The Importance Of Colors In The Chinese Culture

3. I believe so much of the article is dedicated to the funeral and cremation, because the writer wants us to not only see the vast differences between the two cultures, American and Chinese. But, to experience the feelings it is bringing up from the writers past, and her present. Her feelings of loss of the grandfather that died before she was born, and the loss of the “ buzz-cut grandpa” she had come to look forward to seeing. As for the cremation, in America, we as a culture would be outraged to pay extra for our loved on to be cremated alone. Never would we think it acceptable for more than one person to be cremated at the same time. The wearing of the patch of black on the sleeve, is similar to the black garters that are worn around the arms at certain funerals in the American culture; in particular that of a fallen officer or team mate. All of these descriptions are helpful to us as the reader, in order to give us a clearer mental picture of what is going on during the funeral and cremation of the “ buzz-cut grandpa”.

Most people do not see color as simply the way something looks, however. They tend to associate certain colors with specific feelings, emotions and memories. (Dmitrieva) For instance, blue is most commonly associated with “feeling blue” meaning one feels upset or depressed, however, blue is

Colors are apart of our everyday lives. They help us on dreaming, creating and increasing youthfulness. The author used colors to illustrate an importance behind objects, emotions, and characters. The various colors symbolize location, character traits and appearances.

Death is inevitable part of human experience, which is often associated with fear of unknown, separation, and spiritual connection. Death is an individual experience, which is based on unique perceptions and beliefs. Fear of death and dying seems to be a universal phenomenon, which is closely associated with apprehension and uneasiness. Death is allied with permanent loss, thus personal experiences of grief are similar in many different cultures. There are different mourning ceremonies, traditions, and behaviors to express grief, but the concept of permanent loss remains unchanged in cross cultural setting. With this paper I will identify cross-cultural perspectives on death and dying, and will analyze

Every individual experiences the act of death, and most persons experience the death of someone they know of. Whether family, kin, or someone infamous, the living deal with the process of dying. Anthropology seeks to understand the universal process of death ritual and how different cultures deal with death differently. An anthropologist can extract social values of a given culture, past or present, from how death ceremony is practiced. Such values could be regarding political hierarchy or an individual’s status in a society, and about a culture’s spiritual or religious faith. By exploring death ceremony in ancient Egypt, contemporary Hindu death practice in India, and current North American funerary rites, it can be illustrated that

As we all know, color is the voice for the artist 's sentiment. It makes up the appearance of a picture. Color is the decisive factor in depths of the two-dimensional plane of the artwork, making the viewer feel physically and mentally attracted, or the context of things - the phenomenon the author wants to present. Colors have been around for a long time, but there is not a common definition for colors. And perhaps humans are one of the luckiest creatures that can identify colors. Often, the recipient 's eye knows a myriad of colors and colors that always change based on the relationship between light and perspective. In art, color creates a sense of

Color and color combinations are very important to many cultures and have been for centuries, reflecting their specific beliefs and meanings. Divakaruni used colors of clothing to signify and compare monumental

Color fills our world with beauty. We delight in the colors of a magnificent sunset and in the bright red and golden-yellow leaves of autumn. We are charmed by gorgeous flowering plants and the brilliantly colored arch of a rainbow. We also use color in various ways to add pleasure and interest to our lives. For example, many people choose the colors of their clothes carefully and decorate their homes with colors that create beautiful, restful, or exciting effects. By their selection and arrangement of colors, artists try to make their paintings more realistic or expressive.

In this paper, we will discuss the different death rituals performed in different cultures. We view death rituals from Native Americans, Africans, those of the Chinese decent, and endocannibalism from the Fore tribe of Papua New Guinea. Death is universal to all people in every culture. Responses to how one deals with death and dying differ greatly. Death rituals are usually based on beliefs. This can come from religion, history, language, and art.

New agricultural techniques, porcelain, metallurgy, printing, and naval technology were few of the technological elements that reinforced the established features of social order. New agricultural techniques helped in the expand of their agricultural potential, the dynasties gained reputation from porcelain technology which moderately diffused to other societies producing porcelain in large quantities, metallurgical techniques as well diffused to lands beyond China, printing produced texts quickly and popular works appeared in huge quantities, and naval technology included of the magnetic compass which soon became common for mariners to use. Population growth, patriarchal social structures, and gunpowder were technological elements reinforcing established features of political order. Population growth reflected the capacity of economy and distribution of food, patriarchal social structures included of concern to preserve family fortunes and foot binding, and gunpowder was an element used for military effectiveness. These aspects provided a fundamental change in traditions because they changed their whole concepts of how to use goods as in previous Chinese eras.

Colors take on a big role for the new year’s. Table is decorated in red and gold, and the candles demonstrate a desire for peace(blue), prosperity(yellow), money(green), and white for health (“New Year’s”). People’s clothes are color coordinated according to superstitions. Women choose colored underwear according to what they wish for in the new year. Red indicates love, yellow suggest general good luck, green means money; and white influences health (“New Year’s”).

Understanding the Coloured identity can be uncovered through the means of the symbols that establish this identity (Adhikari, 2008). When referring to Coloured people, not only do they have various symbols and thus various meanings are correlated to this, but is also located in various areas and context that includes historical, political, social and economic contexts (Petrus & Isaacs-Martin, 2012). After research conducted by Hammat (2009), it has found that employees drew on local and global influences in their adaptation of individualities and structures of race. Accordingly the conclusion drew the statement that to be coloured and successful meant being a good customer of global popular culture, music and fashion. Therefor this means the

Mankind’s history of burial practices and funeral customs are as old as civilization itself. There is no specific way to planning a funeral. Every civilization and culture has provided for their dead in different ways. Religion and personal beliefs play an important role in the burial practices and funeral customs of a given culture or civilization. Furthermore, each civilization and cultured ever studied have three things in common: some type of funeral rites, rituals, and ceremonies; A sacred place for the dead; and memorialization of the dead. As far back as the time of Christ, burials have been noted to take place. In time burial and funeral customs have become very distinct, interesting and

Scholars and film critiques have often regarded the fifth-generation film Director, Zhang Yi Mou’s films as a visually sensual feast (Zhu 26). The predominant use of the color Red in his highly stylized films: Red Sorghum (1988), Ju Dou and Raise the Red Lantern (1991) are evidence of his trademark visual style thus leading scholars to critically analyze the symbolic representation of the color. I would argue however, in addition to the prevalent use of red in his art-house films, there are several supporting colors (black, white, grey, blue), intertwining with the color red. Zhang seems

What remains the significance of color in art? Could it be the disposition and feelings it provokes to the viewer, the distinguishing factor in the meaning of a piece? Maybe color is used in the association of simply shadow work, used only in technical terms to create value and the curvature of a three dimensional illusion? Or maybe the use of color in artwork appears as simple as how one learned the use in childhood, gender identification: blue means male and pink means female. True, artists select colors to produce a certain mood or atmosphere; to create space, light, and shadow, however, in regards to the artist Cindy Sherman, color is used profoundly in gender roles and symbolism. Representation and hidden meanings found within artwork is not a new concept by far, artist have been using such method for centuries. Nonetheless, the unique and slightly nightmarish way the contemporary artist Cindy Sherman uses color in representational ways brings about a new light to a familiar technique. Cindy Sherman, an American artist born in 1954, is extensively acknowledged as one of the most prominent artist in contemporary art. During her career, Sherman has extensively used the infinite surplus of images from movies and television, the internet, magazines, as well as art history, to create a massive collection of confrontational artwork. In many of her pieces she has discovered the manufacture of contemporary identity as well as the significance of representation, especially in