The Impact of Ophelia on Hamlet
Could the Bard of Avon have created a more innocent and obedient young lady in Hamlet than the victimized Ophelia? I think not. Let us discuss the ups and downs of her life in the play.
Michael Pennington in “Ophelia: Madness Her Only Safe Haven,” describes personality traits of the young lady:
This is the woman she might have become – warm, tolerant and imaginative. Instead she becomes jagged, benighted and imaginative. . . .Ophelia is made mad not only by circumstance but by something in herself. A personality forced into such deep hiding that it has seemed almost vacant, has all the time been so painfully open to impressions that they now usurp her reflexes and take possession
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Ophelia agrees to abide by the advice: “I shall the effect of this good lesson keep as watchman to my heart.” After Laertes’ departure, Polonius inquires of Ophelia concerning the “private time” which Hamlet spends with her. He dismisses Hamlet’s overtures as “Affection, puh!” Polonius considers Ophelia a “green girl,” incapable of recognizing true love: “These blazes . . . you must not take for fire.” He gets her assurance that she will not talk with Hamlet anymore. Ophelia shows herself to be pliable and obedient to family members. Grace Latham, in her critical essay “O Poor Ophelia,” alleges a sheltered existence of the young Ophelia:
It has been suggested that Ophelia was put out to nurse, and passed her childhood in a farmhouse; but not only is there no line in Hamlet to warrant our adoption of such a theory, but the girl herself lacks the healthy practical tone of mind, the self-reliance in little things, which a rough open-air rearing would have given her. It is more probable that she grew up under Polonius’ own eye, and that with the same want of perception of character which distinguishes him in his dealings with Hamlet, while he pushed forward his independent son, he kept his gentle, timid daughter under stern control at home. (165)
After the ghost’s revelation to Hamlet, Ophelia is the first to witness the hero’s “antic disposition.” And
In Shakespeare's play, Hamlet, the character Ophelia is very controversial due to the fact that Shakespeare places her as the focus inside the minds of all the men in her life such as Polonius, Laertes, and Hamlet. Although Ophelia may appear to just be a beautiful, weak girl, she has the ability to gain power and attention over all of the men in her life. Throughout the play, Ophelia does not have much of a voice while also being mistreated and emotionally abused by her boyfriend Hamlet. Although Ophelia does not express her opinions and emotions publicly, she propels the plot along by influencing major events. Ophelia’s weak, indecisive, and obedient personality allows her to progress the plot by Shakespeare making her the focus of the men in
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
“Hamlet’s relation to the maternal has often turned on a psychology complete with Freudian repressed infantile fantasies and adult son’s fears and revulsion of complex female relationships and interactions” (Kumamoto 4). This insight into Hamlet’s behavior, and how deeply seated (yet, possibly unconscious) his revulsion of Ophelia’s desires may have been makes it easier for the reader to understand how his almost intuitive reaction to Ophelia is what, in turn, provokes her madness and thereby, her death. Hamlet could not, from a psychological standpoint, have loved Ophelia genuinely or pursued a life with her if he was fixated on his mother and at the same time, repelled by her blossoming sexuality and what he feels is her (his mother’s) impiety and harlotry.
The character of Ophelia is an excellent element of drama used to develop interpretations of Shakespeare’s text. At the beginning of the play, she is happy and in love with Hamlet, who first notices her beauty and then falls in love with her. The development of Ophelia’s madness and the many factors that contributed to her suicide are significant parts of the plot. “Her madness was attributed to the extremity of her emotions, which in such a frail person led to melancholy and eventual breakdown” (Teker, par. 3). The character of Ophelia in Zieffirelli’s version is the personification of a young innocent girl. “Her innocence is mixed with intelligence, keen perception, and erotic awareness” (Teker, par. 13). This Ophelia is a victim
Even though Ophelia has a fondness for Hamlet, she listens to her father when he tells her to leave Hamlet alone. Conclusion.
Polonius teams up with King Claudius and once again places demands on Ophelia which require her to disregard her own self to fulfill their wishes of deceiving Hamlet into revealing the cause of his erratic behavior. And once again, it is Ophelia’s duty to her father and this time to the king to be obedient. Disobedience to the king and his advisor are not an option. Polonius wants the king to look on him in good favor and he is willing to step on his daughter to get this admiration. He neglects Ophelia’s feelings by not even thinking of how his requests will affect her. He feels at liberty to request whatever he would like. He is purely worried about himself. Polonius holds a position of unquestioning authority over his daughter. He treats her as though she is not intelligent enough to make her own decisions and he knows that she will inherently obey him. To him her feelings are irrelevant and immature which he states when saying “Affection, puh, you speak like a green girl.”(1.3.101) Following her fathers instructions, she loses her lover and a piece of her happiness.
The noble and innocent youth Ophelia tries her hardest to obey/impress her elders. Prince Hamlet and Ophelia have a complicated relationship in which they have on and off’s. At the beginning Ophelia’s love for Prince Hamlet is strong but she has to keep her innocence/ obedience
Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. Ophelia is the only truly innocent victim in Hamlet. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck.
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
Ophelia started acted insane when Hamlet frantically ran up to her, grabbed her arms and shook her because he had seen the ghost of King Hamlet. “He took me by the wrist and held me hard. Then goes he to the length of all his arm, And, with his other hand thus o’er his brow, He falls to such perusal of my face As he would draw it. Long stayed he so. At last, a little shaking of mine arm, And thrice his head thus waving up and down, He raised a sigh so piteous and profound As it did seem to
What makes Ophelia Hamlet's foil is also part of what makes her more tragic than him. Hamlet felt grief over his father's death, however his madness was only pretend. Ophelia actually went insane after her father was killed. Ophelia's position in society was also the opposite of Hamlet's. Hamlet is free to do as he chooses, all the time. However, Ophelia is usually under close surveillance by her father at all times and has no choices. Because of this Ophelia's character is more unfortunate than that of Hamlet.
64. As opposed to Hamlet’s madness by becoming too consumed within his own thoughts of revenge, Ophelia’s madness stems from her loss of identity. Though both characters had lost their fathers, Hamlet maintained his individuality, whereas Ophelia, without her sense of duty, has been rendered unto nothing. Ophelia is not the tragic hero that Hamlet is, she serves merely as a plot point and a foil to Gertrude in her purity and lack of selfhood. Ophelia is a damsel left to wallow in her tragic fate as no one comes to her rescue.
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
Ophelia is shortly affected by the protagonist’s mad conduct. And immediately she goes to her father, Polonius, to explain how she is “so affrighted” as a result of Hamlet’s visit:
Overwhelmed by outside forces and her repressed love for Hamlet, Ophelia is truly a sad and remorseful character in this play, an innocent victim with little essence or depth. An evident victimized woman, ruled by her Renaissance sense of romantic love, it can further be argued that Ophelia was extremely ambiguous. She was too incompetent to decide what she really desired in life. Because she falls in love with Hamlet at a very young age she cannot truly comprehend what love is all about, even though there is strong evidence that Ophelia had sexual relations with Hamlet. Hamlet emphasizes the hypocrisy of his words