Charles Frederick Worth: The Impact Of Society On Fashion

There have been and still are hundreds of fashion designers in the world. But only a few of them have had any major impact on fashion industry today. And even fewer have revolutionised the fashion industry completely. One of these revolutionaries is the renowned Christian Dior. He reestablished Paris as the centre of the fashion world, and created his name as a symbol of elegance, quality, and modernity. I will be looking into how Dior’s context informed his practice, by using three of his most iconic and popular designs; The Bar Suit, Venus Dress and the Cygne Noir dress. And how these were a direct representation of 1945-1950 France.

In consumption, it is believed trends travel from the upper classes to the lower class as those from a lower social status seek to emulate those of a higher social status, this is referred to as the trickle-down effect (Trigg et al., 2001).

This papers purpose is to teach fashion heavy consumers on the real price of fast fashion and how buying it affects the environment. This type of audience can be anyone who partakes in the buying of well-known cheap retail stores that have a large audience of being fast and obtainable. These consumers should have the information on how fast fashion effects are environment so it could possibly alter their buying habits to be eco-friendlier but buying either less or more sustainable clothing instead of the cheap alternatives. This audience should care about this purpose because this will affect the world now and for future generations as their environment is being mistreated because of these fast

This essay will explore the effects social and political changes had on fashion in the 1980’s. This period was chosen because the new romantic fashions were so different to the punk fashions that had been before, this essay will therefore identify the changes that had taken place to influence this change. Primary evidence used to support findings will include interviews and photographs which will show a firsthand account of the period.

Over the course of the history of clothing styles and production, one thing has never changed: a person’s wealth directly influences

The fashion industry is rapidly growing and constantly generating new fashion trends almost weekly. Fashion for some may seem ridiculous and unnecessary; but fashion is not just a meaningless usage of article of clothing or farcical materials sew together for coverage. There is more to fashion than meets the eyes, fashion is precious and significant. It is a reflection of self-image, it speak the ream about who we are and how we review ourselves. Not only is fashion the reflection of self-image but also the reflection of our history as Coco Channel have said, “Fashion is not something that exist in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Fashion

Change is a theme that is ever-present in our culture and society. Often this change is reflected in the dress of its people. From the fashionable silhouettes of the 1920’s to the colorful 60’s, hip-hop look of 90’s up to the modern twist of today, social change and change in fashion has, in theory and practice, been linked. According to ask.com, Fashion can be defined as a prevalent style by a particular group at a particular time, and, therefore, may be linked to a specific cultural and historical context in which there is general acceptance of a given style or look

As Europe continued to grow and prosper, the middle classes, skilled workers, began to wear more complex garments. At the time, the fashions were set by the elites. In this time period, fashion was respected as a temporal aspect. During the early middle ages, townspeople could be dated by their clothes. Not being necessarily up to date with the current fashions was a new social disquiet. European fashion north of the Alps was dominated by the glittering tender of the Duchy of Burgundy, especially under the fashion connoisseur power-broker Philip the Good. The Dukes of Burgundy had access to the latest fabrics of Italy, the East and to English wool exports through the trading cities of Bruges and Antwerp. In Florence, sumptuary laws prevented the citizens from sporting luxurious clothes. The materials of men’s garment often appear plain in paintings, but most contemporaries who knew the difference in quality of cloth well enough would have shown appreciation.

Coco Chanel, born Gabrielle Bonhuer Chanel, on August 19, 1883 in Saumur, France was an amazing woman who redefined fashion as we know it today. She was a clothing designer who revolutionized the fashion industry with her suits, little black dresses, and avant garde flare. Because of this quickly in her young life she became well know, and rose to be the fashion icon that she is today. From the timeless designs that are still popular to this day, and the sophisticated outfits that can be paired with great accessories Chanel has done it all. When it comes down to it though it was Coco Chanel’s philosophy that “luxury must be comfortable, otherwise it’s not luxury” that lead to her success. (“Coco Chanel”)

It wasn’t until Chanel started to create jackets which not only had the purpose of being worn closed, she created jackets that looked good opened, closed or hanging over the shoulders. She emphasized on this style by making blouses to serve the complete outfit. She was also the creator of the “Little Black Dress”, which was a relatively simple black dress made by elegant materials such as lace, tulle, weightless silk and even embroidery in a new, more tailored way. Chanel is today world known for its high quality designs and has women of the 21th century dependent on its classical style (Rennolds Milbank 120-121).

When you think of the word fashion, what do you think? Do you think about outrageous runway outfits? Cocktail dresses? Tracksuits? Whatever your impression of fashion, it is obvious that fashion plays an important role in today's society. We are judged by our clothing and appearance on an everyday basis, so why not make the most of our choices?

Society is constructed in such a way that some people become inferior to other people because of how society treats certain individuals. Fashion has become a catalyst that leaves a gap between the lower class and the upper class; this brings out the aspect of social structure as it ranks categories of people in a hierarchy,( Macious & Plummer, 2008).Bourdieu’s concepts of field, habitus, social capital and cultural capital gives an illustration of the elite and the lower class in terms of their fashion taste. This essay consists of three parts; the first part will look at the London Fashion Week applying Bourdieu’s concepts, the second part will describe the difference sorts of capital required for elite women to join the ‘secret club’ of

Paul Poiret was born on April 20th, 1879 in Paris, France. His contributions to twentieth-century fashion has earned him the title in many people’s eyes as the “King of Fashion”, because he established the principle of modern dress and created the blueprint of the modern fashion industry. Poiret’s designs and ideas led the direction of modern design history. He was born into a working class family and his natural charisma eventually gained him entry into some of the most exclusive ateliers of the Belle Époque. Jacques Doucet, one of the capital’s most prominent couturiers, hired him after seeing promising sketches he had sold to other dressmakers. Furthermore, he was hired by the House of Worth and was put to work to create less

Elie Saab developed an interest on fashion starting from early ages. Built his first atelier only at the age of 18. His passion for fashion and haute couture grew in the following years and has dedicated himself to his brand from design to brand and customer communications .According to him :“Couture was a creative engine for the entire brand, a marketing tool for foundation of an image on a profound long term level.”

The attraction to Englishman Charles Frederick Worth’s garments caused by royalty was the origin to the relevance and recognition of haute Couture in the 19th Century. Ruth Lynam, editor of Couture concludes the growth of Worth’s wealth, she states: “The princess was the instrument of good fortune for Charles Worth...” (Lynam, 1972:54) What Lynam seems to be stating is the pecuniary advantage the Princess Pauline de Metternich supported with her admiration for his creations. The promotion of his designs are partly owed to the princess however without the recognition perhaps haute couture wouldn’t have been relevant or would not have been as effective. The