The Impact Of Art Through The Eyes Of Holocaust

In today’s society, people tend to view the Holocaust as a horrible thing that happened and it won’t happened again. But nobody really understands fully what it meant to go through it, except for Holocaust survivors. Unfortunately, they were hesitant to share those moments that forever changed them. Elie Wiesel is not one of those people. As the author of the memoir Night, he uses repetition and imagery to try to fully express the amount of terror and suffering that they had to go through during the Holocaust.

The Holocaust is arguably one of the most horrific events in human history. As the last Jewish survivors are passing away from old age, the importance of Holocaust related documentation is going to be imperative in teaching the next generations about the monstrosities that went on during this time. In the 1960 novel, Night, Elie Wiesel utilizes several literary devices, including the symbology of nighttime, motif of religious practices, and theme of father-son relationships, in order to emphasize the atrocities of the Holocaust specifically for Jews. Wiesel’s first hand experience in concentration camps allows for a vivid retelling of what many people had to endure.

The Holocaust, or a jewish sacrificial offering that is burned on an alter, largely refers to the massacre and slaughter of over 6 million european jews from 1933 to 1945. One of the largest genocides took place less than 100 years ago. A recently fresh event on the historical timeline, and yet there would be little known on exactly went on inside the camps without the testimonies of survivors. Holocaust survivor Elie Wiesel, produced the book “Night” as a way to cope with his time in the labor camps and to shed light on the reality of the inhumanity that engulfed numerous concentration camps across europe. After ten years of silence, the book was written by Wiesel to express his personal experiences inside the labor camps, as well as his testimony to horrifying and inhumane actions inflicted upon his beloved family and bunk mates. In “Night”, Elie Wiesel explores the evils in humanity by sharing his personal experiences and personal witness of inhumanity, and shares his own moral values of man.

Many characters’ lives are enveloped by a mental issue and they are a representation for these issues. Art covers these multiple issues. The Holocaust affected millions of people and of these millions, Vladek, Anja, and Mala all were left with

The concentration camps from World War II are part of a painful and tragic incident that we have learned about in school for many years. And while we are taught the facts, we may not fully understand the emotional impact it had upon the humans involved. Upon reading Night by Elie Wiesel, readers are given vivid descriptions of the gruesome and tragic behaviors that the Jews were forced to endure inside he treacherous concentration camps. Among all of the cruelties that the Jews were exposed to, a very significant form of the callous behaviors was the demoralization of the prisoners. Each inmate was given a tattoo of a number, and that tattoo became their new identity within the camp. Every prisoner was presented with tattered uniforms that became

The Holocaust, yet another unpleasant time in history tainted with the blood and suffering of man. Human beings tortured, executed and starved for hatred and radical ideas. Yet with many tragedies there are survivors, those who refused to die on another man’s command. These victims showed enormous willpower, they overcame human degradation and tragedies that not only pushed their beliefs in god, but their trust in fellow people. It was people like Elie Wiesel author of “Night”, Eva Galler,Sima Gleichgevicht-Wasser, and Solomon Radasky that survived, whose’ mental and physical capabilities were pushed to limits that are difficult to conceive. Each individual experiences were different, but their survival tales not so far-reaching to where the fundamental themes of fear, family, religion and self-preservation played a part in surviving. Although some of these themes weren’t always so useful for survival.

The terrors of the Holocaust are unimaginably destructive as described in the book Night by Elie Wiesel. The story of his experience about the Holocaust is one nightmare of a story to hear, about a trek from one’s hometown to an unknown camp of suffering is a journey of pain that none shall forget. Hope and optimism vanished while denial and disbelief changed focus during Wiesel’s journey through Europe. A passionate relationship gradually formed between the father and the son as the story continued. The book Night genuinely demonstrates how the Holocaust can alter one's spirits and relations.

Everyone experiences emotional and physiological obstacles in their life. However, these obstacles are incomparable to the magnitude of the obstacles the prisoners of the Holocaust faced every day. In his memoir, Holocaust survivor Elie Wiesel, illustrates the horrors of the concentration camps and their mental tool. Over the course of Night, Wiesel demonstrates, that exposure to an uncaring, hostile world leads to destruction of faith and identity.

