The Impact of Negro Spirituals on Today's Music Essay

Motown Records was founded in 1959 by Berry Gordy who turned his music production company into history’s most successful black-owned record label company.

The Spirituals are spiritual. Conscious artistry and popular conception alike should never rob them of this heritage, untrue to their tradition and to the folk genius to give them another tone. That they are vulnerable of both crude and refined secularization is no excuse. Even though their own makers worked them up from the "shout" and the rhythmic elements of the sensuous dance, in their finished form and basic emotional effect all of these elements were completely sublimated in the sincere intensities of religious seriousness. To call them Spirituals and treat them otherwise is a travesty. Emotionally, African slave songs were far from simple. They are not only spread over the whole length of human moods, with the traditional religious overtone skillfully insinuated in each

Eileen Southern’s The Music of Black Americans: A History she examines the influence that African Americans had in the holiness churches in music and worship. She initially starts with the landing of the first Africans to the colonies and she creates a phenomenal conversation of the musicians in the new world. She details the progression in the gospel, classical, jazz, rap, blues and the contributions they made.

African slaves were brought to America from many tribes and they brought with them a variety of beliefs and practices. In some ways, the religion that many West Africans practiced bears a striking resemble to the practices of Christianity and Judaism. There are however several differences that make it clear that it is its own separate faith. On the plantations in America slaves were taught a “modify” version of Christianity so that they would obey their masters, and often times slaves would hold their own services. Other slaves believed in and practice what was called “conjuration” along with Christianity.

Negro spirituals was a “genre” of music introduced by African American slaves in response to their lives and treatment by the white race. It gave many slaves the voice of opposition that they never had and allowed them to subliminally speak against their masters without fear of consequences. Said to have originated from slaves who were “Unable to read the Bible for themselves and skeptical of their masters’ interpretation of it…” (Raboteau). These songs were “… the message of the Christian gospel… translated… into

In African-American history, "the church" has been the center of Black communities and has been established as the greatest source for African American religious enrichment and development. The term, "the Black Church” represents many details of racial and religious lifestyles unique to Black history. By 1700, most Protestant and Catholic slave owners came to a conclusion, that if a slave had a soul, conversion to Christianity had no effect on them being a slave. Some slave owners searched for passages in the Bible that made it sound as if the Bible approved the enslavement of black men and woman. During the 1730s, the "Great Awakening" movement brought about a demand for the use of livelier music called hymns in worship service. This new

Teachings of Christianity entered Africa long before the full swing of the slave trade. Christianity first entered the African continent in the early AD, around the first to third century from Israel through Egypt. This “first wave” had minimal effects on the region, and hardly spread into the southern regions. It wasn’t until the “Age of Discovery” (15th to 18th Century) when the Europeans made contact with Africans that Christianity took a hold in Africa. African nations took on Christian Monarchy as leadership, and began converting their populaces. The spread of Christianity in Africa, however, was not a full coverage of the continent. Not only did Christianity experience barriers in conversion due to an already present

One of the first things that attracted the African American slaves to Christianity was a way of obtaining the salvation of theirs souls based on the Christian’s idea of a future reward in heaven or punishment in hell, which did not exist in their primary religion. The religious principles inherited from Africa sought purely physical salvation and excluded the salvation of the soul. However, they did believe in one supreme God, which made it easier for them to assimilate Christianity.

African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.

It can be assumed that Christianity shaped slave culture in several ways such as developing a common bond among slaves. At the some time, it could also be argued that slavery altered Christianity in various ways including the formation of Methodist and Baptist denominations. However, these were not the only manners in which both cultures had an effect on each other. Black converts dramatically increased the number of Christians in the New World. The ideas instilled in slaves by Christianity gave some slaves thoughts of rebellion and influenced African-American music and dance. Not to mention the church was a major supporter of the proslavery argument which conveyed slavery as a positive thing during the

One of the main reasons masters did not want their slaves to become Christians involved the Bible. This was one reason why many plantation owners tried very hard to stop their slaves from becoming literate. If they learned to read it would become a threat to their religion. In the South, African American people were not normally allowed to go to church services. African American people in the North were actually allowed to attend church services. Drums, which were played in traditional religious ceremonies, where not allowed due to overseers scared that they would use them to encode messages.

Long before their contact with whites, Africans were a strongly religious, and deeply spiritual people. During the early history of slavery, the African American spirituality was often seen by whites as a pagan faith. These rituals and dogmas were seen by whites as Voodoo, Hoodoo, Witchcraft, and superstitions. They often commented on these "pagan practices," and fetishes, and were threatened by them. As a result, great effort was put on eradicating these practices, and many were lost within a generation.# Although tremendous efforts was placed on eradicating the “superstitious” religious beliefs of the African slaves, they were not immediately introduced to the religion of white slave masters, Christianity. Many planters resisted the idea of converting slaves to Christianity out of a fear that baptism would change a slave's legal status. The black population was generally untouched by Christianity until the religious revivals of the 1730s and 1740s. The Bible was manipulated to support the institution of slavery and its inhumane practices. Christianity was used to suppress and conform slaves. Slaveholders, priests, and those tied to the Church undermined the beliefs of the millions of African-Americans converts.# White Christianity was used to justify the enslavement of blacks. By the early nineteenth century, slaveholders had adopted the view that Christianity would make slaves more submissive and orderly.

Gospel music is an elegant form of worship. It has been used to speak out against oppression and to advocate for freedom and equality for all. Gospel Music is exemplary of music being used to change the world. Gospel music and the various artists associated with it have had a monumental impact on the face of our

Religious songs were also another group. They were sung accompanied by clapping of hands and foot stamping. Slaves had their own ways of praying and worshipping in their native land which assisted them to be introduced to Christianity. Africans used to sing songs, give testimonies and worship to their gods and deities; a culture which they could not forsake. These songs were classified as work, jubilee and social. Work songs sung while working in the field to give the black community hope and freedom. Social songs contained social messages and the jubilee songs were sung in the church.

Rhythm and blues, also known today as “R & B”, has been one of the most influential genres of music within the African American Culture, and has evolved over many decades in style and sound. Emerging in the late 1940's rhythm and blues, sometimes called jump blues, became dominant black popular music during and after WWII. Rhythm and blues artists often sung about love, relationships, life troubles, and sometimes focused on segregation and race struggles. Rhythm and blues helped embody what was unique about black American culture and validate it as something distinctive and valuable.