The Impact of Recording Technology on Music Essay

2003 Words9 Pages
The Impact of Recording Technology on Music

Most successful musicians know a hidden art carried out by the work of a good sound engineer; it is essential for a magnificent album. For the rest of us novice listeners and fans, we believe what we hear through our speakers or played over the radio are the true skilled professional musicians, soaring at their craft. Most contemporary music, from pop to R&B and acid jazz to the sophisticated realm of orchestral film scores, has been modernized by several inventions encased within the studio. The art of audio engineering has taken on new forms, from the nuts and bolts, "plug it in, and see if it works" era into the digital world, because of these wonderfully tragic solutions to a
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This eliminated the need for highly skilled professional musicians to back up tunes in the studio. Musicians are expensive as is studio time, so methods were created to save cost while producing the most equivalent replica of the missing instrumentalists. In addition to cost, another factor that computers introduced was a faster pace of life. Faster forms of media birthed the creation of T. V. networks such as MTV and VH1 to carry popular music at an incredible rate to viewers. A majority of pop music artists in the last decade have one thing in common: their fame rose and declined faster than high school relationships. Faster life means a demand to have better quality music, with low cost, with people who were not focusing on music as an art, but as a way to get thousands of teen females screaming their name. Musicians have to export larger quantities of music which is current and within the boundaries of trends. The perfect solution came around the late 1970s in a format known as MIDI (Musical Instrument Digital Interface). In a simple explanation, a MIDI file is a blueprint, which is sent to a reading machine. This machine has various spectrum data programmed corresponding to different instruments. The rather small MIDI file is then read, and interpreted to match the desired synthesized sound. The quality of the sound produced depends on the
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