The holocaust was a tragic time which involved the killing of Jews to create a ‘pure race’ in Germany. Jacob Boas analyzes the stories of five young Jewish children through the book “We Are Witnesses,” who were forced through the hardships of war. Through the perspectives of David Rubinowicz, Yitzhak Rudashevski, Moshe Flinker, Éva Heyman, and Anne Frank, the struggles of the five children are clear as they try to hold on to their ideals while still fighting for their lives. “We Are Witnesses,” by Jacob Boas adopts repetition and diction through the eyes of David Rubinowicz, imagery using Yitzhak Rudashevski, repetition and imagery via Moshe Flinker, repetition with Éva Heyman, and repetition and syntax by Anne Frank to brandish how Jewish

Throughout the years curiosity regarding the holocaust has become more evident in the 21st century as people across the globe anxiously learn about the events that took place in Germany during World War II. The importance of this event is not only being taught to Americans and people of the Jewish religion, but it is also being taught in other parts of the world. The popularity of knowledge being obtained regarding the holocaust grows: books, documentaries, and poems. Poems, like that of William Heyen’s “The Trains”, are being introduced to the generations in the 21st century. Heyen pinpoints the curiosity of his audience to make them want to learn about the holocaust

Gender theory is an effective framework to interpret Jewish deportation because it offers valuable insights into the subtle power relationships between Jews and their oppressors. In order to effectively use gender as a prism of analysis it is necessary to venture beyond descriptive usage of gender; Joan Scott’s characterisation of gender as an implicit way of signifying power provides a sophisticated avenue to explore this topic. When applying gender theory to Schindler’s List, scholars should modify their expectations in light of Zelizer’s critique that popular culture cannot mirror the Holocaust ‘as-it-happened’. To resolve some of these challenges researchers can ‘triangulate’ popular representations with photographs to ensure that their scholarship remains rooted in historical fact. Ultimately, provided that researchers are cognizant of the limitations inherent within both Schindler’s List and photographs, gender theory is a highly applicable intellectual backdrop to examine themes of power, masculinity, and authority during the Holocaust.

Throughout the film Image Before My Eyes, directed by Josh Waletzky, viewers are shown videos, pictures, and interviews regarding European Jewry from the late 1910’s to the 1930’s. Though this is a film explaining the events and upheavals that led up to the Holocaust, the word Holocaust is rarely ever mentioned. It is through the use of multimedia in this film that the devastating history of the Holocaust becomes illuminated. The film allows the viewer to begin to fathom the destructive events that occurred between the two World Wars as well as the secularization of daily life for Jews throughout this time period.

Son of Saul is a historical fiction film that gives the jewish and nazi experiences within a extermination camp. Son of Saul authentically portrays the Holocaust through the perspectives of the Sonderkommandos and the Nazi SS by attempting to film every scene in first person with the camera focus on one Sonderkommando. The film is authentic, because its cinematography exposes taboos of Holocaust filmmaking as well as the juxtaposed mentalities of survivors and victims within an extermination camp in first person. The definition of authentic applied in this instance is something original with genuinely reliable value. This film’s cinematography is instrumental in the expression of these juxtaposed mentalities and Holocaust film-making taboos.

A powerful and provocative graphic novel, Maus, generates a Jewish individual’s life of grotesque and horror. With its ability of perception and interpretation, it tackles the main points of the ominous Holocaust and delivers a spooky aura to the absorbed audience. In comparison to Schindler’s List, the graphic novel shines brightly than the pale movie due to its realism and humor that is constantly present throughout the storyline. The novel has the ability to connect to the audience; thus, it gives an in-depth look and overall comprehension of the massacre that Spiegelman is trying to communicate. The graphic novel, Maus by Art Spiegelman, brings an honest account of the Holocaust to a wide audience because of its historical truth and intriguing viewpoints and characters that shows the effect and process of the genocide.

The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea of victims, perpetrators, and bystanders. The two books are presented in a very interesting way; they are shown in comic form, which provides the ability for Spiegelman to incorporate numerous ideas and complexities to his work.