The Importance Of Creative Writing In New York City

Going back to the original question, what is considered graffiti? McAuliffe and Iveson proposed an idea, “asking whether graffiti is still graffiti if it is taken from its illegal context on the walls of the city and placed in a gallery” (130). In “The Making of Space, Race and Place” by Maggie Dickinson, Sandra Fabara, a writer who was featured in the Brooklyn Museum exhibit, answered this question. Fabara argued that “The pieces in galleries cease to be graffiti because they have been removed from the cultural context that gives graffiti a reason for being, a voice from the ghetto. Authentic graffiti cannot exist in the sanctuary provided by the galleries and museums” (39). She is saying that since the cultural side is being taken away and

An example of an artist who’s work is only present in the urban environment is a Melbourne graffiti artist under the alias of Aeon. Examples of his artworks are “Black” (undated) and “Foes” (undated), both of which are considered “Pieces” produced with spray paint on a bricked surface. Such pieces are only available for viewing on the streets of Melbourne on back lanes and ally ways. The location of his works add to the effect and subjective nature of his works with the emphasis of art flourishing in all areas of the world and by

Many citizens and government officials believe that those with disregard for the law and private property strictly do graffiti. In a New York Times article published in 2006 a senior police officer stated in an appearance to the committee of the metropolitan transportation authority on graffiti, stating that, “This is an underworld, a segment of society that doesn’t see this as a crime.” (P B5) Gang members write names

Most people can argue that there is a fine distinction between what is recognized as art and vandalism. The individual is often faced with uncertainty when the topic of graffiti arises. The public often portray graffiti as a destructive act towards his or her surroundings however; graffiti can also be considered a form of self-expression. Many questions can be made pertaining to the graffiti movement, but the main question is graffiti a crime or an art? The answers lie in the complex phrase of “beauty is in the eye of the beholder”.

Generally most people look and take graffiti as a form of destruction and wanting to cause violence, but in the artist’s mind they want to be creative and help the people around them by making art to cheer someone up or create a sense of creativity in others. They don’t do it to go to jail or because they want to pay a fine they do it because they are open minded and creative. For instance, “A lot of attention is given to the ‘broken window’ theory, which says that signs of disorder like petty vandalism, fare jumping … and yes, graffiti, open the window to larger crimes,” Verel told The Huffington Post. “But little is paid to the ways graffiti is harnessed for good in a form that’s both constructive and authentic”(Patrick Verel). They are taking this broken windows theory too far and only saying it can cause bigger crimes. Some graffiti artists are trying to uplift the neighborhoods and the people they live around with creative art. Also not all graffiti is bad enough to want artists to commit a crime. While making this art or graffiti I don’t think that these artist are trying to harm the buildings in any way, but they should ask for permission if they aren’t allowed to be painting on these buildings. This is to let the owner of the building know that they mean no harm to the environment or their workplace. For example, “Adam Cooper, cultural strategy officer for the mayor of London, thinks

This movie took place after graffiti had been so staunchly looked down upon. Craig Castleman supports this in his article “The Politics of Graffiti”, when he goes through

In chapter 6, it talks about the seven-mile world, which was centered in Crotonoa Park in the Bronx and extended to create a seven mile radius around this park. Crazy Legs described hip-hop’s four elements as: DJing, MCing, B-boying, and graffiti. Just as we learned in class, it really goes on to talk about graffiti and how it was seen as a “way of gaining status in a society where to own property is to have identity”. With the goal of graffiti being to achieve the most fame, which was done by taking the most risky spots in the city, youths were putting themselves in high danger to get the perfect “tag”. In fact, there was so much graffiti being done at this time, that people had to graffiti over someone else’s graffiti just to find room

The roots of graffiti started about 1971 by a Greek American who tagged “TAKI-183” in all New York subway system, he declared that he “used graffiti to create an identity in which he is certain about” (Fortuna 3), then it emerged all around America and the world. (David 72)

New York City during the 1990s has experience crime rates dropping dramatically under Mayor Rudy Giuliani and Police Commissioner Bill Bratton lead. Both began new approach to policing by developing several new strategies under the proponent of “broken windows” theory. Under Bratton, the NYPD began to enforce statutes aimed at curbing “quality of life” offense, offenses that are minor and were overlooked in the past in favor to concentrate on serious crimes. Under the Broken Windows theory, small crimes leads to bigger crimes so taking a stance against the minor behavior sends a signal to the community that any kind of law breaking would not be tolerated. Community policing program was adopted in a minor form as police officials focused their

