The Impact Of Digital Technology On Children 's Reading Pleasure

In the modern world, children’s literature, fairy tales, and fiction books influence our childhood and early development. In the 1500’s and 1600’s no children’s literature for entertainment existed, they had educational books. As babies, toddlers, and preschoolers, my parents and teachers read us books after books. It is proven that reading to young kids is important for their imagination, vocabulary, and communication skills in early life.

Since the view of childhood changes in the nineteenth century, the potential of children’s literature becomes evident. With the reference to the sources of children’s literature, they can be traced back to alterations in translation and in the literature for adults, where a child or childhood are essential concepts; moreover folk literature is concerned to be a wide source for this literary genre. According to Peter Hunt

I was exposed to a complete range of early childhood studies, all of which solidified my ardent interest in the field. I also had the opportunity to study a handful of art and humanities subjects, which have given me a fresh perspective on the world we reside in. By the same token, I will be able to apply the knowledge gained from my ICT and Multimedia subject in creating a state-of-the-art medium apt for young children in this era of

Furthermore, the illustrations paint a beautiful picture that I like to think is an insight into a child’s mind, which I is a key element in this book and what makes it so great. Since the book is narrated by a child the intentional simplicity of the words and the controlled chaos that is the illustrations breathes unadulterated life into a rather normal children’s book.

After a four week survey of a multitude of children’s book authors and illustrators, and learning to analyze their works and the methods used to make them effective literary pieces for children, it is certainly appropriate to apply these new skills to evaluate a single author’s works. Specifically, this paper focuses on the life and works of Ezra Jack Keats, a writer and illustrator of books for children who single handedly expanded the point of view of the genre to include the experiences of multicultural children with his Caldecott Award winning book “Snowy Day.” The creation of Peter as a character is ground breaking in and of itself, but after reading the text the reader is driven to wonder why “Peter” was created. Was he a vehicle for

With his opening sequence McCloud illustrates that because the acting of showing is instinctual, incorporating visuals with literature would be logical. The series of panels in which the boy is struggling to explain verbally, not visually, what the toy is capable of captures McCloud’s audience instantly because it is an experience that many have had. It is not unusual for a child to use visual markers like “this” and “that” when explaining objects, events, etc. McCloud then goes on to explain that it is expected for children to graduate from books with mostly pictures to novels with no pictures at all as they mature with time. This is attributed to the cultural perception of comic books. According to Stephen Weiner in his book Faster Than a Speeding Bullet: The Rise of the Graphic Novel, “newspaper comic strips were always

Children’s literature has existed for as long as there have been stories to be told to children. Stories, books, songs, poems are all made for children. Children’s literature does not have a definite definition of what it is; basically, it is anything a child reads (Lerer, 2008). Children begin to learn what reading and writing are used for before even knowing how the system works. Children recognise the function of written language by seeing examples of written language that are being used around them. Many children know the difference between reading and talking, they are aware that written language is used to do things in this world (Emitt, Zbaracki, Komesaroff and Pollock, 2015). Quintilian, John Locke, Saint Augustine and Doctor Seuss speculated on the ways children learn the Australian language and learn about their lives from literature (Lerer, 2008). In fact, Lerer states that “the history of children’s literature is inseparable from the history of childhood, for the child was made through texts and tales he/she studied, heard and told back,” (2008, p.1). Children’s literature nurtures an understanding of narrative structures and visual images played in storytelling, this helps develop

When I was young I would drown my floor with Dr. Seuss and books that gave excitement to me just by holding them. I loved looking at the pictures, the endless rhymes, and magical color schemes because I had no other outlet than books to reach in a grab my attention the way they could. That’s why picture books are almost a necessity to a child’s development. The type of

Dr. Seuss greatly impacted children’s books. He changed the way that children’s books are written and illustrated with his original style. Many people consider Dr. Seuss’s unique style to be one of his greatest achievements (“Contemporary Authors”). Before Dr. Seuss’s books, children’s books were very bland and uncreative. After the release of his books, many authors follow his example when writing their books (“Theodor

Picture books are a big part of a child’s life. They make the reading experience fun and a time to look forward too. They help children explore the world with their imagination and connect with characters and events. They also provide joy and comfort. Picture books show their meaning in a very unique way. They use verbal and visual text to relate to the world. Both verbal and visual text work together in synchrony to narrate the story. Meaning represented in this way invites the reader to attend to both in order to make sense of the story. Revisiting and old picture book is like revisiting an old friend.

Let’s be honest, we all loved a good comic book when we were younger, but now that we are older there are few things thought to be more childish than reading a picture book. This is exactly what Scott McCloud has set out to change with his graphic essay from Show and Tell. Being a cartoonist himself, he has set out to change our perspective on comic books from our default categorization in being for children, to being a possible contender in the adult reading scene. By showing the underlying complexity that goes into the formation of a comic McCloud is able to give a clear understanding that comic books are not as simple or easy to create as the general population believes. Multiple times within Show and Tell McCloud

When being read to, children react to illustrations immediately. This phenomenon means that the illustrations in a children’s book should be just as thought out as the highest art, for they influence the purest minds. Illustrations can tell a story on their own, and with some methodology, stimulate more than just the visual sense. Molly Bang, in her piece, Picture This: How Pictures Work, lays out certain principles in regards to how we interpret pictures. Bang explains how the use different line work and shapes provoke different feelings in the viewer, a notion which is seen in Maurice Sendek’s, Where the Wild Things Are, particularly when Max makes his way to the land of the Wild Things.

For as long as humans have existed, we have been telling stories. Whether it be to educate or entertain, stories have been an integral part of human culture. Different periods of time produce diverse texts, particularly for children. Throughout history texts for children have changed ranging from the morals, views and ideals which they present. Two particular time periods which show this clear difference are the medieval and enlightenment period. Using text targeted at children from each time period, The Babee’s Book from the medieval period and The Little Pretty Pocket Book from the enlightenment stage, are able to show clear differences in regards to the ethical ideals, world views and roles of children held by society during that time. Comparing these two different time periods brings forward not only the progression of children’s literature through the ages but also

I chose to read and comment on Barbara Kiefer’s “Envisioning Experience: The Potential of Picture Books.” Kiefer’s main point in writing this essay was to get the message across that children enjoy picture books that allow them to identify and make connections with the characters or the plots, and that while reading and analyzing the pictures, they gain a better sense of aesthetics and how to interpret them.

Reading – the ability to represent the sounds of language by written symbols has existed for approximately 4000 to 5000 years and is inarguably one of the most fundamental and wonderful technique humans have ever developed. However, despite much effort and funding dedicating to wide literacy development, even now in America for instance, 50% of adults cannot read a book written at an eighth grade level (National Center for Learning Disabilities). In order for the entire population of today’s society to have proper reading skills, scholars and educators around the world realize that literacy movements need to focus on much earlier stages of human development. Researchers in the education field have reached a consensus that reading is crucial in childhood by revealing supporting evidence from studies focused on children aged 0-6 years, 6-12, and young adolescents. Many interesting findings also include that reading proficiency of children is critical because it can reflect society’s criminal and economical status. Moreover, modern studies show that the importance of childhood reading cannot be fully explained without mentioning the environment where children are raised, as the environment greatly affects children’s reading proficiency.