The House On The Hill

When living with his grandmother, Suina describes his memories during the frigid winter. During those cold months, “a warm fire crackled and danced brightly in the fireplace, and the aroma of delicious stew filled our one room house.” Suina’s description illustrates his grandmother’s house as a nurturing environment. It is a setting in which his grandmother clearly cares for him. He remembers enduring the long freezing winter nights when “the thick adobe walls wrapped around the two of us protectingly.” The characteristics of the house showcase a sense of connectedness between Suina and his grandmother. Living with his grandmother clearly give Suina several reasons to be happy. It is not only a place that cares for and protects him, but it is also a place that “was just right.” Suina’s grandmother’s house provides him with a tremendous amount of self-confidence. Unfortunately, all of that self confidence is lose when he goes to school. School leaves Suina utterly bewildered. He begins to realize how different the two settings are. He starts to lose sight of the essential aspects of life with his grandmother that once made him so

Young children are often told by their parents to ’not judge a book by its cover’. The Shining Houses by Alice Munro explores the idea that it is unessential to conform to societal standards especially when they stand in the way of equality. The theme responsibility towards our community is prevalent throughout the story and we see that despite the popular opinion of everyone else we have a responsibility towards the wellbeing of our community members. Through the character of Mary, we see the importance of helping one another. Most of the people who lived on Mrs. Fullerton’s street were not fond of her because of the way he home looked however, Mary overlooked this and enjoyed spending time with her. She befriended Mrs. Fullerton because

Montague tells the long history of Hill House. It was owned by Hugh Crain. He had two children, but their mother was killed in a carriage accident just before she arrived at the house. His second wife died from a fall, possible suicide. Crain's third wife died of tuberculosis. Shortly after, Crain passed away in Europe. His two daughters were left with the house, but many fights occur over who should get it. The older sister dies, and the young sister ends up owning it. She commits suicide, and Hill House is left to the Sandersons. The first night was fine, but many things begin to happen. The following night, Theodora and Eleanor have a terrifying encounter. While sleeping, Eleanor hears a pounding sound. She wakes up. The sound continues, so she rushes to Theodora's room. The room becomes ice cold, and the pounding becomes louder. After an intense amount of time, Dr. Montague and Luke arrive. Another thing is discovered by the guests. Outside of the nursery, a cold spot occurs. Nothing can be explained about the cold feeling, but it occurs every time they walk passed it. Over time, Eleanor sees and feels the presence of a superior "being". The following quotation comes from the chilling moment when Eleanor discovers no one is in her room: "God God-whose hand was I holding?" Over time, Eleanor becomes attached to the house. She feels like the house is talking to her. On one occasion, "WELCOME HOME ELEANOR" was written over

As a woman, Mama’s aspirations to get a house was uncommon in those days, but Mama always dreamed of moving out of there small apartment and into a nice house in a safer neighborhood with a small garden.(92). She describes her dream house like it is the most spectacular thing in the world. She is extremely happy for herself, but happier for her family. However, Mama’s goals are more complicated then just wanting a house. With this house she feels that the family now has hope and can accomplish their dreams. On the other hand, without this house Mama predicts that the family will continue with

She tells of the feeling of shame which emerge from not even having a bed throughout her entire childhood (3). She does reassure that she has the security of her family being the only constant in her life, “Close and sweet and loving. Lucky me on my small pallet on the floor” (4). Travelling every summer “We never knew from one day to the next, from one year to the next, where we would go or live or what we would do” (127), her security of her family seemed always there “Having lived in other people’s houses, barns, and in migrant housing in various stages of decay and repair, it felt as though we could make a home out of anything” (99).

In “The Haunting of Hill House”, Jackson uses a third person point of view in order to create an ambiguous feeling during the supernatural experiences which leads to confusion of weather the novel falls under the sub-genre female gothic, or not. Jackson starts the novel with a very powerful quote: “No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream.” (1). That famously known quote is indeed very ambiguous, that evokes suspense. The sub-genre female gothic conventions consist of an old haunted house, mystery and suspense, supernatural experiences, women distress during a transition to adulthood or motherhood, repressed emotions, an aspect of feminism, heroic male figure, dark, and horror. The Haunting of Hill House consists of some of the female gothic conventions but lacks some too.

