The Huntington Beach Bad Boy Analysis

The film Boyz ‘n the Hood, directed by John Singleton is more than just a Hollywood blockbuster. The film incorporates numerous criminological theories and also demonstrates the concepts of conformity and deviance. This paper will analyze the characters of Tre, Ricky, Doughboy, Furious and other friends and family and show how criminological theories and the concepts of conformity and deviance play a part in their lives.

Walter Dean Myers’ memoir Bad Boy is about how he traveled back to his past. This book that he wrote is, funny, and unforgettable. As a boy, Myers had a quick-temper, was physically strong, and was always ready for a fight. He also read voraciously, as he would check out books from the library and carry them home, hidden in brown paper bags in order to avoid other boys' teasing. He aspired to be a writer.

“Boyz n the hood” takes place in South Central Los Angeles in 1984. The main actors in the movie are Cuba Gooding Jr as Tre, Morris Chestnut as Ricky, and Ice Cube as Doughboy. In the beginning of the movie it says, “One out of twenty-one Black American males will be murdered in their lifetime” followed by “Most will die at the hands of another black male”. Later it shows the main characters in the movie Tre, Ricky and Doughboy as kids each of them having plans in life. Ricky’s dream is to become a football player and Tre going to college and doughboy still not deciding what he wants to do in life.

At the beginning of the 1970s, two men, by the names of Martin Scorcese and Robert De Niro, met and started an extremely successful and world renowned string of movie director/actor collaborations. Over the course of 22 years,spawning from 1973, with their first film Mean Streets, to 1995, with their most recent work Casino, the duo paired up for 8 movies, most of which are considered some of the greatest films of all time. The most notable, however, would have to be their 1990 movie Goodfellas, a classic film which was nominated for 6 oscars, winning one, and named the greatest film of all time by British film magazine Total Film, an organized crime movie which is one of my favorite movies.

In the book All American Boys what the authors suggest about the nature of bias is that it is a factor in the lives of many people in some way, and is one of the main reasons why society is not equal. This is shown when the general white population in the book sides with Paul after the altercation with Rashad, even though the plot made it so clear Paul was in the wrong. The first piece of evidence is when the presumably white school committee was only looking for spray paint cans in the lockers of students of color, which is portrayed in the following quote said by Jill: “‘That’s what I saw. Three black students, boys, in a row. Then Martinez. They skipped me!’” (183). Jill was so outraged by what happened at this point in the book because

During an appearance ESPN's Mike & Mike show on Thursday, December 3, Dana said a rematch “makes sense.”

Darry doesn't want his youngest brother known as Pony boy to participate in the rumble, as far as Darry and the rest of the gang know Pony boy is very sensitive about fighting and fears what will happen to him. Soda-pop, however, convinces Darry that Pony boy is needed and most definitely wanted at the rumble. During the rumble, Darry keeps a close eye on Pony boy observing what's happening to him. When the rumble had started the book stated that dally had gotten hit first but throughout the movie Darry was the first to get punched in the

No longer could Johnson’s talent be ignored, he was in line to fight Jim Jefferies.

Within the content of this paper, I will be describing the four theories learned from the readings this week. The theory’s that will be covered are Racial Identity Theory, Social Capital Theory, Critical Race Theory, and what Cultural Competency is. I will also provide examples of each theory along with a brief video and movie clips to further demonstrate my comprehension.

“Free will and determinism are like a game of cards. The hand that is dealt is determinism. The way you play your hand is free will.” (Norman Cousins) “The Lost Boyz” by Justin Rollins, is a remarkable, personal recount of the author’s dejected youth as well as a deep, raw and vivid insight into the ways and consequences of a broken youths’ mind (Rollins, 2011). Throughout his book, Rollins depicts the divergent factors responsible for his descend into the criminal lifestyle, ultimately attributing them to two key criminological theories; classicism and positivism (Newburn, 2017). Classicist criminology, or the classical approach to criminal behaviour is centred around the idea of free will and rational thinking, defining the criminal

Boyz in the Hood starts off with the character Tre Styles as a young man who lives in South Central, Los Angeles with his mom Rita. The social work student viewed this beginning portion of the movie portraying his young life as a social worker. The social work student noticed that Tre lived with his mother in an apartment in a rough neighborhood. Tre went to school but had problems acting out and being the class clown. Tre and the friends he hung around here had foul language and used profanity as young kids. This is just one example of how Tre’s surroundings influenced his life. According to Newman & Newman (2014), the Social Role theory suggests that a person learns behaviors from observing in their environments. Young Tre Styles learned profanity from somewhere in his rough environment and this is a method of learning socially. Rita, his mother was working on her Master’s degree and wanted better for Tre, so it is unlikely she promoted the use of profanity in her household. A contract between the two was drafter and Tre agreed with his mother that if he did not behave he would move in with his father. Rita stayed true to the contract they drafted and took Tre to live with his father Furious, so Tre could learn how to be a man.

Some challenges between anti-social behaviors and geographic are evident in the film Boyz n the Hood. It a 90’s films created by John Singleton, about a boy Tre styles who is sent to live with his father Furious styles in South Central Los Angeles after he got into a fight at school. At his father 's house, he is taught morals and values of being a respected man. On the other hand, his friends Ricky and Doughboy who are half-brothers has a different upbringing with no real support system, resulting in forming a gang, involvement with drugs and a tragic ending. This film is based on the African American experience in terms of environmental conditions which results in a great deal of African American males being pushed into the criminal justice system.

John Singleton’s Boyz N the Hood is an American teen drama film released in 1991 that focuses on three black teens who live in the dangerous neighbourhood of Crenshaw, Los Angeles. The main characters Doughboy, his half-brother Ricky, and their friend Tre grow up together but meet drastically different fates as young adults. As Swanson (2011) points out, it is important to understand the tension within black communities in Los Angeles at the time of the film’s release; the Rodney King beating had taken place only months before and LA’s gang wars were reaching a peak. As a Los Angeles native, Singleton’s goal with the film was to alert people about the situation around them, as he said: “I couldn’t rhyme. I wasn’t a rapper. So I made this movie” (Swanson 2011). To reflect the environment as accurately as possible, the film was shot on the streets of South Los Angeles, so the crew was just as on edge as their characters would be; there were even threats of gun violence from local gang members.

Have you ever hated someone so much you wish you could kill them? Well in this story a twelve year old kid named Sucker and his cousin/brother Pete will find out. I chose the question “Do you think that Sucker’s becoming a tough kid is a good thing?”. I think that it is a bad thing for a kid of Sucker’s age to act tough like that. Here are some reasons why.

Hood: slang for neighborhood or black area/life. Before 1991 this concept of hood life was never before portrayed or looked into until John Singleton produced the black social drama Boyz N the Hood. This is the first film by a black director that actually goes deep inside the ghetto or inner city. Singleton carefully directs this film so that it appears to mirror the real world “having value as a kind of anthropological study of an unfamiliar way of life'; (Thompson 2).