As stated by Taki, an influential graffiti artist when addressing the concern authorities held about his graffiti writing, “Why they go after the little guy? Why not campaign organizations that put stickers all over the subways at election time?” (Chronopoulos 2011, pg. 81). Though, graffiti is deemed as legitimate when it is used to generate profit, which is seen through the recent increased demand for graffiti with the purpose of beautification and gentrification. Evidently, the growing concern over graffiti in public spaces is driven by the conflict graffiti creates when obstructing advertisements, which generate increased consumption and profit. It also demonstrates the lack of tolerance the dominant class has for the promotion of dominance by the lower class. Moreover, constant “public proclamations” which urged people to see graffiti writing as a social safety issue, has certainly influenced the demand for anti-graffiti efforts and the attitudes upper and middle class whites had towards Blacks and Latinos (Chronopoulos 2011, pg. 87)

The cutting edge of the public art development, connected with the hip-hop society of breakdancing and rap music, began with African-American and Latino teenagers in Philadelphia and New York in the late 1960s (MacDonald 1). At that time graffiti to most, was considered to be a form of art work. Regardless of those that thought of it as art, there were and are still numerous individuals that loathe the graffiti movement. Works of art have been dependably charming for ages, as it is a method for self-expression and inventiveness. Artistic expressions have advanced in many ways, such as public canvases offering an approach to modern day unique artwork. Graffiti is progressively turning into a hobby. Although one of the major controversies of graffiti surround the statement that it is not art and considered vandalism, graffiti allow artists to display grateful meanings, skills and expressions to the public.

Vandalism or graffiti is another crime that affects the public. Taxpayers have to deal with this because we have to pay for the graffiti to get off of buildings, cars, or homes. Graffiti encourages more crimes to happen because if one gang doesn’t like what another gang puts out there, then it becomes a gang fight. Graffiti promotes gangs, this shows that this is that particular gangs turf. Once you notice the graffiti you automatically know that a gang has taken over this area. Members wear graffiti tags to announce what gang they’re in (Almonte and Desmond 13). Gangs may identify themselves in many different ways, graffiti is just one of the most common ones. According to Justice, “the removal and preventing of graffiti vandalism is way costly to the

In the 70s graffiti was just tags or small pictures but it quickly turned into and “art movement” (Eickmier). This means that the young and the old artist had finally found a way to express themselves and were spreading it around cities like wildfire. In other countries the amount of graffiti shock american tourists, it is seen as a good thing. “Instead of walls being used to separate people from each other, graffiti brings people together and keeps conversations going.” (Wark) Graffiti has value as art and it tells a story worth reading. (Wark) Most teens resort to graffiti as their last option, and most people see that as wrong, but it lets them express themselves in a really different

Street art and graffiti are two different styles of urban art, and yet they still hold some of the same characteristics. After all, street art was born out of graffiti, and an article in Huffington Post described their relationship in the clearest way: “Graffiti was the template, the means, the method. Street art adopted all of this and pushed the boundaries of what outside art can be, going beyond anything achieved during the Golden Age of graffiti’s early evolution ” (McCarthy). In every city, there is evidence of graffiti and street art, both legal and illegal. Street art includes more “art-like” styles, with more imagery than just words. Because of the

Going by the traditional definition of graffiti, simple writings or illustrations on walls, the art can be traced back to ancient times with cave paintings and hieroglyphics and such. The need to communicate through visuals has always been ingrained in all types of human culture; evidence of graffiti can be found everywhere, from ancient Pompeii to early 20th century America. However, the modern form of the art, characterized by tagging and complex personal expression, emerged some time around the late 1960’s. At this time, kids in urban communities had no voice, no way to express themselves and their ideas to the world. They began writing on walls, subway cars, ice cream trucks, any surface they could reach with paint. Initially, most graffiti was made for rather simple purposes: to get the attention of a girl, or just to be able to write your name somewhere, but eventually escalated into full-blown murals and artworks used by artists to express themselves. This trend grew and spread, quickly