The Impact of Music During Apartheid

Dylan’s most famous protest song is “Blown’ in the Wind”. It became the anthem for the civil rights movement in America during the 1960s, and as result Dylan was viewed as the spiritual leader of the civil rights movement. “Blown’ in the Wind” became very popular among the American people because the lyrics of the song could be applied to any situation as the lyrics were all about humanity learning from its mistakes and a call for freedom. “Only a Pawn in Their Game” was Dylan’s most offensive protest song that he wrote, and it was first performed at a civil rights rally in Greenwood, Mississippi. This song was about a civil rights activist who was murdered by “just a poor dumb

During the period of Apartheid in South Africa between 1948 and 1994 the reactions of the South African citizens towards the legal separation of races varied depending on race, ideals and time period. After gold and diamonds were fud inSouthAfrica both the dutch and British wanted the land to themselves, leading to the Boer War from which the Dutch farmers emerged victorious. Following the Boer War and the creation of the Union of South Africa in 1910, the Dutch Boers gained control over the majority of the land in the previously British Cape Colony along with the settlements they had already built, the Transvaal and the Orange Free State. Blacks in South Africa made up about eighty percent of the population but only lived on ten percent of

During one of the final scenes where the Afrikaner officers were searching for P.K. and slaughtering many of the innocent people in their way, flames were shown all throughout the village. The ruthless murders were being compared to the evilness of hell. The African’s voices were once again singing in the background of this scene, conveying their innocence and strong united front. Throughout the movie, they sang in times of crisis, tragedy, and celebration.

Art has undoubtedly become a decisive aspect of our culture; embedded in the way we learn and grow on a daily basis. Art forms such as music, television and dance dominate our society as an outlet of freedom of speech for humanity. The evolution of music has rapidly exceeded its original classifications, developing new genres with greater appeal to an audience, hence its influence on society has expedited. In recent times, lyrics (specifically rap lyrics) have been introduced into the court room as a form of documented confessional evidence, evidently challenging law’s authoritative nature. This essay will closely follow the genre of rap and its relationship with law, through cases based in the United States of America (USA). In addition, the trial of Simon Bikindi in Rwanda and Smith v The Queen will be used to form an acute analysis on the influencing factors of relevance, identity, freedom of speech and current constitutional law.

a. Most of the collective music manifestations found in sub-Saharan Africa represent the community, and encourage group participation using a method that is called call-and-response. If they aren’t using a call-and-response such music’s are usually to be found at events such as religious ceremonies, and/or most other ritual based activities.

The South African Apartheid, instituted in 1948 by the country’s Afrikaner National Party, was legalized segregation on the basis of race, and is a system comparable to the segregation of African Americans in the United States. Non-whites - including blacks, Indians, and people of color in general- were prohibited from engaging in any activities specific to whites and prohibited from engaging in interracial marriages, receiving higher education, and obtaining certain jobs. The National Party’s classification of “race” was loosely based on physical appearance and lineage. White individuals were superficially defined as being “obviously white'' on the basis of their “habits, education and speech as well as deportment and demeanor”; an

“Rock music is important to people, because it allows them to escape this crazy world. It allows them not to run away from the problems that are there, but to face up to them, but at the same time sort of DANCE ALL OVER THEM. That 's what rock and roll is about” (Pete Townshend). The concept of rock and roll music had eased into the music industry in a time after a crippling war and a great depression. The mid to late 20th century was home to innovation, rebellious teens, and a devastating war..The introduction of rock music has influenced our country and molded it in many ways as the genre progressed and has found a place in our culture.

“In less than a minute, the death wail went up out of every cabin in the Quarters, and Brother Ezekial began the death chant: Soon one morning, Death come knocking at my door…. Oh, my lord, What shall I do” (Walker 17)? Death was common for slaves. They routinely died from disease, beatings and accidents on the plantation, and they expressed their sorrow in the form of song. “I see death around the corner, gotta stay high while I survive, … Keep my finger on the trigger, no mercy in my eyes” (“Death Around”). Death is still common in the African American society. “Black males ages 15-19 die from homicide at 46 times the rate of their white

Throughout the film Amandla! A Revolution in Four-Part Harmony, black South Africans began converting their historical roots in music into a fight for freedom. As these oppressed individuals struggled for racial equality during the twentieth century, music classified as freedom songs emerged as the fight against the inhumane Apartheid intensified. These freedom songs, which are performed and played throughout the film, protest white supremacy and segregation using a combination of inspiring and punishing lyrics to ignite a flame in the hearts of the persecuted. Black South Africans found a way to rally together, fight, and survive the National Party’s attempt at complete segregation through music.

