The Impact Of Technology On The Performing Arts

I now realise that the Arts, including music, creates opportunities to engage, inspire and enrich our lives. Music making and responding can challenge, provoke responses and enrich our knowledge and understanding of ourselves, our communities and the world.

With the fast rising technology and the closer world community, the music industry has changed dramatically in this modern world. In this case, I will choose an American rock band Paramore as a case study. I will first start with an overview and a brief history of the band, afterwards I will focus on the main four music business areas, which are Artist Management, Record Companies, Music Publishing and Live Performance, examining how they operate in the industry and their relationship between each area and with the band. Finally, I will finish up with a conclusion and my own views.

In the 19th century, industrialization spread like wild fire from “England continental Europe, the United States and Japan”. Factories became the norm for these countries as it made acquiring new resources and easier feet. These larger “corporations, monopolies, and cartels” led to the increasing decrease in small businesses. Everything in every day life was affected “it affected politics, Work, people standards of living, marriage” and even having children. During this time poverty was the largest socioeconomic group”. The Bouge was he was made up of professionals and merchants” while the lower class, or cousins, consisted of those who were artisans and shopkeepers. The industrial revolution lead to cities becoming vastly overpopulated and short periods of time. “To the ranks of margins, lawyers, doctors, and shopkeepers, there now were added industrialists, managers, government officials, white-collar workers, and skilled professionals and such field is engineering, architecture, accounting, chemistry, and higher education.” Due to the increase in such careers, this made up The middle class. The members of the social class control politics, influence music and art, and took advantage of the benefits given to them. Through this time instruments became mass produced which granted the opportunity for music making to be open to the masses. Some famous names associated with the music advancement are Sebastian of art, how do you like Stovel, and feeble Theobald boHem.

“A freelance professional musician has to be willing to perform a wide variety of musical styles (folk, classical, and pop) in order to please a wide spectrum of audiences. All musical styles are worthy of equal respect since all music is tied to people’s need for emotional, heartfelt expression through memorable melodies. In order to make a living, a musician has to travel to where the jobs are and not be fixated on trying to earn an income from home” (2009).

“This is to certify that the work I am submitting is my own. All external references and sources are clearly acknowledged and identified within the contents. I am aware of the University of Warwick regulation concerning plagiarism and collusion.

There have been many technological advances throughout that past four decades within music production and many have argued that without the boom of the digital culture the popular music of today not be as it is today. This paper will examine an extremely important technological change of the nineteen eighties and nineteen nineties that has helped shape popular music of today.

Many people have dreams of being a part of the music industry and becoming successful musicians, but do not seem to do the research necessary to make the dream come true. The music industry is a branch of the entertainment industry and is where music, whether it is recordings or performances, is distributed and sold to the public. One of the problems is that people do not realize the risks that come with being a part of the music industry and being a musician. There are many factors that come into play when deciding to pursue a career in the music industry. Factors would include having noteworthy knowledge of music, originality, publicity, and business entitlement.

Music has become such an important part of people’s lives today. One cannot walk down the street without seeing earbuds in a person’s ears or hearing the bass to a radio in someone’s car. But how did music become such an important and constant part of the lives of so many? What do artists have to go through to reach their audience? At the beginning of musical development from the medieval Georgian chant to the arias of Mozart and fugues of Beethoven, people could only listen to music in a live setting. This is how most performers would make their money. According

John Covach, the author of What’s That Sound, distinguishes the cultural elements of pop-culture/music within four distinct categories: social, race, business, and technology. Without a doubt, all four of these traits within pop-culture have been evolving and changing ever since the emergence of any pop-culture. The cultural themes of the always-changing society, business, and technology have indefinitely changed pop-culture and vice-versa. In my essay, I want to discuss how the technology and the evolution of technology affected the growth and modernization of popular music.

The original goal of this research paper was to find a modern day band that incorporated the Baroque style of music into their own. After doing research, it was discovered that a famous band known as Deep Purple was one of the first to incorporate the Baroque style into some of their music. Deep Purple was also one of the first rock bands to record with a live orchestra. Since this was not the norm for modern music, my focus changed from a band that incorporates Baroque, to a band that doesn’t. The reasons for the change is to show how there are some similarities, but how music has evolved and lost some of the work which came about in the 1600s. In this paper I will compare a concert from the extremely successful and popular band known as AC/DC, to that of a concert by George Handel.

Popular Music The term popular music is defined as “any of a number of musical genres ‘having wide appeal’ and typically distributed to large audiences through the music industry.” Throughout the years, musical styles have reflected the society of the time, therefore music has evolved the world through the changes that uncover every day. However music doesn’t just change alongside society but with technological advances and new ideas.

Furthermore, studying history, which entails encompassing ideologies, has caused additional confusion in regard to the parameters of individual terms. Although a comprehensive focus to detail is produced from periodization, important factors are left unidentified leading to crucial links missing from the timeline of music history. The social, political and economical aspects associated with these musical periods are often broad and neglect the occasional shifts in these factors. Period terms produces additional difficulty when analysing a particular composer with regard to determine individuality. These overlooked shifts are concealed by the generalised notions of the societal discourse present within a certain period. Ralph Cohen states that "change and development in literary texts ought to be analysed in terms of their genre over a period of time, the duration of which is, in turn, determined by identifiable changes in the texts belonging to that particular genre." Similarly, Mattix expands on this point and indicates that it would be more beneficial to think of history in regard to changes within genres rather than in arbitrary period terms. Therefore, both Mattix and Cohen advocate this method as a substitute focal point as opposed to a focus on the period. This perception when studying music history will effectively assist in contrasting the characteristics of the composers and compositions as well as build a greater understanding of the music, composers and sociological factors. This, consequently, creates a gap in the transformation of music and divides these segments of time even further. Further confusion is created between historians and, an authors credibility can become undone as the result. Therefore, music history should not be limited to confined segmentations so as to allow historians to explored purposely without the

Nowadays, teenagers are living constantly surrounded by technology. Even if the younger generation may not see it, technology has had an impact on different factors. The widespread use of digital technology in the music industry has allowed consumers to reproduce digital versions of copyrighted songs inexpensively, with the help of many software and websites. There has been an increase in digital copying activities and those are most of the time claimed responsible for producers’ loss in revenues. While some people claim that the increase of digital technology has killed the music industry, in fact it has lead to innovation and new ways of consuming and sharing music, such as

The music industry has been around for over two centuries (PBS). Its volatility can be measured by its ability to shift and change according to its time period, the technologies that arise through the ages and the public’s shift in musical taste. The music industry is comprised of many different components, organizations and individuals that operate within it. Some of these components include the artists who compose the music themselves, the producers that engineer the sounds created by the artists, the companies that handle distribution and promotion of the recorded music, the broadcasters of the music such as radio

The creation of musical works has always been culminated by several different processes and usually involves many people. The process takes a lot of time delaying the release of music. Advancement in technology has played a significant role in the music production by lowering the length of time it takes to produce recorded material. Artists usually sign a contract with a recording company that markets their music products. The internet and low-cost recording technologies have created a “do-it-yourself” music movement. New artists have gained worldwide recognition without landing a recording contract with a major record label.