The story has two main settings. First, the family’s house symbolizes union but not quite right. The family was tired of the grandmother. There was an atmosphere of oppression and manipulation by the grandmother. For example, from the beginning of the story the author stated, “You all ought to take them somewhere else for a change so they would see different parts of the world and be broad” (O’Connor 485). The grandmother uses this setting to suggest that the grandmother is very demanding. Finally, into the wood O’Connor uses the setting of tall, dark and deep wood to represent something that is difficult to deal with. O’Connor also mentions that “Behind them the line of woods gaped like dark” (490). It explores the dark consequences of death, where the family encounter strangers in the wood and we only learn what’s happening from the noise people make, gunshots and screams. The setting in this story is very good which states expression of mood and it helps us to know the meaning of the

As the women walk through the house, they begin to get a feel for what Mrs. Wright’s life is like. They notice things like the limited kitchen space, the broken stove, and the broken jars of fruit and begin to realize the day-to-day struggles that Mrs. Wright endured. The entire house has a solemn, depressing atmosphere. Mrs. Hale regretfully comments that, for this reason and the fact that Mr. Wright is a difficult man to be around, she never came to visit her old friend, Mrs. Wright.

The novel The House of Seven Gables conveys its messages through the usage of images, which is done through inanimate object or places. This can be seen in the house of the seven gables and the daguerreotype of judge Pyncheon. Hawthorne present these images in such a manner, that their original meaning in the novel is no longer applicable. While many see his writing style as a tedious form, such writing has made the images created by Nathanial Hawthorne. Nathanial Hawthorne may be seen as a writer with a tedious writing style, such as the long descriptions of the images in the novel. Nevertheless it’s an effective manner to use allegory in a novel.

Chapter 1 A young woman appears out of nowhere and quickly catches up to another who's dashing along a moonlit lane. "Are we late?" She asks as she falls into step besides the older woman. "No not yet, but we need to hurry, we don't have much time." "Follow me," the older woman replies, and her dark cloak billows about casting shadows on the high stone walls that border the lane. They walked side by side in silence for a long ways and then through a set of huge iron gates swung opened before them and onto a narrow driveway. A manor house grew out of the darkness at the end of the straight drive, lights glinting in the windows. Gravel crackled beneath their feet as speeding toward the front door, which swung inward at their approach, though

In “The Haunting of Hill House”, Jackson uses a third person point of view in order to create an ambiguous feeling during the supernatural experiences which leads to confusion of whether the novel falls under the sub-genre female gothic, or not. Jackson starts the novel with a very powerful quote: “No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream.” (1). That famously known quote is very ambiguous and evokes suspense. The sub-genre female gothic conventions consist of an old haunted house, mystery and suspense, supernatural experiences, women distress during a transition to adulthood or motherhood, repressed emotions, an aspect of feminism, heroic male figure, dark, and horror. The Haunting of Hill House consists of some of the female gothic conventions but lacks others. Viewing the supernatural experiences from a third person point of view allows the reader to have an insight of the situations.

A review of the house itself suggests that an architectural hierarchy of privacy increases level by level. At first, the house seems to foster romantic sensibilities; intrigued by its architectural connotations, the narrator embarks upon its description immediately--it is the house that she wants to "talk about" (Gilman 11). Together with its landscape, the house is a "most beautiful place" that stands "quite alone . . . well back from the road, quite three miles from the village" (Gilman 11). The estate's grounds, moreover, consist of "hedges and walls and gates that lock" (Gilman 11). As such, the house and its grounds are markedly depicted as mechanisms of confinement--ancestral places situated within a legacy of control and

She moves into a new home with her husband, John. She describes the new home as a “colonial mansion, a hereditary estate, I would say a haunted house” (Gilman). Her description of the home is a negative feeling she has towards the house. The description of the home being haunted shows her terror because she sees it as an imprisonment. In this home, there is a yellow wallpaper in the room she is staying in. She describes the wallpaper, as “the color is repellent, almost revolting; a shouldering unclean yellow” (Gilman). In this wallpaper, she tries to see the figure out the patterns and comes to find a woman. In comes to conclusion that she is living life like the woman in the wallpaper. In the statement, “And she is all the time trying to climb through. But nobody can climb through that pattern, it strangles so; I think that is why it has so many heads” (Gilman). She empathizes with the woman in the wallpaper because they are both in pattern that they cannot break through. The pattern being in a home that feels that haunted and with a man that watches every move and empowers her through her

After a supper of fried fish, grits, and biscuits, the children’s bellies were full and their imaginations were running wild- they hadn’t completely forgotten living on the trail- The same as when they were younger, they wanted Charity to tell them a story before they went to sleep. She smiled at their eagerness, remembering all the stories she had told them at night while they were on the trail from Sandersville to Canton. It seemed that once they were settled in a house and not camping under the stars, the need for her bedtime stories were no longer necessary. Living on the trail seemed to bring her children much closer to her; she missed living that way…

It took very long, but by sunset, she recognized her farm and her fields. But it had been destroyed. The fields looked as if they had erupted, and her animals were missing. But her house was the saddest . . . it was gone. All her belongings were scattered everywhere.