In today’s day and age, it’s easy to hear black culture represented in most hip-hop; that is the dominating music genre that expresses African American views. It’s not so easy to remember where African Americans influence on music al began. Black influence on music today is really unrecognized but it’s important to bring to light just how much African Americans really have contributed to the sound, style, and feel of today’s music. Not just hip-hop or rap, but all kinds of music.

In this essay, I will be examining the musical genre of Afrobeat which was created by Fela Anikulapo Kuti. Afrobeat first came to be in the late 1960’s during the Civil Rights Movement in America. Fela Kuti a Nigerian, was able to create a genre that has change the way we view music today. Afrobeat is made up of two different words, “Afro” and “Beat”. “Afro” correlates with “African organized sound while beat is a rhythmic counting pattern in relation to such music” (Oikelome, 2013). Therefore, the meaning of Afrobeat is the unique African rhythmic patterns of such music. The coming of this genre is very interesting since the man behind it has quite a story.

“Where Have All The Flowers Gone?” by Pete Seeger became a popular anti-war protest song during the 1960s. This song did not only protest against the Vietnam War but also made their generation more aware about the global problems. Songs like “Not Ready to Make Nice” by Dixie chicks about freedom of speech was written after they received death threats for singing against the Iraq war, protests against the violation of human rights. But music is not only used to protest, it is also used to give hope and optimism. “We Shall Overcome”, a song sung by Guy Carawan together with the Montgomery Gospel Trio and the Nashville Quartet, is perhaps the best known example of civil rights song. Instead of blaming the government, this song registered a feeling of hope and faith among African-Americans during the civil rights movement.

In this course we have learned about all of the different cultures and their musical traditions. My favorite so far has had to be the west African music culture. They have a variety of different music, instruments, and dances to contribute to the reasons I liked this music culture so much. So, I have taken it upon myself to further my research on this particular musical group. I will compare and contrast a variety of different videos from the west African music culture and I will analyze how they connect to this culture.

Scholars have attempted to define music, and to be quite honest, it will be a huge challenge to try to weave a definition around the art that is music, because it is beyond definition. However, for the purposes of this work, we shall adopt the definition by Aluede & Eregare (2009), not because the definition is, in itself, complete, but because it captures the very essence of what we look for in the definition of music. Music, according to Aluede & Aregare (2009), is not only an organization of sound but also a symbolic expression of a social and cultural organization, which reflects the values, past and present ways of life of human beings. Also, Jones (1975), cited in Amana and Onogu (2015), defines music as “a language which encodes emotions, aspirations and people’s goals in autonomous and self-expressive arts forms.” These definitions are important in understanding music, because they highlight the fact that music does not only appeal to the feel-good emotion, it is not only used for entertainment; it is a valid form of social expression and this underscores the centrality of music in African socio-cultural life.

On June 19, 1890 South Africans came into contact with African American music for the first time. This contact came when Orpheus McAdoo’s Virginia Jubilee Singers. Orpheus McAdoo, a graduate of Hampton Institute, now known as Hampton University in Hampton, Virginia joined five members of the original Fisk Jubilee Singers, an African American a capella group from Fisk University and began to tour places such as Europe, Australia, and New Zealand. When he returned to the U.S., he added four members to the minstrel troupe and in 1890 they found themselves in Cape Town, South Africa. Their tour in Cape Town was extremely successful and they forever left an impact on South African culture in the form of a Carnival that takes place each year. Kaapse Klopse, formerly known as the Coon Carnival takes place on January 2nd each year. Minstrel troupes gather in District 6 and take part in a parade and various competions. Various genres of music are represented in the Kaapse Klopse but one genre has been apart of the festivsal since its early beginnings, South African Jazz.