The Immortal Work of the Poet as Seen in Shakespeare's Sonnet 55

“Sonnet 116” written by William Shakespeare is focusing on the strength and true power of love. Love is a feeling that sustainable to alterations, that take place at certain points in life, and love is even stronger than a breakup because separation cannot eliminate feelings. The writer makes use of metaphors expressing love as a feeling of mind not just heart as young readers may see it. To Shakespeare love is an immortal felling that is similar to a mark on a person’s life.

A sonnet is a poem of fourteen lines that rhyme in a particular pattern. William Shakespeare’s sonnets were the only non-dramatic poetry that he wrote. Shakespeare used sonnets within some of his plays, but his sonnets are best known as a series of one hundred and fifty-four poems. The series of one hundred and fifty-four poems tell a story about a young aristocrat and a mysterious mistress. Many people have analyzed and contemplated about the significance of these “lovers”. After analysis of the content of both the “young man” sonnets and the “dark lady sonnets”, it is clear that the poet, Shakespeare, has a great love for the young man and only lusts after his mistress.

Although Shakespeare appears to be conforming, he still elevates his work above the exhausted conventions of other Elizabethan sonneteers. Instead of objectifying his lover through trite comparisons, he declares that she is too beautiful and pleasant to be compared even to a day of the most enjoyable season of the year. While most consider the realm of nature to be eternal and that of humans to be transitory, Shakespeare accentuates the death of a season and imbues his sweetheart with everlasting life. He ingeniously inverts the scheme of things in order to grant his love perpetual existence through his poetry.

Naturally, Shakespeare’s very first Sonnet deals with themes of procreation and immortality, literally and figuratively birthing his series of Sonnets. Ideas of Genesis, or the creation of the world, show strong traces throughout the poem and serve as the piece’s main focus according to literary critic Helen Vendler. The sonnet also deals with the logistics of beauty; we want the most beautiful people to have children, so their beauty will be preserved forever—when the parent dies, the child they leave behind will remind us of their own beauty. Shakespeare utilizes metaphors in his language to help promote this idea, for example the image of a bud, growing until it inevitably dies and diminishes. Unlike flowers, Shakespeare tells us here that we humans have the opportunity to keep this beauty everlasting. The very beginning of Shakespeare’s infamous series of sonnets, Sonnet 1 celebrates the beauty of procreation and offers a plea for humanity centered around our duty as humans to procreate and let our legacies live on, so our spirits can live vicariously through generations of our children.

Poets and authors alike evoke emotion and pictures from one single word. The imagery and thoughts put into the readers’ heads by these different writers are the base of one’s creativity and imagination while reading the author’s work of art. William Shakespeare is one of the most well-known poets of all time that is able to elicit these emotions from the reader to allow the reader to fully understand what Shakespeare is trying to accomplish with his poems. Shakespeare keeps his audience entertained with a whopping 154 sonnets, each having a different meaning and imagery associated with it. Sonnet 18, “[Shall I Compare Thee to a Summer’s Day]”, and Sonnet 55, “[Not Marble, nor the Gilded Monuments]”, are both one of Shakespeare’s most famous works. Shakespeare uses these sonnets to explore the powerful relationship between humanity, art, and time.

Kunin discusses the preservation fantasy as Shakespeare viewed it, humans can be immortalized by poetry keeping the thoughts of the author alive. In Shakespeare sonnet number twelve the speaker discussed several means of immortality, but finally settles on poetry to be the elixir of life because of its durability through time and the ability to preserve a person without consent and without diluting who they are with sexual reproduction. Kunin describes the poems as “completely written so that it can be removed from time and so that it can shelter other objects, such as the speaker, from the effects of time” (Kunin pg.93). The argument here is since a poem is written it can be rewritten word for word so it never loses value and can be transferred from one medium to another without any harm to the poem. This aspect of poems gives them the ability to survive longer than any physical object

William Shakespeare’s Sonnet #55 is a Shakespearian sonnet. It contains three quatrains, or four line stanzas, and ends with a couplet. The poem is written in iambic pentameter William Shakespeare’s Sonnet #55 is a Shakespearian sonnet. It contains three quatrains, or four line stanzas, and ends with a couplet. The poem is written in iambic pentameter.

The next two lines, “Love alters not with his brief hours and weeks, / But bears it out even to the edge of doom” is an allusion to love standing its ground even in the wake of Doomsday. This quatrain effectively illustrates love as a thing that endures all hardship; reinforcing the extended metaphor of the previous quatrain.

