she dreamed of was another on. It was one of her own. One where she did not have to share a bedroom with everyone. That included her mother, father and two siblings. The run down tiny house has "bricks crumbling in places". The one she dreamed of had a great big yard, trees and 'grass growing without a fence'. She did not want to abandon

Marin said that “she’s going to get a real job downtown because that’s where the best jobs are, since you always get to look beautiful and get to wear nice clothes and can meet someone in the subway who might marry you and take you to live in a big house faraway.” (Cisneros,26-27) This mean she will change her life with man not her own. In this story’s background society is woman should work in a house and man should go outside and make money so this is like man should protect woman. Also, another character that similar with Marin is Rafaela. She is beautiful so her husband didn’t let her go outside of her house. Then, she never left outside and she just look outside through the window. This can be said that women rely on men and leave all responsibilities for men. In the past, this thought, same as them is very normal but as time passes, most people agree for gender equality. Then, literally, gender is being equal. But, Esperanza thought that woman should live in recognition of these thoughts and consider them after she met normal woman in that

Sexism is a challenge almost all women face. In a way, sexism can be beneficial because it can motivate women to defy society's standards and anything holding them back. However, in The House on Mango Street, author Sandra Cisneros, shows both sides of sexism, and how it can motivate women. Sexism can also make women give up and not accomplish anything. While Cisneros has the protagonist fight off sexism, Esperanza runs into many cases of sexism where the women just give up. Similarly, with The Help, author Kathryn Stockett, also shows both the positive and negative side of sexism. Skeeter, the protagonist fights off sexism to gain freedom, and in doing so she finds that all her friends don’t want to change the roles they have. Both

In life many people set goals for themselves. For some people it maybe a goal such as obtaining a high test grade and for others it maybe to one day own a race car. Everybody has a different outlook on life and everyone has different goals in which they one day hope to achieve. The people who achieve their goals are those who are motivated and determined to do so. When these goals are achieved it is then when you are a hero to yourself.

Society has built a role for women. And there’s no better example of this idea than The House on Mango Street, in which Esperanza describes specific moments of her life which lead her to believe in women independence and feminism. She has different ideas and thoughts on the definition of women and what they should be. Esperanza doesn’t fit into the constructed definition Mango Street has of how women should be.

In life, we are often deeply influenced by the people who surround us. Consider the age-old adage “Birds of a Feather Flock Together”; this familiar saying reminds us that, in life, we gravitate toward people who appeal to us, and those people can have a great impact on who we are and the choices we make. In Sandra Cisneros’ The House on Mango Street, Esperanza meets many women who play a role in her life. Some of the women impact her in negative ways, but others help her to see that she can make more of her life than what her Chicago neighborhood offers. Of all the women in Esperanza’s life, Esperanza is most influenced by her mother and Alicia because they teach her to rely on herself in order to escape Mango Street.

In The House On Mango Street, the metaphor of the “[red] balloon tied to an anchor” (Cisneros, 9) helps reveal the theme of how societal roles limit women. The anchoring of the red balloon demonstrates how gender roles oppress women. Cisneros uses red to indicate sexuality as in the “Red Clowns” and “red lips” (88) of the femme fatale in the chapter “Beautiful & Cruel”. Additionally, the red balloon represents women because the anchor keeps the balloon from being free and in a similar way, gender roles keep women from being free. Women on Mango Street enter a stifling cycle of taking up the typical roles of women. Society expects women to “wait... for a husband” (88) and to “spend [their] lives… behind a rolling pin.” (31-32). In Sally’s case, she is dependent on men and she marries “young and [unready,] but married just the same.” (101). Sally marries “to escape” (101), entering the cycle that women on Mango Street go through, and ends up a prisoner of her own home. Sally is the red balloon tied to an anchor because she can’t escape and she doesn’t have any freedom. By submitting to the gender roles of her

Often in literature, authors create plot by writing about characters maturing throughout the story. One work that explores childhood to adulthood is The House on Mango Street by Sandra Cisneros. In this novella, Esperanza Cordero is a young girl who lives in a poverty stricken area in Chicago. During the story, Esperanza grows up from being an adolescent to a young adult. In the novella, the theme is that losing innocence brings about maturity. Cisneros expresses Esperanza growing up by juxtaposing vignettes. Tone is also used to enhance the change in Esperanza’s thoughts while maturing. Both the juxtaposition of vignettes and tone support the theme that the loss of innocence and the gaining of

"My Grandparents, My Parents and Me." My Grandparents My Parents, Mis Abuelos Mis Padres, Frida Kahlo, C0160. N.p., n.d. Web. 29 May

It means sadness, it means waiting” (10). Not only is Esperanza’s name a way to trace her origin but it is also symbolic to the book as a whole. Her name illustrates how the Spanish inside her is sad and it is putting her in a position that is weighing her down and keeping her from becoming someone. The English counterpart is what is keeping her going and motivated to find a way to escape Mango Street and all it encompasses. Just like a genuine immigrants dream when they come to America, Esperanza’s name means “hope” and she uses this hope for a better life to “One day I will pack my bags of books and paper. One day I will say goodbye to Mango. I am too strong for her to keep me here forever. One day I will go away” (110). Cisneros uses the name of her character to give her a place in a Latino setting and start expounding on her thoughts and feelings that come with that life.

Sandra Cisneros’, “The House on Mango Street” focuses on the narration of Esperanza, a young adolescent growing up in Chicago. Throughout the novel, Esperanza strives to develop her own sense of identity, while searching for the means out of her poverty-stricken neighborhood. With the help of her friends and family, Esperanza discovers how the world works, and what she needs to do in order to successfully better herself. The novel features several concepts of gender and sexuality studies including that of class structures, red-lining, gender, sexuality, intersectionality, and beauty. Those listed are simply a few more prominent features, as each character Esperanza introduces displays many more concepts within each scene. The concept of gender is portrayed widely throughout the novel and creates a foundation for the expectations the girls are about to face as they grow. Intersectionality interplays within the daily lives of each girl, and is seen within every page of the novel. Finally, beauty standards play an important role in the transition from adolescent to young adult each girl faces. Together, gender, intersectionality, and beauty standards, make up the novel, as it portrays the importance of each of these three core concepts of gender, women and sexuality studies.