The Image Of The Witch Essay

Long Ago in the 1500's there used to be a mobilization of witches. They were formed together to protect the people of Restaria. Furthermore it was over 20 witches within the radicalized group, all of them ran from Restaria. All except Seven they stayed as a united front to protect their town from the demons who rose through the night in the air. Nevertheless after the bloody war the witches bodies were never found. Also their nemesis were left on the ground to see. The whole town saw what happened but no one could believe it. Years, Centuries later as time grew and decades past. The witches tale became a folklore they started becoming bed time stories, pictographs, ideas for movie directors. Along the older generations it brought back nostalgia

This article is about witchcraft and its different varieties of practices in different cultures. This article explains how witchcraft exists and plays an essential part in structural and functional aspects of a society. It also sheds the light on the journey of witchcraft from being profane and wicked to acceptable part of a culture.

"At the word witch, we imagine the horrible old crones from Macbeth. But the cruel trials witches suffered teach us the opposite. Many perished precisely because they were young and beautiful."

Witchcraft is a term which sprouts many different meanings. As stated above, it is attributed to witches. But what is a witch? Probably an evil haggish-like women who has signed a pact with the devil if we think of it in the English sense. So witchcraft must be evil doings; putting curses on people to make their life miserable, using wicked spells to transform humans to frogs etc. But does this hold true to everyone's idea of what witchcraft is.People's believes on the subject of witchcraft might differ between different cultures.

In this book Carol Karlsen reveals the social construction of witchcraft in 17th century New England, and brings forth the portrait of gender in the New England Society.

In this study she addresses the accused and the accusers, the young, the old, the poor, and the cute. In chapter seven she constructs an interesting analysis and a statistically significant interpretation of those females who were possessed, and why these particular females responded to their possession in Puntan society. In order to prove her case she used evidence associated with those who were the accusers and the accused during the witchcraft trials. On the whole, she proved that women who were out of the social norms of colonial society were more likely to be suspect of witchcraft. In Puntan New England this was mainly non-married women, widows, and non-conformist females. These distinctive behaviors and demographics were seen as potential threat to New England Society, especially during a period of great change or social upheaval.

Witchcraft was defined for the masses by the publication of the Malleus Maleficarium also known simply as the Handbook. Written by two Dominican friars in 1486 it’s purpose was to be used as a handbook to identify, capture, torture, and execute suspected witches. Opinions stated as facts and written in the Malleus Maleficarium, “handbook”, were based their faith, church doctrine, and the Bible. No doubt a religious masterpiece in it’s time this handbook is a neatly woven together a group of beliefs, experiences, wisdom of ancient writers, religious ideas, and God inspired writings that justify it’s purpose. Written by and used by Catholics this handbook proved useful for Protestants as well. Based on biblical interpretation and ideas the handbook provided Protestant Church leaders biblical authority to prosecute witchcraft as well. Translated into today’s vernacular phrases such as, “everybody knows that women are feeble minded” or “everybody knows that women are more superstitious than men” and “all women have slippery tongues” are included in the handbook and presented to the reader as foregone conclusions. Specific

The idea of witchcraft seems preposterous now, but it pulled me into its issues with its bony hands. The renowned play and film The Crucible, by eminent author Arthur Miller, is a great tale of deceit, religious persecution, justice/injustice and paranoia, which shows the ignorance and the perplexing nature of the 17th Century Puritan society. The mysterious world of witchcraft and witch hunts is the centrepiece of this story, which parallels to the Senator Joseph McCarthy communist ‘witch hunts’ in the 1950s. Similarly, I can create a link to contemporary issues in society, whether it takes place in the school playground or politics. As we can all recall, abusive power was a severe problem in the villages of Salem. It afflicted on a person’s ideologies and how they were represented and symbolised by others. My curiosity is conveyed through Abigail. This protagonist is seen as inhumanly diabolical, as she does not express any remorse, via the motif of manipulation and accusations. This is all refracted through the lenses of my own attitudes, values and beliefs of an egalitarian society. So today I am here to explain and engage with you why I entirely believe this story, from many years ago, can reproduce the same apprehensions of abusive power in society today.