An Elizabethan sonnet is a poem that contains 14 lines. Each line is usually 10 syllables long. However, Shakespeare created his own type of sonnet that also has 14 lines, but also follows a rhyme scheme of ababcdcdefefgg. Not only that, but the Shakespearean sonnets also have iambic pentameter which give the sonnets a rhythm or beat by emphasizing every other syllable. Shakespearean sonnets are very similar to those of Petrarchan lovers. The main idea of these sonnets are usually about exaggerated and romantic love. These sonnets were created by a man named Francesco Petrarch. He was an Italian student during the Renaissance who lived in Petrarch, Italy. Petrarch then fell in love with a woman named Laura, and shortly after he began to write sonnets about her. Many people who also lived in the city continued what Francesco had started. The ideal woman of the time and in Petrarchan sonnets was blonde, had a high forehead, had bright eyes, and had pale skin. In the sonnets, they are exaggerated so much that they are almost viewed as angels or goddesses. In William Shakespeare’s “Sonnet 130,” he compares his “mistress” to the ideal woman from Petrarchan sonnets, and in a way, mocks them for their ridiculous flattery. In “Sonnet 130,” William Shakespeare’s use of similes, metaphors, and tone illustrate the complex nature of love, and reject the cliché concepts of ideal love.

In the third quatrain, “In me the glowing of such fire/ That on the ashes of his youth doth lie/ As the deathbed whereon it must expire/ Consuming with that which it was nourished by.” He seems to compare his life to fire, burning bright in youth, when energy and ideas bound forth, but eventually it all turns to ashes, fragments of the passing youth, essentially death. He also makes implications of lying upon the ashes, his deathbed, of days gone by, days when he was young and full of energy. The fire proposes finality, the non-cyclical process that night and the seasons are part of, which Shakespeare has worked towards in the poem.

The majority of Elizabethan sonnets reflect two major themes: time and love. William Shakespeare, too, followed this convention, producing 154 sonnets, many of which deal with the usual theme of love. Because the concept of love is in itself so immense, Shakespeare found several ways to capture the essence of his passion. Therefore, in his poetry he explored various methods and used them to describe the emotions associated with his love for a mysterious "dark lady." These various ideas and views resulted in a series of sonnets that vibrantly depicts his feelings of true, undying love for his lady. Instead of making the topic less interesting, as some might expect, Shakespeare's myriad approaches

Shakespeare’s sonnet 60 expresses the inevitable end that comes with time and uses this dark truth to express his hopefulness that his poetry will carry his beloved’s beauty and worth into the future in some way so that it may never die. This love poem is, as all sonnets are, fourteen lines. Three quatrains form these fourteen lines, and each quatrain consists of two lines. Furthermore, the last two lines that follow these quatrains are known as the couplet. This sonnet has the rhyme scheme of ABAB CDCD EFEF GG, as most Shakespearean sonnets follow. In each of the three quatrains, Shakespeare discusses a different idea. In this particular sonnet, the idea is how time continues to pass on, causing everything to die. The couplet connects these ideas to one central theme, this theme being Shakespeare’s hope for the beauty of his beloved’s immortality through his poetry’s continuation into future times.

     The sonnet, being one of the most traditional and recognized forms of poetry, has been used and altered in many time periods by writers to convey different messages to the audience. The strict constraints of the form have often been used to parallel the subject in the poem. Many times, the first three quatrains introduce the subject and build on one another, showing progression in the poem. The final couplet brings closure to the poem by bringing the main ideas together. On other occasions, the couplet makes a statement of irony or refutes the main idea with a counter statement. It leaves the reader with a last impression of what the author is trying to say.

During the Renaissance period, most poets were writing love poems about their lovers/mistresses. The poets of this time often compared love to high, unrealistic, and unattainable beauty. Shakespeare, in his sonnet 18, continues the tradition of his time by comparing the speakers' love/mistress to the summer time of the year. It is during this time of the year that the flowers and the nature that surround them are at there peak for beauty. The theme of the poem is to show the speakers true interpretation of beauty. Beauties worst enemy is time and although beauty might fade it can still live on through a person's memory or words of a poem. The speaker realizes that beauty, like the subject of the poem, will remain perfect not in the

Shakespeare, who wrote the sonnets in 1609, expresses his own feelings through his greatest work of literature. The theme of love in the poems reflect thoughts from the Renaissance period. Love is one of many components of Shakespeare’s life shown in the sonnets. Love can be defined in many ways other than a strong affection for a lover. In Shakespeare’s sonnets, the concept of love can be seen through many uncommon means such as the love of life before death in “Sonnet 73,” love in marriage in “Sonnet 116,” love through sexual desire in “Sonnet 129,” and love through nature in “Sonnet 130,” proving that love can be expressed through many different feelings and emotions.