John Demos’s nine point portrait of a witch is one way to analysis the case of Rebecca Nurse. To do so, one must first evaluate and understand the history of Rebecca Nurse and her role in the Salem in the late 1600’s. Rebecca Nurse was the wife of Francis Nurse, a farmer who became wealthy after buying and tending a large plot of land between Salem Village and Salem Town. Together they had eight children, and as a family they were prosperous. Connecting this information to Demos’s portrait of a witch, Rebecca Nurse falls under the first four points made in his sketch. These first two points are that she was “female” and that she was of “middle age”. However, the latter point is slightly inaccurate because Nurse was older than sixty years. The final two points that Rebecca Nurse falls under in Demos’s portrait of a witch are that she was of “English” and “Puritan” descent and culture, and that she was “married”, with little or no children. Again, the latter point is not fully accurate because Rebecca Nurse, while married, had, in fact, eight children in her lifetime. The significance of these traits of Rebecca Nurse agree, for the most part, with the

The novel Conversion by Katherine Howe, published in 2014, is an incredibly gripping teen mystery that includes suspense, satire, and sadness all at once. The story centers around an all girls private school and its eerie similarity to the female hysteria during the colonial Salem witch trials. Howe, a descendent of three of the women accused of witchcraft during these trials, was interested in the topic of this time period and sought out to find a reasoning behind the accusations made upon the women. The novel varies its chapters and the timeline of the story between those set in the current time of 2012 and others taking place back in 1706. With these chapters switching back and forth, readers begin to notice the strange resemblance of the

While researching texts written about the Salem Witch Trials, I found a few authors who published articles and books about the Salem Witch Trials. These authors often showed that the most likely cause of the fits coming from the victims was produced by ergot of rye. However, I could not find much discussion about another important source of the fits’ cause: witchcraft. My goal in this paper is to produce a convincing argument that the victims during the Salem Witch Trials that experienced strange behaviors came from ergot of rye rather than witchcraft.

The witchcraft phenomenon of the Renaissance period was shaped by a wide range of cultural factors; witchcraft was not necessarily subject to a single cohesive idea or concept, and it was often instead a conglomeration of many different societal concerns, concerns which spanned through all spheres of society. Textual evidence from this period provides insight into the way in which witches were conceived, and how witches were dealt with, while visual images present a companion visualisation of the tensions, which influenced created the witch, and the imagery, which came to be associated with witchcraft.

The witchcraft crisis through colonial New England is visualized through the work of Mary Beth Norton and Carol F. Karlsen. The scholars demonstrate deep understanding in the subject, and both present valid information through their overall theses. In order to understand the complete story of witchery in the seventeenth-century, these two books intrigue the reader in what the authors want to present. Although, their research seems bias, both historians similarly delve into the topic with an open mind, and successfully uncover information that has not be presented before. Not only does Norton’s In the Devil’s Snare and Karlsen’s The Devil in the Shape of a Woman both represent the study of witchcraft through feminist ideals, Karlsen’s

Prior to the fifteenth century, rural European women were highly revered and respected pillars of rural community life; not only considered mothers and wives, but seen as community leaders, physicians, and sources of strength and wisdom. Women had a special and imperative role in rural life, and even those that lived on the fringes of society were well respected as the village healers and wise women. These old women would possess the wisdom of the ages and pass it on to others. This respect for women quickly deteriorated, however, during the witch hunts. The belief spread that women were morally weaker than men and driven by carnal lust, therefore making them more susceptible to being tempted by the Devil, and thus practicing witchcraft. (Levack p. 126) As people took this belief to heart, it is apparent that society would be affected indefinitely by such intolerance.

"I'll get you my pretty, and your little dog too!" The Wicked Witch of the West...